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Leadership comprises a direction of action through which an individual lays his influence on others to achieve a common objective. Leaders continue their work by apply leadership characteristics such as beliefs and value, personality and ethics, and information and skills. Leadership helps people attain their goals instead of bossing around.
In the book, in Chapter 15, the diner scene involves a character the waitress named Mae and a random man who comes into the diner in search of bread. Mae sells the man a loaf of bread for ten cents, then, out of the kindness of her heart, allows the two small children in the scene to have candy at the price of two for a penny (Chapter 15).
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The Latin American urban regions, namely, Buenos Aires, Mexico City, Rio de Janeiro and Sao Paolo were mainly dominated by films from mainstream Hollywood tradition. There was a lack of investment factor, which led the Latin American nations to encounter a great deal of difficulty in developing their respective national film industries.
The repetition of a long note, followed by a note several steps above, and then below, creates the tension throughout the movie. Whenever this sound begins, the viewer is cued to have expectations, that the next few moments will hold within them something they have not seen before, revealed in a way they do not expect.
The film plot involves a seemingly chance meeting of two strangers on a train. The protagonist, the Guy, plays professional tennis and enjoys some fame. His home life consists of a messy public divorce and an affair with a US Senator’s daughter. The antagonist, Bruno, offers a deal in which the two men trade murders.
‘Like Crazy' directed by Drake Doremus is the story of Jacob played by Anton Yelchin and Anna played by Felicity Jones. Anna is a British exchange student who studies in a Los Angeles college and is seen giving a treatise on a MySpace webpage shortly before being distracted by a young boy with curly hair called Jacob.
Shakespeare’s play “Othello” is inspired by Aristotle’s concept of Tragedy and Tragic Hero because the former incorporates all the characteristics of a tragedy explained by Aristotle. Such a comparison between Shakespeare’s Othello and Aristotle’s theory provides the readers with an interesting experience of getting to know the characters of the play more closely.
The film balanced the episodes giving prominence to scenes where Caroline was held by her husband's love for sixty-six years. The other episodes which are important like Alison’s falling in love with Lucas Thomas the grandson of Lt. Thomas and her collision with the employer due to her persistence with one story that took too long are well incorporated.
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Traditional literature and stories continue to transform and are now represented on different modern mediums such as social media. For this reason, legends and traditional stories now exist in form of plays based on classic novels, films, comics, cartoons, movies, memes, theatre, painting, statues, and more.
Today, viewers are able to get videos in real-time unlike in the past when the video had to be pre-recorded before being transmitted. Live video streaming involves the conversion of signals into compressed signals that are then transferred by the use of special web servers. Live event streaming technology has various advantages.
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For the last couple of years, there is been some interest in the development of video coding technologies which has catapulted the creation and development of video communications. The need to have a well-defined mechanism for evaluating the quality of the video is of paramount importance. This is because it is instrumental in the design of overall design of video communications.
The character of Antoine captures the experiences of youth with its enthusiasm, amorality, confusion and honesty. Truffaut does an impressive job in all aspects of the production of The 400 Blows, be it the strong characterization of the protagonist and other characters, use of innovative camera shots or other cinematic features.
The individuals that are represented in the film, as well as the approach to the stories that transcend from time and link to 9/11 are done not only to show the human element of grief and sorrow. This is also done to portray the identities of others across the globe and how it relates to the same human elements and concepts used.
The author states that beauty, grace, and melody are also ill-equipped for definition without a cultural or social context to frame the definition. Art, which may be a combination of several senses colliding with the cognitive process, becomes especially problematic as we search for a definition.
As such, the essential problem of identifying whether something is artistic even with the use of an expert under an objective test is that in any event, the decision will hinge on subjectivity. Furthermore, the inherently topic of what constitutes “art” clearly compounds the problem of finding an appropriate test within a legal framework.
The author states that this art form became popular in the 1930s, but at the same time it turned out to be a risky factor affecting the culture. Many modern critics object to this art form as an inferior style and they raise their complaints by commenting that kitsch as resembles a worthless aesthetics.
Renaissance period refers to a time when the mode of thought itself changed as it has been never changed before. New information was being garnered every day by scientists and scholars: theories hitherto held heretically were being pursued in a mood of exhilaration and hope and those held inviolable were cut to smithereens.
Seven Brides for Seven Brothers was being shot simultaneously with Brigadoon, “a production led by three of the four members of the highly successful ‘Freed unit,’ which comprised Vincente Minelli, Gene Kelly, Stanley Donen and of course Arthur Freed, and was being touted as MGM’s next big hit” (Northcott 2007).
The authenticity of the film and its narrative comes from the fact that it was based on a real shantytown in a corner of Rio de Janeiro. It captures the lives of its inhabitants across three generations in one of the most dangerous places that the civilized world had seen.
Mental illness is often dramatic and people want to know about it. Mentally ill people often have very interesting stories to tell, but they also behave in different and interesting ways. As humans, we usually do not want to be different, but we are curious about those who are.
It is a comedy film that was released in 2012, which is built around the concept of a joke-filler advert that was prepared by an employee of Backwoods Home Magazine, as a classified advert in 1997. The advertiser was seeking for somebody to accompany him in time travel, but warning that the safety of the accompanying individual could not be guaranteed.
The author states that at the beginning of the movie the audience gets the impression that Joan Crawford’s decision to adopt Christina comes out of her genuine desire and need, especially when she reveals her romantic lover, the Hollywood lawyer, Greg Savitt that a child can fill the void in her life.
The author states that in the 70 days that they stayed there, they were exposed to the deaths of their close friends and relatives who did not survive the ordeal. Twenty-nine died in the mountains and a mere sixteen survived. Such life and death situations necessitated leadership in some circumstances.
The author states that by careful observation of her paintings, it could be vividly understood that her works have been influenced by the styles of Caravaggio. As an Italian painter, Caravaggio was noted with the definitive use of shadows in his paintings, giving his subjects with the contrast of shadows and lights to achieve the astonishing effect.
The author and the director joined forces to write the screenplay. The movie captures the ups and downs of Henry Hill and his associates over the better part of the second half of the 20th century. The title of the book had already been in the public domain courtesy of a television series and Wise Guys, a 1986 comedy show by De Palma.
Image-Configuration Ink-wash Painting, which derived from a unique combination of symbols or signs, was primarily applied to convey the imagery of the inner mind. The imagery appearing in human minds is usually vague, changeable, irrational and fleeting. They are also tremendously complex and in a state of chaos.
When taking a look at the impact that The Wizard of Oz has made on society, this fairytale was designed to be a children’s movie but there are people of all ages that still watch the movie as it periodically runs on television and has been re-released in several special editions including the most recent 70 year anniversary edition.
This paper will discuss the cultures of the display through the comparison of two separate exhibitions from selected famous museums. This comparison will be done through the study of predominant artistic theories implied by the exhibited works of art and the relationship it creates with the area of the exhibition.
Due to the increase in psychedelic drugs, films during this time were likely created by new directors trying to break into the industry and marketing on the psychedelic theme. Of the films that were not created specifically for drug users, many were based on the increasing strife that was occurring in the United States.
The research suggests that the arguments made against the policies and actual motivation of the Bush government regarding the declaration of war were perfectly portrayed in Fahrenheit 9/11. This is because the context of the situation indicates the growing need for economic and political enlargement of the Bush government.
And, in reviewing one of the films compared in this paper, Back to the Future, these themes are present, even though they are presented in a satirical way. On the other hand, sometimes time travel films are aiming strictly for laughs, not for any kind of examination or provocation of thought. Bill and Ted’s Excellent Adventure is an example of this second type of satirical time-traveling movie.
Many of these films depend upon well-known literary works, usually novels, for their plotline, and the screenplays reduce the content to a shorter presentation of the main themes and ideas. In a few cases, these films present both mainstream views of the period in question and other, ‘alternative’ heritage material that is set in contrast to the dominant norms of gender, race, class or sexuality.
Bunuel had an uncomfortable relationship with the Catholic Church. The content of the first two shots was considered blasphemous. Bunuel was banished from Spain but he continued to be at loggerheads with the Church and stepped up a virulent campaign against it. Why did he adopt the practice of shock treatment in Un Chien Andalou?
The structure of The Weather Underground is interesting in that the filmmakers were combining the physical body of the film from so many texts. The film is labeled a “docudrama” because there are a few scenes that are staged re-enactments. The filmmakers took much care in matching the film stock and props to recreate the look of the seventies.
The problem with the issue of ethnic identity is that it is a multidimensional issue, but at the same time may look like a personal issue and decision. Some scholars define ethnic identity as a primordial issue. This perspective is, in essence, essentialist, and argues that everyone has a sense of ethnic identity with which one is born; “ethnicity of descent” as some scholars call it.
The roughness of the open city gives a sense of realism to the film. The viewer gets a picture of a recorded document of the tragic history of the nation. “The uneven film stock, salvaged from scrap reels, creates a realistic, documentary appearance, blurring the distinction between the created story and the realized drama of postwar turmoil”.
The scene as it forms the climax of the film is important and a vital link between the vents taking place prior to the scene and is about to take place after this scene. The scene is decked up with symbols and launches its audience into the realm of psychology. The activity of the child, his repeated mistake of seeing the apparition and different people, is actually his fear for his father.
While the Auteur Theory consistently asserts and acclaims the position of the Director to mold and manicure the viewpoint with which the audiences interpret the trace and history of a work of art (in the form of an object, character or event); Benjamin’s Theory on the mechanical reproduction of art discreetly points at the loss of a pristine quality that makes a ‘masterpiece’ irreproducible.
The character of Hanan gives away an important message that there is little acceptance for Middle Eastern women in American society and the people have a stereotypical image of these women. Similarly, they also have a typical image for the Native American women and to be a Latino, there are certain things that one needs to learn.
The author states that in order to provide proper nourishment to child psychology or mental development, representation of facts alone, are important but at the same time if those facts can be presented with a proper metaphorical application, fused with a flight of fancy, the entire aspect becomes more effective.
The author states that the Cognitive Theory is a theory of learning. It attempts to explain human behavior by understanding the thought processes of the human mind. Human beings are logical and yes, human beings make choices that make sense to them. There is this “Information processing” going on because they are meant to lead an interesting mental life.
The author states that after working several jobs that failed to hold his interest, in 1979 he landed his ideal job as a runner for producers at Elstree Studios. People.com quoted Simon's memoir as saying "from my first day on the job I began planning and scheming my way to the top of the business".
Considering the immense growth in cross-border immigration in the last few decades, the cinema of Hong Kong, especially those made in the 1990s, share certain common thematic aspects with its European counterpart. It was only a matter of time that the East would stamp its authority on the Western soil in terms of introducing seminal works of intellectual creativity.
I saw that most of the film consisted of just interviews and that just a few shots were of the country. I supposed that it would be hard to film, even if I did decide to stick to doing interviews. The people I needed to interview were still from Iran, making my assignment impossible. This is due to the fact that, during the last 10 months, even with a permission letter, you could not interview people unless you worked for the government.
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Robert Frank, one of the most influential individuals in the world of photography, born in Switzerland. Frank is one of the most powerful photographers not only in America but in the entire world. For over fifty years the traditional rules of film making and photography have been broken by Robert Frank. He has always looked for artistic freedom.
Film critics believe that movies are great because of their lasting stylistic and historical value. Through Birth of a Nation and the Cabinet of Dr. Caligari, it is seen that revolutionary stylistic breakthroughs made in these films that continue to influence filmmakers are the primary reasons critics and film professors consider them good movies.
The author states that the primary basis of the comparative analysis of these two films is that while Hawks’ The Big Sleep is a realist film, Godard’s Breathless represents the genre of antirealist cinema. Moreover, the comparison will be based on the following cinematic elements: narrative, theme, tone, space, and sound of the two movies.
The problem with both distribution and exhibition has led the British film industry into one that is not able to compete at a global level. There are also different changes with the context in society, specifically from 1979 until the present day, which is creating changes with how the film industry is functioning.
Advances in science and technology are wonderful and spectacular - when they continue to serve their purpose and they are constantly monitored to ensure that nothing forfeits the safety of the creation. There are many science fiction films, such as The Matrix, where something is created, but then the ownership of the creation is put on the line.
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Fictuality occurs in the intersection of the vanishing event and its creative treatment by the documenting and reporting subject, represented through the dynamic relationship that exists between the director and the audience in mass-media communications. Fictuality can be viewed through the lens of the camera, on stage, in the TV set, and through the mode of media reproduction used by the artist, author, or director.