The Aesthetics of the Underworld - Essay Example

Name: Course: Tutor: Date: The aesthetics of the underworld This paper addresses a critical study of a relevant topic to the imagery, themes as well as the concepts that were the basis of a discussion in the course. A proportion in the midst of endeavoring in relation to achievements as never been documented. The things that are considered as obvious are problematic to the author. This leads to knowledge of the fact that losers are never made but they are born. A potential pickup is responsible for plans of committing suicide. The triumphing of the protagonists of Allen is through accident as well as intent. Ghosts cause havoc Ghosts have a tendency of looking in to the lives of the humans and at the time that the humans are least prepared, they cause a variety of havoc. In some of the situations, their intention is the passage of important message that may not have been realized at the time that they were living. In majority 0fn the situations, they are not ready to depart away from their worldly trappings therefore opting to reside in the world in form of spiritual residues. In some situations, they may opt to be malicious, having a desire for harming that is as a result of the violent death that is least expected or even the environmental influence where they lived. This is exhibited by the each of the haunted house that clinches in the past centuries looking out towards his crazy scriptures that are documented as coming back to life (Wilson, 31-7). The Iconography of Demons as Inhabitants of Hell Demons in most of the cases are taken to represent the denizens of hell. The common belief among humans which is a basis of this argument holds to the supremacy of God together with the angels and the association of the demons to Satan making them to be associated with fear, dread as well as reluctant fascination. There is an interchangeable application of the terms demon and the devil. Although the two terms are attached to distinct meanings although they do not make reference two entities that are radically different. The behavior of the demons is usually menacing, unsightly as well as fearsome with a tendency for the reflection of their cultural environment, terrors, and abuses together with values. The principal of all evils and God’s arch nemesisis the devil, the ruler of the underworld, bloodshed color and hells fire amber glow. There is a possibility of the ghost to create something that surpasses death that is likely to be a concept that is most frightening. The belief associated with the existence of the ghosts was installed in the brains of the humans since their childhood. During the childhood of the humans, the ghostly stories were made available by the use of literatures well as films. In majority of the situations, ghosts are usually described in terms of the unseen menace and this is possibly the reason as to why they are usually frightening to the humans. The human beings also are exposed to very little control with regard to the circumstances that are usually consequential to the production of the spiritual phenomena. This is imputed to the fact that the ghosts as well as the haunting are so intangible to an extent that they can never be grasped. In comparison to the rest of the supernatural creatures, they happen to be the most difficult to be controlled as well being defeated Most the great horror classics of films were inspired out of the short stories as well as novels whose themes were centered around the ghosts as well as the haunting. Vampires, the undead, are certainly prone to be destroyed in a variety of ways. This also applies to the werewolves together with the zombies. On the contrary, ghosts are vigilant in as far as the lives pof the humans are concerned and at a time that the humans are less prepared, they may visit upon the lives of the humans resulting to a great extent of havoc. In some of the situations, they goal is to pass over some crucial messages that they never realized at the time of their lives. In other occasions they are reluctant of parting with their earthly trappings therefore perpetuating their lives in form of spiritual residuals. Yet in other occasions, their intent is malicious with an aspiration of causing harm as a result of the violent, unanticipated death together with the neighboring influence of their initial life. Ghosts representation in films The issue of the ghosts has been an inspiration to the great film classic dealing with horror revolving around haunting as well as ghosts. This has been evident in the ghostly productions by Shirley Jackson, Henry James as well as Richard Matheson whose adaptation has been based on the screen there has been an inspiration of the great films addressing the issues related to horror whose evolution was based on the ghosts as well as haunting. The best representation of the scenario in question is based on the on the consideration of the works presented by Shirley Jackson, Henry James as well as Richard Matheson whose adaptation has been based on the screen According to Solaris the science format of fiction is just a vehicle responsible for addressing the subject of a man who is facing the past. In the context of a country characterized by both the bad as well as the good films which are literal-minded on an equal ground, the expression of the author in place as well as time are departures that are likely to venture in a guess whereby the Soviet audiences face some trouble in the process of understanding the work of the author. The understanding of the film should be based on the context of the Soviet due the fact that the contribution of the work of the author is based on the debates of the Soviet. Solaris is devoid of an explicit content of politics but the directors’ daring is remarkable (Wilson, 51-6). Tony Scott also presents a film on The Hunger which deals with the issues related to Hunger and addiction. The most important concept of appreciation in this work is the issue of the undead appreciating art. In this horror film that has been presented in English, a story addressing a bizarre triangle of love related to a doctor was field of specialization is the research in sleep as well as aging together with the fashionable vampire couple the reception of the film was not one of the best in its initial stages of release and its critics specifically related the film to be heavy on the atmosphere as well as visuals with a corresponding slowness with regard to its pace as well as plot. This was seen to “an agonizingly bad vampire movie" by Roger Ebert for example (Wilson, 31). It was however after the dark as well as the glamorous atmosphere that a cult of the film was established. There has been an evolution of a particular species in a separate pattern in relation to the humans with a characteristic of a lifespan that is indefinite. There is an aspect of the transformation of some characters through the transfusion of blood which is a representation of an ingested exchange. This leads to a repair of the tissues leading to a development of a resistance to the diseases as well as aging. The unfortunate situation however is the limited number of centuries for the effectiveness of the resistance after which the process of aging resumes. This is epitomized by the remaining alive as well as aware of the individual in as situation of being trapped in a corpse that is decrepit (Chris, 143). Neil Jordan, in his work, “Interview with the Vampire” addresses the issues of the sexuality of the vampires and explains the real essence of the sexuality of the vampire There has been a presence of a diversity of vampires in form of fiction for a substantial time in majority of the cultures. Viewers of the movies involving the vampires are likely to be exposed bloody, dour piece of period characterized by an assortment involving tortured characters who are in a struggle involving their natures of vampires together with the rest in the process of testing the immortality limits in conjunction with a shortage of morality. This is a picture that is equipped with the riveting moments to thrill the modern audience. There is a tendency of creating some disturbance to the genre buffs due to the reasons that the vampire rules in as far as their existence in the universe are devoid of a full explanation. There is an abundance of evidence relating to the lack of a possibility of the vampires having sex. Their excitement is rooted to the kill which is a cause of transcendence to gender (Robert, 51). Vampires have powerful immortals and an appeal of sex. Majority of the vampires are usually happy with their nature associated with powerful immortals as well as a glow with most of the appeal of sex. There is no possibility for the comparison of blood with substances that are addictive. The role played on the part of the vampire is similar to that of water as well as food for the case of humans. Majority of the rules of the vampire are usually in play whereby the vampire is an “old school” bloodsucker. In place of representation in the form of the embodiment involving a forbidden sexuality or even a soul that is angst-riddled and also crushed by the weight associated with guilt, she has the resemblance of an animal that is hunted. Though not in excessive amounts, the blood as well as the gore serves in affecting the emotional chords in comparison to the creation of boo. There is an aspect that is so interesting in as far as the vampires are concerned. There is a great extent of the freedom from rules as well as social restrictions that is indicated by the nature of the sexuality of the vampire. The vampire of the modern time is a creature associated with appetites which includes the sexual appetite. However, the sexual adventures of the vampires do not have a limitation in as far as the members of opposed sex are concerned. They usually have a high degree of the libido with regard to the gentlemanly as well as the lady-like restraint in a manner that the vampires are in a position of having sex with anyone and they have a terrible magnitude of lust. The humans are also controlled by lust. The prevalence of lust may result awful and self destructive actions just as greed as appetite does (Wilson, 43-64).Humans are in a position of being on the guard at all times being afraid of their conscience. This is not the situation with the vampires who never fight against their lust neither do they fear them but rather tend to give in happily and easily. There is no issue of worrying about the possible consequences as they never arise and no guilt is associated with the issue. This extent of freedom is impossibility in the case of the humans. The concept of the ghosts is frightening due to the reason they are unseen menace. The humans have a little control against circumstances responsible for the production of spiritual phenomena. Ghosts together with haunting are intangible things. In comparison to possible existence inherent in the rest of the supernatural creatures. They are the most difficult of the creatures to be controlled and eventually, to defeat. There is a possibility of application of diverse mechanisms for the purpose of controlling the vampires just as the werewolves together with the zombies. Ghosts have a tendency of looking in to the lives of the humans and at the time that the humans are least prepared, they cause a variety of havoc. In some of the situations, their intention is the passage of important message that may not have been realized at the time that they were living. In majority 0fn the situations, they are not ready to depart away from their worldly trappings therefore opting to reside in the world in form of spiritual residues. In some situations, they may opt to be malicious, having a desire for harming that is as a result of the violent death that is least expected or even the environmental influence where they lived (Rebecca, 21). According to the film presented by Francis Coppola entitled the Bram Stoker’s Dracula, the major theme is the Bad blood, Desire as a curse, curse as desire. He attempts to highlight the issues dealing with old spook of a story alive that is well undead, in form of a luscious, infernal dealing with romance. This is represented by the young wife who is being believed to be dead and then she kills herself. Being exhibited as a Lucifer, there is an issue of vowing revenge on God responsible for her betrayal. There is an act of sucking of the innocence from the personal conquest. The Dutchman sails the centuries to achieve the incarnation related the most loved woman. The representation of the actor is death responsible for the transmission of venereal plague with regard to his blood as well as kiss. Another representation is the last words of Jesus at the time of death of Jesus. This may also be explained in terms of a martyr with a mission of redemption in as far as the womankind are concerned (Chris, 161). This also exhibited in the Husband, seducer, widower, murderer, Christ as well as the Antichrist and the Dracula containing the multitudes. Conclusion There is a concept of a mortal man together with the every mortality that is responsible for the threatening of the woman. This is a film associated with a higher degree of faithfulness in comparison to the rest of the movies dealing with the vampires. The count addressed in this situation is associated with a no lover of the demon, a pestilence as well as the lord in the face of the bats as well as the rats. The experienced touch was hardly romantic but was rather rabid with a representation of evil that is unseductive. The proposal of the author is the sucking dry of the English innocence by the decadence of the European until a time that the common sense of English was driven through a stake of the lurid heart. The Dracula as presented by Coppola is responsible for a powerful re-imagination of the Victorian myth associated with the age representing AIDS (Barnes, 231). Works Cited Wilson, D. Not your mother's vampire NY: Scarecrow Press, 2006 Dracula Barnes & Noble, Bram Stoker Spark Educational Publishing, 2004. Robert Marrero Vampire movies. NJ: Fantasma Books, 1994 Rebecca Stefoff Vampires, Zombies, and Shape-Shifters Secrets of the Supernatural NJ: Marshall Cavendish, 2007 Martin V. Riccardo. Vampires unearthed: NY: GarlandPub., 1983 Chris Oxlade Mystery of Vampires and WerewolvesNY: HEINEMANN LIB, 2008 Read More