The essay "Modern Art History - Robert Colescott" discovers Robert Colescott and his art. Robert Colescott is widely known for reworking masterpieces of American and European art history, using black characters to swap the white casts. Robert Colescott has an explosive style and a transgressive humor. He believes that the artist tried to show how life was ruthless and challenging to them more so the black people. In "Eat Dem Taters," Colescott swapped the Dutch peasants with cartoonish black sharecroppers, an exaggerated image opposing the happy darky myth to show that the myth was illogical and ridiculous. The reason why he re-creates older masterpieces is to bring out the hidden understanding of what was happening in the past from a racial perspective. He also tries to reveal how different races were treated and how life was to them more so the black people that artists in the past pieces of art were not exposing. Colescott work should not be criticized; instead it's worth appreciation and praises. The paintings are not directed to black people, but they revolve about perception. He interprets how life was to black people during the past days only that he exaggerates the images to reveal the meaning in a more clear way. One day Mr. Colescott was quoted in an interview saying, "I'm very happy and proud of the fact that most people get what I'm after." This also means that people should not look his work from a negative point of view; instead they should see from a positive side.