An auteur is a film director who overwhelms his or her work with a very personal insight or perspective that the audience may see or treat the filmmaker as the movie’s writer. Rear Window depicts Alfred Hitchcock as a strong auteur through his methods of using identical themes…
Download file to see previous pages...
Meta-information is information that goes past what an audience has seen in a movie (Pons, Bonet, and Iglesias 28). Since viewers know this is a Hitchcock movie, they become inclined to assume that something peculiar is taking place amongst the characters.
One principal theme in Rear Window is the social and formal routine of an ordinary American during each day of the week. This theme unveils a parallel construct wherein all characters go about their lives ordinarily. For example, Hitchcock shows Jeff’s neighbors waking up, shaving, answering their phones, and preparing food or for work (Pons, Bonet, and Iglesias 28). Another principal theme is the challenge of comprehending social action. Hitchcock undertakes a crucial experiment regarding the procedures of deducing visuals and narratives.
These principal themes lead to a bigger idea like the interpretation and differentiation of perception from meaning. Two analytical positions that one can approach the movie are feminism and audience consideration through character stereotyping. A feminist point of view is used often to explain Rear Window since Hitchcock fails to exhibit a singular conception of a “female gaze” or spectatorship (Pons, Bonet, and Iglesias 28). The movie presents the likelihood for female actors to glance and gaze rather than vice versa.
Rear Window maintained its ability to create fear, panic, and tension in an audience for almost six decades to the extent of achieving plausibility. Hitchcock pursues several appealing approaches to make the movie seem highly plausible to the audience. I do not believe Rear Window would be a “better” film if Hitchcock had had access to the kinds of seamless special effects we see in modern movies. Sigmund Freud was a renowned psychology researcher and is related to Hitchcock’s works often because of their passive nature and effect on viewers. Passivity emerges from Hitchcock’s ability to spark vital
...Download file to see next pagesRead More
Cite this document
(“HOLLYWOOD: ALFRED HITCHCOCKS REAR WINDOW Essay Example | Topics and Well Written Essays - 250 words”, n.d.)
Retrieved from https://studentshare.org/visual-arts-film-studies/1667534-hollywood-alfred-hitchcocks-rear-window
(HOLLYWOOD: ALFRED HITCHCOCKS REAR WINDOW Essay Example | Topics and Well Written Essays - 250 Words)
“HOLLYWOOD: ALFRED HITCHCOCKS REAR WINDOW Essay Example | Topics and Well Written Essays - 250 Words”, n.d. https://studentshare.org/visual-arts-film-studies/1667534-hollywood-alfred-hitchcocks-rear-window.
Alfred Hitchcock is famously known for his work which revolved around real people living with feelings and real emotions which successfully have made the audience to hold their breath and kept them entertained. Most of his works spin around voyeurism, gaze and feminism as essential trademarks developed for his movies’ themes.
The concept presents itself at various levels throughout the film. The paper evaluates how Jeffries gets stimulated by observing the intimate lives of his neighbors and eventually becomes engrossed in a murder mystery. His voyeurism makes a positive contribution by bringing the killer to justice and brining Jeffries at harmony with his life.
[Name of Student] [Name of Instructor] [Course] [Date] Rear Window: Watching as Dangerous Activity: The 1954 film Rear Window is one of Alfred Hitchcock’s classic thrillers that have retained their popularity over the years. Based on Cornell Woolrich’s short story of 1942 called ‘It Had to be Murder’, the film explores various contemporary issues like gender roles and the increasing anxiety over loss of masculinity; urban squalor and rising crimes that go unreported and even undetected in the urban setting; voyeurism and the audience’s fetishistic attachment to the screen, and so on.
Staging has a great influence on the minds of the audience as it goes through the movie. The surroundings of the characters create an impact on the watcher and tend to control as to what he should feel or perceive. The art of direction includes the manipulation of the surroundings in such a manner that ensures that the audience gets the right image.
Among the tenants that Jeff can see are Lars Thorwald, a jewelry salesman, and his bedridden wife. Jeff witnesses an argument between Thorwald and his wife, after which the wife disappears and Thorwald makes several late-night trips carrying an unidentifiable load.
Cultural, Other Human Interest Questions Presented in Hitchcock's Movies 6 VI. Artistic and/or Technical Issues in the Works of Hitchcock 7 VII. Place/Role of Hitchcock in Film History- Critics' Judgment 7 VIII. Personal Opinions About Hitchcock 8 Works Cited 9 I.
This was an incident that would mark the psyche of the young man for the rest of his life. Educated in the Catholic school system, the overweight Alfred grew up a loner and sheltered. The cause of his obesity was never determined, although some believe that it was quite possibly caused by a glandular condition.