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The Sociology of the Cinema - Essay Example

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"The Sociology of the Cinema" paper argues that the development of cinema through the annals of history speaks of the evolution of the human psyche and intellect. In addition to this, it may also be a reflection of heightened sensory awareness as the emotional recesses are scrabbled upon. …
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The Sociology of the Cinema
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Download file to see previous pages Plain logic would expound the presence of each one of the parameters in an evenly distributed measure to call a cinematic endeavor a masterpiece. However, the validity of such a rationale may conveniently be challenged by the words of master film-makers like Jean-Luc-Godard: "The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives life and takes from it... Literature and painting both exist as art from the very start; the cinema doesn't."

Godard’s viewpoint may well be perceived as the carefully masticated fodder that went into Walter Benjamin’s Theory on the mechanical reproduction of art. Where Benjamin refrains from commenting on the adequacies or inadequacies of a material reproduction of a work of art; it is left to the reader/viewer to ascertain the level of connectedness that a skillful representation of reality may establish. The basic premise of Walter Benjamin’s theory is that reality has an aura that builds a bridge between the piece-de-resistance and the beholder, which by itself is unique as it is wrapped in the irreproducible synergies of time and space.

“Even the most perfect reproduction of a work of art is lacking in one element: its presence in time and space, its unique existence at the place where it happens to be. This unique existence of the work of art determined the history to which it was subject throughout the time of its existence. This includes the changes which it may have suffered in physical condition over the years as well as the various changes in its ownership. The traces of the first can be revealed only by chemical or physical analyses which it is impossible to perform on a reproduction; changes of ownership are subject to a tradition which must be traced from the situation of the original.”

Therefore, the quantum of response over the same piece may vary tangentially in terms of magnitude, quality, as well as certitude, from person to person.  ...Download file to see next pagesRead More
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