A Modern Art Movement - Essay Example

Name: Institutional Affiliation: Course: Instructor’s Name: Date: Table of Contents Introduction 3 Figure 1: years of influence by futurism 3 Beginning 3 Concepts and styles 4 Facts about futurist 4 Historical response 4 Figure : 3 Dynamism of a Dog on Leash (1912) Giacomo Balla, Oil on canvas –New York (Tisdall, 226) 7 The art work 8 Style 9 The formal elements 9 Conclusion 10 Bibliography 12 Modern Art Movement Futurism Introduction Figure 1: years of influence by futurism Futurism was the most significant movement in art that championed towards modernity that took place between 1909 and 1920. This movement supported technology and general change in live styles in that they aimed at modernizing the behavior of the Italian people and the world in general. They wanted to change the past lifestyles towards modernity trough change of culture and artwork by impression formation (Berghaus, 226). Although the movement later own changed to cruelty and violence, its original idea was to adopt the use of machines and to live in speed. They carried out their ideas beyond artwork by taking their ideas towards media through adoption of technology to showcase their ideas in support of the wars. Beginning This movement was started by Filippo Tommaso Marinetti when he published the founding and the manifesto of futurism. From his beliefs, he spread the same beliefs to the other people and supported other artists that include; Umberto Boccioni, Giacomo Balla, Gino Severini and Carlo Carra with believe of making them to shin and spread futurism to the rest of the world (Clough, 110). Concepts and styles Most of the futurist artists were yearning for developed city lifestyle full of energy, movement, power and vitality. The basis of futurism was the city lifestyle full of traffic jam, noises, early airplane, entertainment and other city lifestyles (Young, 245). The futurist first demand was the lazy spectators to leave the chair and be drown in the center of the paining. Facts about futurist The main agenda of futurists was to explain the modern lifestyles taking place in the world such as noise, pollution, modern cities, war and love. As a matter of fact, identification of futurism was easy unlike the other movements like impressionism though they were influenced by some parts of post-impressionism. It had some little similarities with post impressionism in that they both used images to give meaning and impression to their explanations (Young, 248). What was more interested to the futurist was the visual technology in that they wanted to be associated with the production of films and cinema. Historical response The major artist of the futurist movement was Filippo Tommaso Marinetti of Italy. He was joined later own by the painters Gino Severini, Umberto Boccioni, Giacomo Balla, Luigi Russolo and Carlo Carra. All these artists had similarity in that they all had an aim of changing the lifestyles of the past to the most modern through impression formation of the art work (Scallion, 79). A good example is the Marinettis expression where he argued that all the old loathing mainly politics and artistic tradition be scraped. All the futurist also had the same thing in equal that is, admiration of speed, technology, violence, youth and the industrial city. They were also all passionate nationalists who praised originality though dared violence (Clough, 117). They all gloried in science by dismissing the art critics as useless thus repelling against harmony and good taste. Their purpose of working in similar manner was to change the perception of the people from traditionalism to modernism through painting (Lawton, 118). The manifesto of publishing was the future of the futurist movement as observed in Marinetti’s writing in various topics including architecture, religion and painting. Futurism movement had a clear mission of changing the perception of the people from traditionalism to the modern world where people would live in the cities. However, they had other agendas on top of changing the lifestyles (Scallion, 89). They had political, cultural, ethical, spiritual, emotional and educational motivation behind their ideas. The motivations are witnessed when they used divisionism between 1910 and 1911. This was a political intention of changing the perception of the people living in Italy (Berghaus, 233). They painted modern urban scenes for example the Carra’s funeral of the anarchist Galli in 1911. There are also some paintings of police attacked by the civilians. Futurism had from the beginning admired violence and was intensely patriotic. They had declared they would glorify war the world’s only hygiene. Figure: 2 Umberto Boccioni, The city Rises (1910) This drawing represents the scenes of the construction and manual labor with huge red horses in the center. The Umberto’s ideas were influenced by the ideas of Bergson that included the ideas of intuition. All these influenced the spiritual, educational, political and philosophical motivations of the people at that period. The futurist movement lasted between 1909 and 1920. It is believed to have extinct in 1944 with the dead of its leader Marinetti. The main reason for the decline of futurist movement was its involvement with political activities of fascism (Clough, 219). The Florence group withdrew by the end of world war one. Boccioni had produced one war picture and was murdered in 1916. They were also fought by religious groups that felt they were opposed by the futurists in that they were advocating for war contrary to their opinion of peace and harmony (Janecek, 330). Nonetheless, the ideals of futurism remained significant components of the modern western culture; that is emphasis on speed, power and youth as well as technology finding expressions. Some of the drawings of Marinetti are still prevented by the Japanese artists (Young, 223). Tran-humanism is still advocated in some parts of Europe. Critical Analysis Figure : 3 Dynamism of a Dog on Leash (1912) Giacomo Balla, Oil on canvas –New York (Tisdall, 226) The Ball’s of a Dog on a Leash (1912) shows the futurists’ persistence that the real world is always in movement towards change. The painting shows a dog that the legs, leash and tail and the feet of the person walking with it have been multiplied to a blur of movement (Tisdall, 225). The painting illustrates the motive of the technical ideology of the Futurist painting and art of work in general that, “even with the persistence of the image upon the retina, the constant movement of objects usually multiplies themselves; with their original form changing resembling the rapid vibration, in their crazy vocation (Poggi, 332). Hence, a running horse does not have four legs, but twenty with their movements being triangular.” The Balla was captivated by Chrono-photography. The use of frames in its lower surface was to depict the movements. This is what inspired him to explore and discover other many techniques used by the futurist to show how the world was in constant move (Young, 147). The image has been captured by a single shot, from the feet of the woman to the dog’s paws in a semi-transparent action. The art work The context of the Balla is social in that it shows the relationship between the human dynamism with how they interact with the animals which in this case is a dog (Poggi, 223). To some extent, its transparency shows the nature of human with the frame used beneath showing stability of the constant move towards the modern live. It is also historical in that a dog is the oldest domestic animal ever kept by mankind. As the feet suggests, a lady is walking a dog which in my interpretation is a widow and her pet. The measurements indicate that the lady is of roughly 15 feet, somehow solid though transparent (Tisdall, 227). As can be counted, the dog has eight tails, though the legs of the dog are lost in multiplied flurry of fuzzy overlays. There are four vacillation leads that go between the dog and the lady. The sense of the movement of the pictures is present with the use of stark black forms and the unique veils (Janecek, 239). The oil paintings were used in this picture to produce the painting that had never been produced before, using the multiple limbs to indicate moving bodies. This work of the Italian futurist appears to be the nude descending staircase. Style As a matter of fact, even with the absence of the motion effects and multiplication, the vitality of a dog on a Leash would also do something that is novel. There are no past paintings that had an abrupt close-up like this one (Lawton, 223). The Balla is of the motive of showing that the impressionism was keen on, the scene of a street with bourgeois promenades. The chosen clip I totally focused on and the others are used to explain the picture. As part of interpretation, the close-up is cropped. The framing used on the dog and the owner of the dog is the same meaning the anticipation of the Balla to Tom and Jerry that has not appeared in the whole body but only on the feet of the lady (Berghaus, 302). The perception of the dog’s view of the world is got from this painting. The human world is reduced to nothing while magnifying the views of the dog. The formal elements The multiple positions of the legs carry the meaning of brisk walking. The level of the pavement is the same to both meaning a lot in that the owner of the dog and the dog are taken to be the same. The position of the bodies is also on the same level meaning their bodies are not advancing as required or expected by many (Poggi, 212). The speed of the feet and their appearance are not as expected in that they appear to be too slow. All the movement is awkward in the real sense. The dog is giving the perception of frantic scampering. The legs are down below the surface meaning there is no progress at all. Conclusion In conclusion, futurism was the most essential movement between 1909 and 1920. Futurism was mainly practiced in Italy and France. The founding father of futurism was Filippo Tommaso Marinetti of Italy. The main intention of the futurists was to change from traditional mode of living to a modern lifestyle. They wanted to propagate the development of the city lives where there could be a lot of noise from morning planes and vehicles, large buildings, vitality and clubs. Futurists went beyond artwork to media in order to spread their ideas. They were pro-war and they went to an extent of drawing pictures depicting war. They did not want peace and harmony that was in the society in that they were friendly to Mussolini’s ideas of fascism. Dynamism of a Dog on Leash (1912) Giacomo Balla, Oil on canvas –New York is one of the futurist paintings that have been there since the 1912 and it is still available. Futurist paintings carry a lot of meaning that can be interpreted to mean different things. The futurists share one thing in common in that all their artistic origins begin with divisionism. All of them all have a pervasive interest in the city, dynamism, agitation to all forms of arts including paintings. Futurists also rejected cubism because they viewed it as static to change and was too intellectual. According to me, the movement was not significant at all in that it was advocating for violence and cruelty to humanity. They did not want the order in the world and the supporters were fascists that supported dictatorship. The speed they were advocating for was also dangerous to world order. The use of force and call for youths to run the world was insignificant too. Hence, futurism had no lasting impact and does not inspire me. However, a futurist movement makes me think because of their creative art of work though does not affect my feelings. The works have little aesthetic value due to creativity but it can be replaced with simple drawings to give out the same meaning. Bibliography Berghaus, Günter. International Futurism in Arts and Literature. Berlin [u.a.: de Gruyter, 2000. Print. Clough, Rosa T. Futurism: The Story of a Modern Art Movement; a New Appraisal. New York: Greenwood Pr, 1969. Print. Humphreys, Richard. Futurism. London: Tate Gallery, 1999. Print. Janecek, Gerald. Zaum: The Transrational Poetry of Russian Futurism. San Diego, Calif: San Diego State University Press, 1996. Print. Lawton, Anna. Words in Revolution: Russian Futurist Manifestoes 1912-1928. Washington, DC: New Academia Publishing, 2005. Print. Poggi, Christine. Inventing Futurism: The Art and Politics of Artificial Optimism. Princeton: Princeton University Press, 2009. Print. Scallion, Gordon-Michael. Notes from the Cosmos: A Futurist's Insights into the World of Dream Prophecy and Intuition; [includes Global Predictions for 1998 - 2012]. Chesterfield, NH: Matrix Inst, 1999. Print. Tisdall, Caroline, and Angelo Bozzolla. Futurism. London: Thames and Hudson, 1997. Print. Young, George M. The Russian Cosmists: The Esoteric Futurism of Nikolai Fedorov and His Followers. , 2012. Print. Read More

The manifesto of publishing was the future of the futurist movement as observed in Marinetti’s writing in various topics including architecture, religion and painting. Futurism movement had a clear mission of changing the perception of the people from traditionalism to the modern world where people would live in the cities. However, they had other agendas on top of changing the lifestyles (Scallion, 89). They had political, cultural, ethical, spiritual, emotional and educational motivation behind their ideas.

The motivations are witnessed when they used divisionism between 1910 and 1911. This was a political intention of changing the perception of the people living in Italy (Berghaus, 233). They painted modern urban scenes for example the Carra’s funeral of the anarchist Galli in 1911. There are also some paintings of police attacked by the civilians. Futurism had from the beginning admired violence and was intensely patriotic. They had declared they would glorify war the world’s only hygiene.

Figure: 2 Umberto Boccioni, The city Rises (1910) This drawing represents the scenes of the construction and manual labor with huge red horses in the center. The Umberto’s ideas were influenced by the ideas of Bergson that included the ideas of intuition. All these influenced the spiritual, educational, political and philosophical motivations of the people at that period. The futurist movement lasted between 1909 and 1920. It is believed to have extinct in 1944 with the dead of its leader Marinetti.

The main reason for the decline of futurist movement was its involvement with political activities of fascism (Clough, 219). The Florence group withdrew by the end of world war one. Boccioni had produced one war picture and was murdered in 1916. They were also fought by religious groups that felt they were opposed by the futurists in that they were advocating for war contrary to their opinion of peace and harmony (Janecek, 330). Nonetheless, the ideals of futurism remained significant components of the modern western culture; that is emphasis on speed, power and youth as well as technology finding expressions.

Some of the drawings of Marinetti are still prevented by the Japanese artists (Young, 223). Tran-humanism is still advocated in some parts of Europe. Critical Analysis Figure : 3 Dynamism of a Dog on Leash (1912) Giacomo Balla, Oil on canvas –New York (Tisdall, 226) The Ball’s of a Dog on a Leash (1912) shows the futurists’ persistence that the real world is always in movement towards change. The painting shows a dog that the legs, leash and tail and the feet of the person walking with it have been multiplied to a blur of movement (Tisdall, 225).

The painting illustrates the motive of the technical ideology of the Futurist painting and art of work in general that, “even with the persistence of the image upon the retina, the constant movement of objects usually multiplies themselves; with their original form changing resembling the rapid vibration, in their crazy vocation (Poggi, 332). Hence, a running horse does not have four legs, but twenty with their movements being triangular.” The Balla was captivated by Chrono-photography.

The use of frames in its lower surface was to depict the movements. This is what inspired him to explore and discover other many techniques used by the futurist to show how the world was in constant move (Young, 147). The image has been captured by a single shot, from the feet of the woman to the dog’s paws in a semi-transparent action. The art work The context of the Balla is social in that it shows the relationship between the human dynamism with how they interact with the animals which in this case is a dog (Poggi, 223).

To some extent, its transparency shows the nature of human with the frame used beneath showing stability of the constant move towards the modern live. It is also historical in that a dog is the oldest domestic animal ever kept by mankind. As the feet suggests, a lady is walking a dog which in my interpretation is a widow and her pet.

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