Clients Name Name of Professor Name of Class Date A Discussion and Comparison between the 2007 film Beowulf and the epic tales about Cuchulain from the Fifth Century The 2007 film Beowulf is inspired by the epic tale from the middle to late Middle Ages in which a hero comes to kill a monster that is plaguing a kingdom…
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The epic stories written about Cuchulain, in contrast, discuss the fate of a man whose story begins when he is a young boy and his heroism is discussed in terms that do not assign much in the way of human weakness. The differences between the heroes of older tales and that of modern culture can be seen when comparing the Beowulf from the 2007 film to the character of Cuchulain from the fifth century stories of his deeds. The character of Beowulf from the 2007 film is heroic, but his heroism is tempered by the human frailty through which future events are written. Because he falls prey to the seduction of Grendel’s mother, he helps to create a bigger enemy that will eventually take his life. Even the monsters are given a more human dimension as they both are the sons of male protagonists in the film and are the evidence of the weaknesses of men even when their skills and deeds proclaim them to be heroes. In reading the stories of Cuchulain, it is clear that in order to feel protected a medieval character is more often skilled beyond what is natural and imbued with a spirit that has a sense of purity and chivalry. The story of love that exists between the heroes and their wives reveal something of the time and place in which they were created. Cuchulain brings to the woman that he would court a sense of honor, his intentions pure and without a taint that would divide them as time passed. Beowulf from the film has already been seduced by a monster when he takes the wife of the then dead king as his bride. They are both cursed by both the betrayal of the king in being seduced by the monster’s mother and by Beowulf himself falling prey to this weakness. Cuchulain is defined by his representation of what is best in the Irish people who wrought the tale, while Beowulf is a representation of what is common amongst men. He shows that even though he is a hero, he is not immune to those earthly weaknesses that can bring a man to his knees. While he is heroic, he is also subject to all that is human within him. The story of Cuchulain is mostly a story of hope, even in his death when he and his wife are buried together. A love that lasts until the end of life is a desire that all people have, but few find. The story of Beowulf is a tragedy in which his frailties cost him all that is important in his life, leaving him empty and destined to a death that is as symbolically tragic to his life as it is tragic in ending his life. Modern heroes are expected to have the frailties of human existence, proving to the audience that being heroic does not make one immune to those weaknesses. The stories from ancient and medieval periods, like Cuchulain, seem to desire to find a moral core from which to inspire men and women to become perfected. In the modern context we seek to understand human weakness where in medieval stories it seems to inspire rising above human weakness. The social order that is present in the story of Cuchulain is very specific, the loyalty promised to hierarchal figures formal and important. Formal structures of how authority is developed are emphasized as the story progresses so that it is understood why loyalty and behavior exists for or from the individuals in the story. In the 2007 film version of Beowulf, this structure exists because it is a period piece, but because current society does not have the same kind of understanding of feudal structures of fealty, this is not emphasized in the film. Modern society
The author emphasizes the theme of establishing identity of Beowulf. In this paper, the character of Beowulf as a king is critiqued. The critique is done to ensure that judgments made on whether or not Beowulf was a good king are not based on subjective discretion but on evidence based analysis of the character of King Beowulf.
A strong pagan element demonstrated by through the depiction of the protagonist Beowulf as a superhuman character and possesses supernatural strength. Grendel is a monster and his mother possesses both human and non-human traits; various aspects of her character are nature-based.
This paper will argue that Beowulf is improved by the bricoleur attitude towards a religious/philosophical outlook within the work – the writers have chosen from various traditions as they seemed to fit with the story they were telling. In this way Beowulf can be seen as a remarkably ‘modern’ piece: it is not limited by a single doctrinal view.
But the epic poem is not strictly limited to the heroism of Beowulf. Instead, it extends to other sub-plots like the attempt of Grendel’s mother to take revenge on her son’s death. The overall mood created by the poem is strictly based
If expectation is about hope, love, lust and truth, then there is also a burning desire to control all of these and not quite leave it up to Fate to deliver them. But if fate must have it all, these texts must find a way to make peace with it or fight it or give it with dignity and yet give into the temptation of tricking it!
Thesis Beowulf a hero possesses courage and strength important for all heroes combined with self search and self-identification process which helps him to fight and survive.
Courage and self-search are important elements of the narration underlining heroic nature of Beowulf and his unique personality features.
The researcher proves that the journeys undertaken by Gilgamesh and Beowulf are not only personal journeys of self-discovery, but journeys that establish the values of their cultures. While their personal adventures and situations are unique, the travels of Beowulf and Gilgamesh are representative of each human’s quest to find purpose in life.
Concerning the details we are able to notice the fact that magic creatures in Beowulf fully reflect the darker elements of human nature.
The number of discussions is concentrated upon this question, and monster’s
Grendel is cursed; he is called a pagan and sentenced to the tortures of the damned. And yet he himself is like a devil. In this layered understanding of the forces of evil pagan and Christian views are intertwined. Also, understanding of God the Creator in Beowulf is no less specific.
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