Chinese Contemporary Art Museum - Essay Example

 Chinese Contemporary Art Museum Investment Boundaries of the fund. The proposal on contemporary Art Museum covers the key artery areas of China city from the west extending to the east. With a view to make landmark for the whole urban sector, this proposal will seeks to help the contemporary Museum establish a good relationship with all the other existing buildings. This way, the fund would be of importance given that it would be used by the museum in finishing the maintenance of the system symmetry, and boxes sequence. It is intended that the fund covers all the 35375 square meters of the museum. Fundamentally, the fund shall cover the contemporary Chinese and ancient art work alongside the notable artworks from the western. Noting that the museum has a huge number of Chinese imperial art, this fund is indented to fund the national level museum art that is dedicated towards collecting, displaying, and the research of the contemporary and modern China artistic works. Certainly, the fund shall be the key building element of the four stories of the Museum including the areas of display (Falk 12). Generally, the fund will take care of twenty-one exhibition halls in the museum. These collections are divided into various categories. This include the Chinese traditional painting, print, oil painting, sculpture, caricature, new year painting, lacquer, traditional story picture, costumes, and pottery. Rationale for the choice. It is worth noting that this category is expected to perform better, as well as improve the performance of the museum. Extensively, the funding provides an opportunity for the museum to increase the level of art and design in China. Unlike others, this category of funding is focused on boosting not only research and outreach in China but also the sector of education. This implies that through this funding, the collections in the museum shall be of great importance to researchers serving as an academic source for varied purposes. These collections have been known for displaying certain species at a certain time and place (Harris 14). Through it researchers shall have an opportunity to examine the temporal and geographical changes in populations, communities and species, thus tracking the patterns relative to human induced or natural changes (Harris 16). This category of funding is the best since it will enable the specimens of the museum to establish the research basis for the evolution of the research, distribution, and speciation. This will give vital baselines for studying emerging diseases, conversations and artworks. Different specimens are linked to data thus giving out information regarding life history, and natural traits of animals. All these will improve the tourism sector in the country by increasing the number of tourists who would be coming to china to observe the funded artworks and other specimens in the museum. Increased tourism will increase the revenue of China among other benefits. This category is, therefore, the best option for funding. Market analysis. The market of China Museum has shifted to discovery from denial. This museum has been experiencing difficulties in finance and different cultural institutions find it challenging to rely entirely on the income that is earned. Many funding institutions both government, foundations and corporate have been seeking for the accountability of the money that is given to the museums. The best way in which accountability could be obtained is through clear approaches of marketing, that will motivate the drive to accountability that are formal hence increasing the museum’s managers needs in having skills and orientation for the marketers (Falk 9). Even though, funding and accountability could push museum’s willingness in taking advantage of the methods of marketing, there exists an intrinsic value away from it. Marketing is basically the activities of the museum, which pay tribute towards the responsibilities and social mandates by the broad access. This is not only through the increment of the number of visitors, but through increasing the number of reached audience. The marketing methods adopted by museums was set recently, and its application to the China museum could be debatable (Falk 23). These approaches have been made through services and marketing that are non profit. In this respect, the context of commercial marketing is extremely the opposite of the museum that are considered being nin profit. Research has defined commercial marketing as a customer requirements satisfaction rather than profitability. This definition of marketing provides a long term blending of the social goals with the needs of individuals as identified by the concepts of social marketing. On the other hand, China museum could be termed as an institution, which delivers services. This definition gives a reflection of the museum developments from research centres and collection-care centres to institutions that offer public services. The visitors involvement through strolling in the exhibitions and taking part in public events and programs and their utility of cafes, museum shops and facilities, display the traits of the delivery of services. Additionally, analysis could be understood as the relationship and exchange program that is shaped with different partners. The market of the museum is considered being the communication with the stakeholders of the museum like the funding agencies, museum visitors, museum staff, local authorities, board members, researchers, museum professionals, and the media. This aspect widens the scope of the market beyond the audience of the museum as seen from a narrow perspective. Museum Sector. This museum was build, in the year 2003 when two separate museums occupying the same building merged. The two museums include the Chinese revolution museum of the in the northern wing and the Chinese history national museum located to the southern wing. The building has about twenty eight exhibition halls, which are three times the prior exhibition space, artistic exhibition, and facilities of storage. There are relevant reasons as to why the china Museum has changed in the previous years. Such changes could be discussed at the level of the government, level of the ministry, levels of peak museum, and the museums itself. In the 1990s, the government’s art Australian advisory body was responsible for research of the museum, thereafter China continued with its own reporting. This shift is displayed i the reports of China that were given out concerning the cultural industries that were emerging. For instance, China observed an initial detailed cultural presentation that performed two roles. In this respect, it sought to define the affirmative identity of culture thus obtaining the identity. This means that the high arts in which the museum is a section are observed as a portion of a full way of life hence vital. The requirements of a Maori perspective for guiding the cultural developments of the policy was also developed. These aspects are vital as they develop the cultural industry and biculturalism in China. In the entire 1990s, the public sector of China experienced a number of reforms that lead to increased performance indicators, accountability, and transparency in reporting. The government of Chinese kept a huge relevance on the museum developments. According to the communist China Party, the developments in the museum sector are of importance towards the scientific spread of knowledge and the enhancement of the international exchange of cultures (Conn 6). The museum has been a vital place where individuals have been learning the national culture and history, patriotism, spirit of nationalism, and the development of the civilization ideologies. Potential impact and role of public institutions. The museum sector is related to other sectors in several ways. The education sector, for instance, is one sector that is directly linked to the museum. Most of the research done in education obtains its specimen from museums. For any museum, the culture part of the country is always followed by learning elements. One study has shown out that public education was a shift from museums to various universities (Conn 8). This theory argued out that when school was common, an increased assessment systems expanded with it. The museums embraced additional educational assessment activities. The school assessment gave the necessary advantage for excess government and public support. Another study highlighted that the museum’s educational activities is depended on the potential of objects to have their own display. Additionally, Museums acts as agents of entertainment. In this case, the China Museum has been facing increased competition from the fairs of the world hence giving out increased entertainment to the public. Another sector that is directly affected by Museum sector is the tourism sector. An improvement of the tourism sector will automatically improve the tourism sector. This is so because an improved museum sector would attract many tourists in the country with intention to view the latest artefacts, thus boosting the tourists sector. Besides this, the agricultural sector is also a direct beneficiary from the museum sector. The historic and peculiar agricultural specimen stored in the museum enhance the research on various species of animals and plants. This research leads to the inventions of new breeds of crops, animals, and fertilizers thus boosting the sector of agriculture. Improved agricultural and tourism sector has an effecting of boosting the economy of a country. It is, therefore, evidenced that the museum sector is connected to the other sectors of the economy thus its funding would boost the performance of other sectors of the economy. This sector is an epicentre of other sectors hence the appropriate catch for funding. Future of the sector. With the funding, the future of the sector would be focused in the development of the cultural artistic and the historic perspective of the museum. Through the funding, the museum would be able to focus its attention on people and the facilitation of the fulltime human beings development. The high number of specimen in the museum will create a basis for evolution, and research speciation (Hein 7). The specimen would be utilized to track the historic changes in populations of animals. The effects of different pesticides would be linked to the thinning eggshell in birds, hence leading to reproductive failures and declines in the population of petegrine falcons and brown pelicans among other pests. Different species and their field guide distribution would be illustrated. Artworks to be funded. The funds will be used in approximately 50, 000 artistic items, including the rare and precious artefacts that are not found in the other museum in other parts of the world. Some of the vital artworks that would be funded include the ‘Simuwu Ding’ which is a heavy component of bronzeware, Shang bronze dynasty, inscribed western dynasty zhou, bronze pan, dynasty tally bronze having a tiger shape, and a ceramics song dynasty. Measurement of reliability and validity of the proposal cannot be underestimated in any way. As a proposal, it is the level of reliability and validity that will give the fund the needed credibility for its findings to be generalized (Hein 4). Due to this, there are several factors to be put in place to ensure that the results of the program are highly reliable and valid. Some of the factors include the selection approach used in selecting secondary aspects to be funded. In the absence of such selection mechanism, the utility of the funds presented cannot be trusted as reliable and valid given that they shall lack empirical backing. Another factor has to do with the use of technique of funding, which shall be used to select funding aspects in the sample size. With such a technique, the implication is that the researcher shall have no control whatsoever over the results. Finally, the funds will not compromise the ethical standards such as the confidentiality of respondents. This means that there shall not be any legal issues to litigate the funding. In some cases, legal litigations lead to the withdrawal of certain components of the program, rendering the whole funding program conclusion compromised and paralyzed. Work Cited. Conn, Steven. Museums and American Intellectual Life, 1876–1926. Chicago: University of Chicago Press. 2008. Print. Falk, John. Learning from Museums: Visitor Experiences and the Making of Meaning. Walnut Creek, CA: Alta Mira. 2001. Print. Harris, Neil. Material Culture and the Study of American Life, Quimby. New York: Norton. 2007. Print. Hein, George. Learning in the Museum. New York: Routledge. 2008. Print. Read More