Mallard’s experiences after the news of her husband’s death. The narrator uses a number of stylistic devices to present the nature of Mrs. Mallard’s experience. These include analogy, symbolism, allusion, irony,…
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It suggests that Mrs. Mallard was feeling restricted and limited by the demands of marriage and that the death of her husband was giving her hope of regaining her independence and individuality. This could be the reason why the narrator describes that Mrs. Mallard has “slender hands”, “dull eyes” and eminent “physical exhaustion”. In fact, the narrator’s account of Mrs. Mallard’s physical exhaustion is analogous of a ghost haunting her body and soul. This shows that the bounds of marriage have been taking a toll on Mrs. Mallard (Chopin 11).
Mrs. Mallard is integrated into her society’s tradition. It is clear that the people in her society mourn the departure of their loved one. Richard, Mallard’s friend “leaves the office” and joins Josephine, Mrs. Mallard’s sister, in consoling and comforting Mrs. Mallard. Her sorrow is manifest and when she feels overcome by a feeling of elation, she locks herself upstairs. This is probably because she is ashamed of such a feeling and the fear to be construed as one who rejoices in the pain of others. However, locking herself upstairs was also meant to give Mrs. Mallard space to indulge the feeling of freedom away from the eyes of others (Chopin 13).
There is symbolism in the excerpt where Mrs. Mallard locks herself upstairs. The narrator paints Mrs. Mallard as a goddess of victory that could be an allusion to the mythical goddess of Athena. If at all this was the narrator’s intended allusion, there is an irony in it. This is because goddess Athena was believed to be the defender of her family but Mrs. Mallard is instead experiencing freedom after her husband’s death. As a goddess though, she gets the authority and the power to order people especially when she authoritatively tells Josephine, “go away”, when she knocked at her door. The room she locks herself in comes out as her court of majesty wherein she
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“Character Analysis on the Character Mrs. Mallard in the Story of an Essay”, n.d. https://studentshare.org/english/1632140-character-analysis-on-the-character-mrs-mallard-in-the-story-of-an-hour-by-kate-chopin.
This is a short story which limits itself to the events in an hour beginning from the breaking of the news to Mrs. Mallard by her sister who was trying her best to bring the message to her as gently as possible. Little did she know that her worries were not necessary because her expected feelings were not what she had.
The aspect of narration which strikes one immediately is the fact that the protagonist is referred to as Mrs. Mallard through a large part of the narrative. Divesting the protagonist of a distinctive name and identity of her own may, however, well be said to be a deliberate symbolic strategy on the part of the writer.
However, after only a few minutes of sitting in silence, Mrs. Mallard comes to terms with the alleged permanent absence of her husband. As she realizes that the rest of her years will be spent without him, she ceases to mope, and instead embraces the prospect of a freedom that she had forfeited when she got married.
At the beginning of the narration the readers are misguided to believe that Mrs. Mallard "was afflicted with a heart trouble" (Chopin 2009). Within the context "heart trouble" has a double meaning. We may take the literal meaning which is that indeed Mrs.
From the very beginning of her story, Kate Chopin plays mind games with her audience’s expectations. The author concentrates readers’ attention on Mrs. Mallard once she hears sad news about her husband’s accidental death. Once the
Mrs. Mallard was a typical 19th – century young woman, who suffered the oppressive fate of having to bend to the will of a highly patriarchal society. She was weak-willed and most likely did whatever was expected of
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