How Jessica Stockholder Found Object Artworks - Essay Example

Number Subject Name Lecturer’s Name Jessica Stockholder found Objects Artworks Due date Date Submitted Jessica Stockholder found Objects Artworks Jessica is a great artist who was born in 1959. She is an installation and sculptor artist, who had held several exhibition in United States and Europe. Her work, which challenges boundaries, is composed of various distinctions such as breaching of gallery walls, painting, sculpture as well as environment. She uses a combination of the found objects, paints and architectural interventions. Found objects imply the artwork, which are modified and undisguised objects and products. Normally, they are not considered art, since they have a non-art function. Though an artist does not make them, they are incorporated and pre-exist in the artwork or they are themselves presented as artwork. The Assemblage on the other hand refers to a three dimensional objects, which are made of different materials or objects, usually for the purpose of every day’s use. In relation to this, the present article presents six artworks of Jessica Stockholder, which includes found objects and assemblage. Wide Eyes Smeared Here Dear Year: 2012 The major theme of this art is the house presentation and decoration. The work was to be presented in the in an exhibition, which included a selection of various works from the studio. These works were those, which were previously exhibited in the Divert Art Museum in the 2010 Embrace exhibition. The Wide Eyes Smeared Here Dear as presented by Jessica Stockholder had different length and width. It had 60 feet in width and 50 feet in depth. It was also 14 feet in height. It represented a clear projection of the inside house arrangement. It was quite a good decoration of the house, which showed various items. There is a single sit, which indicates that a person can rest there. There is also a big flower, placed before thee sit. The flower is decorated with several colors from the top to bottom. The colors of these decorations are bright, which offers a good elegance in the room. At the top of the flower there is light. The light is reflected by the bright color of the flowers and extended to the whole house. The floor is tiled with grey colored tiles. They give quite a matching color to the rest of the room content. The wall is painted with a whitish color, which reflects the light to all other areas of the room. The work has a good fitting to other works of the same period. Other works in the same period presenting room decoration share quite similar features and tools. Some of the tools used in performance of this artwork include painted chair, photographs, rubber stamps, rubber mats, velvet curtains and the fictional swing set structure. The work, as it is presented, it points at and installed against the wall. In critical response of the work, it is an effective decoration and presentation of the house. Project Los Altos: SFMOMA on the go October 25, 2013 Jessica Stockholder presented the artwork of the SFMOMA in year 2013. It represented a site related installation, which was located at the corner of the State. It was also the third in Loa Altos. Project Los Altos an indicated by Denis (2011), was intended to bring both the national and international artists, in collaboration to the Silicon Valley community. The valley community as referred to by Senzaki, Masuda & Nand (2014) is located in Los Altos. The intension of the artwork was to bring all these artists to the unique multisite exhibition. It was projected to occupy outdoor and indoor locations, which are located at the throughout the downtown area. The Project Los Altos featured the newly commissioned artist’s projects, for instance the Spencer Finch, Christian Jankowski, Chris Johansson as well as (Mike Mills Mukand, 2015). In the artwork, Jessica Stockholder was responding to the cultural and historical aspects of the former agricultural area. She was also responding to the local residents and the site themselves. In addition to this new work, it was joined and documented by the stage performance, which were presented by Charles Garorian, accompanied by his students in the Los Altos High School. Charles worked in the high school from year 1970 to year 1983. From the analysis of the arrangement and presentation of the painting, it represented a clear fitting to the works of the same period, as well as the styles that have gone before. There were several materials, which were applied in construction of the artwork by the artist. These techniques and tools include the bleachers, and the paint on the ground. From the critical analysis of the artwork, it played a significant role, in bringing together the national and international artist, to the Los Altos community valley. Art Basel Miami Public Beach December 13, 2014 Under this artwork, the artist aimed to present a clear layout of the Miami Beach home. The home has been considered and acted as the most famous North America international modern and contemporary art fair for more than a decade. It represents over a 250 galleries from more than thirty countries, which is usually organized under the Miami Beach Conventional Centre. The local galleries over the years has incorporated various exhibition spaces, which include the Fredric Snitzer Gallery. Further, the theme of the artist aimed to present Miami as the most famous and accepted cultural capital of the world. Further, the artwork aimed to present the widely considered and the most exiting an important time of the year in the Miami Beach home. Inferring from Cailean (2011), Miami fair attracts wide international crowds of collectors and artists, to the south beach sands and beyond. The theme also intended to bring the idea of the fair, which occurs at the Miami Beach center is actually the largest and the main event in the area. The artists represented it as a quintessential place to show to the public. According to Ellis (2014), it was represented as a new spotlight. Further, as shown in the presentation, and confirmed by Denis (2011), the beach offered a cool place to stroll or rest. During the fair trade, city offered individuals an installations and public arts where unrestricted people watched opportunities and enjoyed spectacles unable to predict. There were several tools, which were applied in production of this artwork. These tools include steel, aluminum paint, auto paints, and plastic bollards. Under the critical analysis of the present artwork, it is evident that it is in line with other artworks of the same period. It comprehensively represented the side view of the Miami Beach home effectively. Color Jam May 23, 2012 Color Jam Color Jam as presented by the author represented by the painting on the street buildings at some locations. These locations were the corner state of the street and Adams in Chicago. It was applied under the Chicago Loop Alliance auspices. The artwork involved filling of the intersection of these streetscape with different colors. These colors involved the adhesive vinyl and the vinyl scrim. These shading with the volume of color provided an intersection of the accommodation to the city grid structure. At the same time, it offered some odds with it. According to Cailean (2011), color jam implies the flavor that comes because of the exceptional creativity, and when there is an equal amount of business, which is coming together. Through the painting artwork, the author intended to demonstrate the heart of pursuit of her work. Cotter (2011), indicated that her collar jam work presented an exceptional power of thinking as well as the prowess of doing. She managed to demonstrate and captivate the targeted audience, which in turn facilitated her to sell her idea, capability and expertise. Most of the building had different colors. Again, the labeling of these buildings was on one side and on the ground. Therefore, they could offer a well location identification with the streets in which the decoration was applied. In addition, the decoration offered a smart decoration of the street and the building affected. She demonstrated her ability to put every ounce of effort toward providing designs, which were uniquely suitable for each building, as well as recognizable to the target group. Some of the techniques and tools applied in this artwork included the aluminum auto paint, light fixtures, and steel. The design applied was contemporary art and design. From the critical analysis point of view, the present artwork offered a correct representation of other artworks during that period. It was also a representation and an improvement of the works and styles that had gone before. Therefore, the work offered a clear and appreciable decoration and differentiation of the building that were along the selected street areas. C.Ar.D. Contemporary Art & Design August 4, 2014 The C.Ar.D. Contemporary Art & Design exhibition is an artwork, which was presented by artist Jessica Stockbroker. The artwork involved a series of exhibitions and installations, which were presented by the artists. In addition, it included events by a handful of artists, designers as well as photographers. The event in which the current presentation was incorporated was conducted in a place known as the Piacenza, in Italy. It took place in a particular period, which was between September 12, and October 12, in year 2014. Therefore, the artist’s event took place in approximately one month. In the whole presentation of the artwork, as indicated by Denis (2011) it represented a great work done by Jessica Stockholder. However, it also included the work of following artists. These artists included Christopher Broadbent, Marco Ferreri, Svetlana Alpers, James Hyde, Cascina Masarola, among several others. According to Cailean (2011), the artist followed the desire of letting people to discover the amazing sites which existed, but were unknown. Though these sites were considered marginalized by some people, they actually not marginalized according to the artists. Because of their exploration following this objective, they discovered the artwork, which has been presented above. The main aim of discovery of the area was to value the area and its associated diversity. The valuation was done in terms of the building tradition and settlement. Therefore, the whole artwork maintained a dialogue with the environment and specific buildings. These interactions, as specified by Cotter (2011), were both for osmosis and contrast. The artist established quite a good relationship with the environment, particularly because people who were interested in their artwork surrounded them. Therefore, the artwork offered a complete representation of that particular period. At the same time, it also signified a representation of the time that had passed. Galerie Nathalie Obadia January 13, 2015 The artwork represents an exhibition in which Jessica Stockholder was featured. The exhibition which was titled Palpable Glyphic Rapture offered a representation of all the work which was done by Stockholder. It included the large installation, and inspired sculptural forms. Further, it involved a series of small workers. According to Cotter (2011), the show marked the sixth exhibition that the Jessica Stockholder had ever held with the Galerie Nathalie Obadia. It was scheduled to occur for the period between January 22 and March 14, in the year 2015. As represented by Cailean (2011), Galerie Nathalie Obadia appreciated to include Stockholder in the in the sixth exhibition which was to be named as, Palpable Glyphic Rapture. There has been a spatial and pictorial body developed by the American Canadian artists, which work dialectically between the objects accumulation from the real world and the chaos, which results from this abstraction. In this case, Jessica Stockholder is considered among the most respected artists, who have contributed significantly to the artistical work involving the painting and the sculptures. As a result, she is one of the pioneers of contemporary art. Therefore, under the presentation of the Palpable Glyphic Rapture, Stockbroker takes the role of presenting the site-specific monumental work, as a response to the glass roof presented in the artwork above. Therefore, it is evident that the work of the artwork offered a good presentation of the current time, as well as the precious time that has erupted. Under critical analysis of this artwork, it is evident that Jessica Stockholder played a significant role. Bibliography Cailean, M. 2011. De-co-lor-From the Low Pressure Between Two Anticyclones, One Gold, OneYellow. Cotter, H. 2011. New Sparkle for an Abstract Ensemble. The New York Times, 6, 121. Denis, A. M. S. 201. A Critical Look at the Value of the Visual (Doctoral dissertation, University of Georgia). Ellis, S. 2014. Floating bodies: reconciling image and object through drawing. Mukand, N. 2015. The Evolution Of Contemporary Painting in the Face of Claims of" The Death of Painting". Senzaki, S., Masuda, T., & Nand, K. 2014. Holistic Versus Analytic Expressions in Artworks Cross-Cultural Differences and Similarities in Drawings and Collages by Canadian and Japanese School-Age Children. Journal of Cross-Cultural Psychology, 0022022114537704. Read More

It was also the third in Loa Altos. Project Los Altos an indicated by Denis (2011), was intended to bring both the national and international artists, in collaboration to the Silicon Valley community. The valley community as referred to by Senzaki, Masuda & Nand (2014) is located in Los Altos. The intension of the artwork was to bring all these artists to the unique multisite exhibition. It was projected to occupy outdoor and indoor locations, which are located at the throughout the downtown area.

The Project Los Altos featured the newly commissioned artist’s projects, for instance the Spencer Finch, Christian Jankowski, Chris Johansson as well as (Mike Mills Mukand, 2015). In the artwork, Jessica Stockholder was responding to the cultural and historical aspects of the former agricultural area. She was also responding to the local residents and the site themselves. In addition to this new work, it was joined and documented by the stage performance, which were presented by Charles Garorian, accompanied by his students in the Los Altos High School.

Charles worked in the high school from year 1970 to year 1983. From the analysis of the arrangement and presentation of the painting, it represented a clear fitting to the works of the same period, as well as the styles that have gone before. There were several materials, which were applied in construction of the artwork by the artist. These techniques and tools include the bleachers, and the paint on the ground. From the critical analysis of the artwork, it played a significant role, in bringing together the national and international artist, to the Los Altos community valley.

Art Basel Miami Public Beach December 13, 2014 Under this artwork, the artist aimed to present a clear layout of the Miami Beach home. The home has been considered and acted as the most famous North America international modern and contemporary art fair for more than a decade. It represents over a 250 galleries from more than thirty countries, which is usually organized under the Miami Beach Conventional Centre. The local galleries over the years has incorporated various exhibition spaces, which include the Fredric Snitzer Gallery.

Further, the theme of the artist aimed to present Miami as the most famous and accepted cultural capital of the world. Further, the artwork aimed to present the widely considered and the most exiting an important time of the year in the Miami Beach home. Inferring from Cailean (2011), Miami fair attracts wide international crowds of collectors and artists, to the south beach sands and beyond. The theme also intended to bring the idea of the fair, which occurs at the Miami Beach center is actually the largest and the main event in the area.

The artists represented it as a quintessential place to show to the public. According to Ellis (2014), it was represented as a new spotlight. Further, as shown in the presentation, and confirmed by Denis (2011), the beach offered a cool place to stroll or rest. During the fair trade, city offered individuals an installations and public arts where unrestricted people watched opportunities and enjoyed spectacles unable to predict. There were several tools, which were applied in production of this artwork.

These tools include steel, aluminum paint, auto paints, and plastic bollards. Under the critical analysis of the present artwork, it is evident that it is in line with other artworks of the same period. It comprehensively represented the side view of the Miami Beach home effectively. Color Jam May 23, 2012 Color Jam Color Jam as presented by the author represented by the painting on the street buildings at some locations. These locations were the corner state of the street and Adams in Chicago.

It was applied under the Chicago Loop Alliance auspices. The artwork involved filling of the intersection of these streetscape with different colors. These colors involved the adhesive vinyl and the vinyl scrim. These shading with the volume of color provided an intersection of the accommodation to the city grid structure.

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