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Meanwhile, the article of Candice Wheeler, the ability of one to be able to comprehend and make things that has the beauty of color and the grace of lines are a gift; however, it is also true that even these gifts must actually confer to certain laws. In this case, decorative and applied art may be classified as one of the most important qualities of mankind, for it enables us to achieve endless sensual pleasures, and that it brings lofty satisfactions to men. In this case, applied art to decorative art is like child to man; wherein applied art subsumes itself with the laws of decorative art, but it transcends it by unifying thought and art with things that are useful to the everyday existence of man.
The third article, written by H. Muthesius and H. van de Velde, focuses on the standardization of architecture. According to them, it is through the standardization of architecture where it will have universal significance. In this case, they outlined different points to illustrate why standardization in architecture is important. According to them, an unfailing good taste is actually brought about by standardization as understood in concentration. In addition, it is essential to have a universal high level of taste in order for their (German) works to have relevance abroad, and that the creation of a creative development is the most urgent task of their era.
Speaking for the German association of artists, industrialists and merchants (Deutscher Werkbund), the authors emphasized that they are able to give meaningful exhibitions only when they are restricted to the best and most exemplary. The next article, written by Herman Muthesius, outlines the aims of the Deutscher Werkbund, the national association of artists, industrialists, and merchants in Germany. In this article, the author argues that it is important for their movement to undergo an artistic reform, a reform that focuses on improvement on the impression that their epoch consists that of a lack of culture.
However, due to the funding of their movement, their works has already gained universal significance, which is an expression of their continued effort for cultural refinement and beauty. However, Muthesius also noted that their task does not end here, given that they must continue to refine their art and improve their technique. In addition, they must also strive to attain a high cultural achievement. Meanwhile, the article written by Josef Hoffmann and Koloman Moser talks about the evil of “shabby, mass produced goods,” especially in terms of how it has severely affected the way goods are made creatively.
In this case, the authors actually argue that these errors will be corrected, in order for artists to regain a high degree of artistic creativity in their works. In this case, the author argues, that it is actually important to be able to establish an inner relationship between the public, the worker, and the designer; wherein guiding principles in their work would include utility, function, good proportions, and as well as the proper treatment of the respective materials used. In this case, they must not compete with cheap work, but rather set high artistic and creative
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