The Film Kick-Ass - Movie Review Example

ISTОRIСАL DОСUMЕNT FОR А СULTURАL HISTОRY ОF TЕЕN FILM Name: Instructor: Institute: Date: The film "Kick-Ass" is one of the movies many parents will warn their children about and even go to extend of preventing them from watching it. Children are warned about it because it is an enterprise which is very seductive, enticing and also disturbing because of the characters used such as the 12 year old girl named Hit Girl who is expert in violence (Schiffmacher, 2012). The mixed perspective of disorder in professional comic- book, ear-splitting profanity and unmistakable sweetness is balanced to exist as a cultural event which is popular. Moreover, the film was not edited from the book by John Romita Jr. and Mark Millar but was originally created the same time with the original comic the director being Matthew Vaughn as well as a writer together with Jane Goldman. The start of the movie is pleasing since it commences with an establishment inoculation. There is a display of New York City skyscraper whereby a superhero dressed like person is standing on it. The subject matter of the film is introduced by the director Matthew Vaughn whereby his voice is heard over thus briefing the plot of the film. He is also able to indicate to the viewers the role he will play in the movie (Jarboe, 2011, p. 09). The sorry is narrated by the main character Dave Lizewski whereby sound is hard as images are displayed which are from someone dietetic. The central character Dave Lizewski says he does not understand why nobody became a real- life superhero before him in his narration and that’s when things start happening. He goes on to say that his only superpower is imperceptible to girls. The film starts by showing how Dave is willing to help people by putting on a mask and fights back the crimes committed with a lot of determination despite of his young age which turns him into Kick-Ass. Some individuals of opposite sex fail to recognize him even after trying to impress them and later on they are convinced that Dave is a gay. In countless times, we have come across such schools whereby being a gay is seen as normal and also in others masturbation has become a mandatory (John Romita, 2010). All in all, in this scenario things have turned out to be different since the leading nature is genuinely likable under the fact that an appealing background is provided by the romance act whereby more aspects which are frightening play out against the film. In addition, in the movie there is a lot of brutality and strong violence and pervasive language throughout the movie and this makes it to be rated R (Driscoll, 2011). The bad guys also notice that even after plotting for a certain event to make Kick-Ass someone cuts them shot by fitting all types of crime he comes across whereby they resolve by sticking back. The good guys and the hooligans get mixed up in a type of "Kill Bill" which is ultra-violent and their leader is Chris together with his father drug kingpin Frank D'Amico. According to the director Vaughn the kind of violence applied in this film which is cartoonish is designed to outdo music and this defines well the culture of the modern action movie. "Kick-Ass" is made different from other movies because Hit Girl and her father (Big Daddy) are using the same rout the hero is using. Chloe Grace Moretz and Nicolas Cage play them such that when the film is opened, people in Britain get wounded by the time the demonstration ends (Surhone, 2011, p. 31). Despite the fact that Hit Girl is loved by her father, he converts her in to a miniature in pleated skirt and a purple wig and also into a killing machine which is profanity-spewing. Moreover, the language she uses is astonishingly crude such that people have diverted their attention from the killing she does. Although we are frightened by way such a young child is acting, the exciting part of the film is brought about by the unbelievable skill and spirit the young actress Moretz has since, as a fan of action movies it is difficult to deny this fact that she is the energetic activist in the screen (Driscoll, 2011, p. 22). In the same way, questions concerning hyper-violent films such as the changes they have brought in our culture, the reason as to why they are popular, whether they are can be marketed in one convenient area cannot make their fans to stop them from watching them. Kick- Ass as a black comedy for teen-superhero by Matthew Vaughn is systematically offensive, jaw-droopingly brutal and very funny riff in comic books world (Driscoll, 2011, p. 45). Through devastating fundamental nature of the Spider-Man, Ghostbusters and Kill Bill Jane Goldman the screenwriter and Vaughn have modified a comic book by John Romita Jr. and Mark Millar in order to generate something gloriously irresponsible and fantastically anarchic such as a surrealist desire of teenager for fulfillment and terror sloshed on the display in advertisement paint colors. The message being passed on by Kick-Ass through its addled and monumentally mad way on teenagers getting bullied, ethics of civilians and also the new world which is generally brave due to the celebrity which is homemade. However, between Goldman and Vaughn brilliance for pure provocation and incorrectness is shown. At the middle of this story we find a High School New York kid together with a comic book compulsive by the name of Dave Lizewski, playing by the comer and British up Aaron Johnson, who previously had portrayed as the young John Lennon at Nowhere Boy (John Romita, 2010, p. 55). Here, Dave becomes obsessed by the great puzzle of the current time: why is it that nobody has yet tried to become a superhero in reality? Because of this, Dave places an order online getting an un-cool yellow and green mask and ski suit then wearing it, he paces all over the streets of New York disguised in a new name, Kick-Ass. During his tour, he is inevitably half killed by a group of baddies he meets and confronts at first. While in the back of an ambulance, he begs some bemused paramedics to put his shameful costume out of sight which led to rumors spreading in school that a body of him was seen while naked, thus concluding that he was therefore gay. Strangely, his new image of being a metro sexual portrays poor Dave’s status in school together with Lyndsy Fonseca the super hot Katie who liked the thought of a best friend who was gay (Schiffmacher, 2012, p. 87). His sense of worth improbably rising, Kick-Ass moves to the street once more, where he eventually finds himself being protected by true superheroes: 11 years of age, Chloe Moretz, the hit girl together with her loving father Nicolas Cage, the Big Daddy, an avenger masked resembling Christopher Nolan’s Batman. These three start a good fight against Mark Strong (Frank D’Amico), the creepy crime lord who had a nerdy son who had also longed to become a superhero. This was Chris, as played by Mintz-Plasse Christopher as a disparity of his renowned McLovin character portrayed in Superbad. In a microsecond, Kick-Ass, the unlikely triumph presents a plausible picture whereby an amateur superhero will actually somehow succeed, compared to Galaxy Quest which had real space aliens and a phoney of collisions, Kick-Ass fantasizes about a reunion of real superheroes and wannabe. The superpower of Bruce Wayne was money while that of Dave Lizewski was un- embarrassment. His nerve endings were a few shot compared to his previous beating, although he was more cushioned by a sublime need of irony (Surhone, 2011). While he walks about in the silly clothing and with suicidal moves he takes on a new crew of baddies, it isn't protracted before a stunned horde of onlookers start taking videos of the punch-up, the Kick-Ass endures just long enough before the bad men become hobbled by the idea of their imminent look on YouTube, fighting a crazy man in a superhero clothing. This could lay the blame on them but more certain, it would portray their stupidity. This makes them to back down. Kick-Ass who portrays an unconscious talent in zeitgeist divination, made the internet’s power become a reality to him: with YouTube having made him a star, while MySpace page having built up his career. We could say that Peter Parker might have been nibbled by a retroactive spider, but for Dave, he has been nibbled by the celebrity bug of the web (John Romita, 2010, p. 132). In the past, Peter Parker and Clark Kent published their work on the newspapers because during that time, the action found there but that portrayed a media which was old fashioned. Kick-Ass educates the youth mainly on majoring on the online materials to publish and research their work just like Kick-Ass published his superhero power. Parallel to its chaotic and bizarre Kick-Ass adventures, Big Daddy is generally home schooling and mentoring Hit girl so that she can master the different ways of fighting crime. The lessons she is learning do look like horrible abuse, particularly when smilingly suggests that she was shot by Big Daddy, her father, in a tactical way so as to enable her to get used to wearing a bullet proof vest, in addition to being part of the process of wholesome toughening up (Jarboe, 2011). This scene is similar to that portrayed in Gomorrah, which is a Neapolitan mob drama by Matteo Garrone. This sheer bad taste makes the comedy to evidently depict the super power. Reflecting one particular scene, Hit girl, the eleven year old, comes face to face with a hallway filled with heavily equipped men. This scene is interpreted to be an allegory whereby the heavily armed gunmen reflect the day to day obstacles faced in life. Despite that Hit girl faces an extremely tense situation, she gives herself a lot of courage and audacity despite her age (John Romita, 2010, p. 90). This particular scene depicts that hit girl had passed over the transmigration ocean and has already reached the destination which is the liberation shore where emotions like sadness, regret, anger, and fear did not distract her. Likewise, this scene shows that each individual should carry on his or her duties efficiently without being affected or being attached by its results. Another idea comes out in the movie. This idea is sadism. Damon Macready, Big Daddy, who is a former cop, has been having a long standing grudge together with Frank D’Amico who is a crime boss because of framing him for drug dealing, making his wife to commit suicide. As a result, Big Daddy engages her loving eleven year old daughter into training so that she could become a skilled killer machine who eventually becomes a Hit girl (Driscoll, 2011, p. 56). His father, Big Daddy, puts her bullet proof vest into test by shooting Hit girl in the chest for three times. In addition, they smack a guy into a steering wheel then crush the car eventually. In the movie, Big Daddy is portrayed as a killer whereby he kills a lot of men and burns D’Amico’s factory. On the other hand her daughter, Hit girl is seen engaging into numerous bloody fighting scenes. The director of Kick-Ass movie employed a low key lighting. This key is a less familiar paradigmatic choice though it depicts drama. Employing this low key lighting, some frame parts only, if any, become well lit; there are plenty of shadows in addition to a blended human figure together with the surrounding shadows and darkness (Schiffmacher, 2012). Here, the shots were actually done at night with enough key light used to identify the core characters. This kind of key added the suspense and thrill of Kick-Ass movie with the underneath pictures revealing this. In another scene, Kick-Ass is seen making an entry which portrayed backlighting. This slight effect functioned to illustrate a soft outline about Dave, a geek in high school, separating him with the background, drawing the viewer’s eye, together with reinforcing his bravery and enthusiasm. In fight scenes, spotlights were used often. This helped to build a scene filled with bright colors and scenes emphasizing blazing destruction (Surhone, 2011, p. 78). References Driscoll, C., 2011. Teen Film: A Critical Introduction. 1st ed. NewYork: Berg. Jarboe, G., 2011. YouTube and Video Marketing: An Hour a Day. @nd ed. NY: John Wiley & Sons. John Romita, J., 2010. Kick-Ass. 2nd ed. USA: Titan Books. Schiffmacher, M., 2012. What's That from: A Book for Movie Lovers. 1st ed. London: Xlibris Corporation. Surhone, L. M., 2011. Kick-Ass: The Game. 1st ed. Germany: Betascript Publishing. Read More