Hamlet is the name of a critically acclaimed tragedy written by William Shakespeare that is known as one of his very best works. This is because Prince Hamlet is a character full of passionate energy and vengeance…
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An in-depth analysis of Hamlet’s character speaks of the fact that pathological obsession with death is one of many complex patterns of Hamlet’s psyche. This pattern will be scrutinized at-length in the following discussion to prove this argument that Hamlet’s relationship with and his attitudes towards death throughout the play an important role in destroying his reputation as a person of high social standing. If Hamlet’ action is explored in relation to death, many important aspects of the play get unraveled. This subject is very intense and open to multiple interpretations on a perceptual level due to which it is selected for this essay to be analyzed. It is worth-mentioning here that one of the most conspicuous themes of this Shakespearean tragedy is death which is evident in the way this theme interestingly influences the leading male character, the prince of Denmark. His relationship with death since the beginning of the play is very out of the ordinary and exceptionally odd. As the story progresses, this relationship starts bordering on insanity which is why critics describe the way Hamlet reacts to death a rare experience which people do not get to witness commonly in the real world. It is claimed that “the most extraordinary of Hamlet’s universal aspects is his relationship to death” (Bloom 6). He is described as extraordinary not only because right after the news of his father’s death reaches him, he becomes filled with emotions of rage and revenge. Rather, the aspect of his personality which compels one to raise one’s eyebrows and question the equanimity of this hero is the way he becomes hopelessly interested in death on many other levels. He becomes passionate about ghosts too and develops an urge to know what happens after a person dies, how the bodies decay once buried etc. Despite being a person of high social standing and required to stay levelheaded to be an example to his people, he instead he becomes literally obsessed with the idea of death. This obsession is born first when the death of his beloved father is revealed to him by his friend Horatio. Before killing Claudius, Hamlet attempts to familiarize himself with ghosts, which speaks of his fascination for the subject of death. Instead of developing interest in other tasks to be identified as a good leader, he instead sets on finding about the reality of ghosts to know if they really live in the world after death of a person or not. He contemplates the idea of death from many perspectives which demonstrates the gradual and worrisome development of a pathological behavior which turns out to have enormous repercussions as the story unfolds. Hamlet ponders about death from a spiritual perspective when he becomes captivated by the idea of ghosts and explores it. Instead of acknowledging the concerned advances of other people who are true to him like Gertrude, he perceives them as potential antagonists preferring instead to look on to death as a definite solution to all his emotional and psychological problems. Little does he know that death is not the solution, but actually the driver of his gradual psychological downfall. When interpreting the enthralling idea of death on multiple levels, he is singularly most
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One dictionary definition of death is, “death is 'the act of dying; the end of life; the total and permanent cessation of all the vital functions of an organism'” (as cited in Aiken, 2001, p.7). A person's death can undermine the emotional and economic security of many others.
One is drawn to make comparisons between, for instance, Gilgamesh and Heracles, Dumuzi and Persephone, which may obscure certain fine points that distinguish the two mythologies, many of which remain obscure to modern scholarship. There is work to be done in the field of Mesopotamian poetics, the study of which has largely been restricted to a consideration of its metaphorical and prosodic qualities (Vogelzang & Vantisphout, 141).
One can see that alienation within one’s private circle may force one to act according to his/her mind. Besides, this can result in stress, emotional problems, and in the end, unexpected madness. When this theme/idea is superimposed into the context of the problems faced by Hamlet in the play, one can see that the end result was madness.
Shakespeare intends to portray Hamlet as a genuinely insane person. For instance, his conduct after the interview with the ghost betrays an excited state of mind that borders on insanity. Horatio becomes compelled to reprove Hamlet because of his “wild and whirling words” (Shakespeare 35).
Be but to sleep and feed A beast, no more' (Shakespeare, Hamlet's soliloquy, Act IV, Scene IV). In this part of the play one can see that Hamlet is completely obsessed by his enormous longing to pay back for his father's death, to take a role of judge and jury and to punish his uncle for the sake of justice and his personal accounts.
Although the two of them went in on the purchase of the car together, the underlying insinuation in the story implied that this vehicle really belonged to Henry. Therefore, when Henry is forced to leave the reservation, due to being
The author of the essay emphasizes the idea that the soliloquy serves a dual purpose in that it explores how logic and emotion work discordantly in Hamlet’s mind along with how the speech itself works in the overall scheme of the play. Thus, the simplistic language used to convey Hamlet’s thoughts leads us to a greater understanding of the prince's fears.
Trauma from death has more impact if the relatives watch their patient die. I witnessed the death of a relative as a result of a road accident.
My cousin was a fanatic of fast driving and was involved in a grisly accident after reckless
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