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Among the emergent themes in the movie are urban crime, social network, education, urban slums, the lack of economic and social mobility, and the global city. These themes are presented through the lives of Rocket and Jose ‘Lil Ze’ who are in opposite paths in their lives’ but are both shackled to the city of their childhood. The torn down buildings and the dirty streets serve as the backdrop of the film’s storyline and the object of Rocket’s gritting photographs.
In the Broken Window Principle, the idea is that one broken window will lead to many broken windows. In an experiment, the pristine condition of windows deters the commission of voluntarily shattering them. James Wilson and George Kelling write that the police play an important role in reclaiming their own authorities in streets that have been overrun by gang-related violence. This is further strengthened when the people see them as a partner in driving out those who commit organized crimes to return their communities to a peaceful state. “The process we call urban decay has occurred for centuries in every city... Earlier crime waves had a kind of built-in self-correcting mechanism: the determination of a neighborhood or community to reassert control over its turf” (4). Sadly, this was not shown in the film as corruption was a rampant attribute of the local police force.
Zukin’s Whose Culture, Whose City? (75) with its setting in New York, reveals that public space is continually being privatized by corporate entitles, resulting in a cultural war within its streets. In this regard, it is equally important to look at the cultural relevance of urban decay with respect to education. It not only functions to develop the individual but the nation at large. For developing nations, education has a pivotal developmental role. In this movie, education in the developing Rio de Janeiro, is quite accessible but an extensive portion of the populace remained ignorant.
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The film bases its argument on the population of one of the slums in Rio de Janeiro. The film is a sweeping tale of how criminal acts pessimistically affect the poor population of Rio de Janeiro. The film is unflinching in its depiction of the bitter contention amid gangs of gun toting children and drug moguls who view intimidation and murder as the only way to settle scores.
It shows the true image of how people are suffering with the issues with their voices suppressed and souls tortured by their own supreme authorities. City of God is a masterpiece in world cinema which was directed by Fernando Meirelles. This movie was released in 2002 in Brazil and in 2003, it was finally premiered worldwide.
Katia Lund acted as assistance to Fernando in the creation of this film, which they released in 2002, but it had a worldwide release in 2003 (Eagleton, 2010, pp. 129). The film is based on real events that have taken place other than on fictions grounds therefore making it interesting and educative to watch.
Poverty has been the backdrop of all the incidents in the film as the viewer is shown the shabby houses, mud roads that crisscross human habitats, slum dwellers in torn and dirty clothing, and the way people live like animals amidst dirt and violence. As the narrative of the film unfolded, the viewer is made to know that in the kind of an urban slum depicted in the movie, even children lose their innocence and can point guns at other human beings and even shoot them point blank.
The movie mainly concentrates on the life in the city presenting organized crime in the suburbs of the city, Rio de Janeiro. Consequently, it is easy to say that the main theme of the movie is crime in a city as it presents the violence existing between drug dealers.
The story is set between late 1960s and early 1980s. The film captures the reality of the world of crime and drugs. In this essay, the film will be analyzed in terms of the importance of education, the lack of social and economic mobility, and urban crime and youth gang.
This being an important work of middle ages, was the only philosophy known throughout Europe around the said time.
Augustine initiated the book as per his friend Marcellinus' request, as the 'fulfilment of my promise (p.5)1, taking the responsibility of defending 'City of God' against people who worshipped pagan Gods.
An interference in the social system in any community can lead to social challenges and changes. In the film, Rio experiences changes in its social system and, as a result, leading diversion from its original traditional structure. Amongst the drug gangs in the city to develop deviant behaviors in what can be described as an anarchic society.
However, the town depicted in the film is a crime prone city that is characterized by crime and violence. Apparently, every scene in the film is characterized by violence. This is because the city is infested by
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