It is invisible. It is killing. It is unreasonable and threatening. A person experiencing the sense of fear will fight for his (her) survival even the chances to be alive are few. Elie Wiesel’s Night is the story of fear and survival in a…
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m the fear of disbelief, through the fear of the death, to the ultimate point of self-control and the fear of losing one’s self – the self which becomes and remains a guiding principle in his way to survival.
Elie Wiesel’s Night is the story of an Orthodox Jew, living in Transylvania and studying religion. The story of Eliezer’s life begins with fear – a fear of disbelief about everything Moshe tells his students when he returns from his exile. “Moche had changed. There was no longer any joy in his eyes. He no longer sang. He no longer talked to me of God and the Cabbala” (Wiesel 17). However, even with all these signs of moral fatigue and shock on Moche’s face, Eliezer does not understand what it means to experience reak fear. No intuition or inner voice tells him that it is high time he did something to protect himself and his family from the tragic consequences of fascism. This fear of disbelief further transcends to the moment when Eliezer finds himself in the concentration camp at Birkenau: “Never shall I forget that night, the first night in camp, which has turned my life into one long night, seven times cursed and seven times sealed” (Wiesel 34). Eliezer speaks of his feelings during the first night at the camp, when the brain still refuses to accept the reality of life. This is when the fear of disbelief suddenly transforms into the fear of the future, the fear of losing life, and the fear of time – time, which is indefinite, endless, but imminent. No one knows how much time will pass before Birkenau gives place to peace and safety (Bloom 102).
The fear of death is everywhere. Bordered on madness, in the atmosphere of destruction and ambiguity, life almost manages to destroy itself (Wiesel & Cargas 75). Dozens of men and women are hanged every day. The fear of death and the wish of survival replace everything human in people. They turn into savages, fighting fiercely to survive, even when sacrificing someone else’s life is the only
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He wants the reader to see him/herself as both the tormenter and the sufferer in order for him/her to understand that these two personalities are possible in all individuals. While putting into life his work, Wiesel, maybe unintentionally, created his role.
Personally for Wiesel, death threatens to overpower him at every moment between those years (1941—1945).A strong element of doubt creeps into Elie Wiesel’s mind, how God deals with humankind in such an atrocious style.
Through Eliezer, he relates his story although there were minor differences. Example, Wiesel was wounded on his knee and Eliezer was wounded on his foot. He created these slight variations to establish a distinction between him and his character.
Those who survived to record these experiences are both lucky and unlucky. They are unlucky in that they had to continue to live the rest of their lives with tormenting memories and unanswered questions about human nature and God.
The author is a holocaust survivor, author, and scholar. Wiesel got born in Sighet, Transylvania, in the year 1928 (Marion & Wiesel, 2012). The author was 15years of age when he together with his family got deported to Auschwitz and separated.
ews, they were arrested in 1944 and kept captive in a place Elie describes as the “ghetto.” Soon after their arrest, Elie and his family were transported to the concentration camp in Birkenau where he and his father were separated from his mother and sister—males were
Despite this duality both Clarissa and Henry are determined to comply with that which society expects of them in their ascribed roles. The ambiguity of Shakespeare’s Henry arises out his role as fearless King
He used to learn certain religious aspects from his teacher Moshe the Beadle and later his teaching class was cut short, when his teacher was deported. After a few months when Moshe returned he told everyone a very