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It virtually thrilled the viewers in many scenes by making them feel horrified of what might happen.
What are the principal themes in Rear Window? In other words, what is the film about? Bear in mind that this is a different issue than thinking about what happens in the film (though they are closely related of course). What are the bigger ideas to which the film is pointing us?
Voyeurism is an important underlying theme of the movie which points to bigger concerns in life. More than his exotic girlfriend, Jeff seems more interested in spying on his neighbors’ activities. He is always sitting by the window looking at what his neighbors are doing which also infuriates his girlfriend. This character is also described by Hitchcock himself as “a real Peeping Tom” (Arnold and Stafford).
Identify a number of different analytical positions from which we can approach any film. Define each of them briefly and explain why a feminist perspective has been used so frequently to explain Rear Window.
Rear Window has been so frequently analyzed by a feminist perspective because this film and many other Hollywood movies have demonstrated a negative attitude towards women. Women have traditionally been portrayed as dumb blondes who cannot be as shrewd as male protagonists. Lisa keeps changing her clothes to please Jeff who remains in his pajamas throughout the film.
Rear Window is now nearly 60 years old. To what extent has it maintained is ability to create fear, panic, and tension in an audience? Do you think it would be a “better” film if Hitchcock had had access to the kinds of seamless special effects we see in modern movies?
No, Rear Window is a masterpiece which cannot be perfected by use of special effects. This is because instead of investing in expensive special effects, Hitchcock seems more interested in giving glory back to the artists. It emphasizes on exclusion of special effects. Instead, emphasis is laid by
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But of course it ended and there are reasons to this. Without an iota of doubt, the post-classical Hollywood era ended to make way for an all-new era and that era was the blockbuster. At this point, it is very important to explain what blockbuster means in this context.
The radical elements that can be sited in these movies are the history itself, plus the characters that gave life to the story. The tier of movie rendition today is relatively high, and as the day passes by, the developments are tangible through visual and sound effects incorporated in a single production.
While the deeply entrenched studio system of Hollywood collapsed and the onset of commercial television set in among the national suburbanized landscape nationally, new Hollywood set in.With the setting in of New Hollywood, classical Hollywood was phased out gradually. The classical Hollywood era was characterized by mass production of movies by cartel studios for guaranteed market virtually. The phenomenon of going to the movies was replaced by watching television in the era of the new Hollywood (Cook 1990; Buscombe 1977; Schiach 1995) .
According to the paper cinema since the time of its inception into the faculty of visual arts not only did influence the cultural paradigm of a nation, but also did influence the socio-cultural and socio-economic realm of a nation as an enterprise and the amount of resources engaged with it. Hollywood as a seat of film industry, and being the world’s largest one did influence the socio-cultural and socio-economic activity of America right from its classical period.
It is a story of success and greatness that, like many others, did not leave many of its participants untouched. Based on Neal Gabler's controversial best-selling book; An Empire of Their Own: How the Jews Invented Hollywood, the film guides us trough the establishment of Hollywood, the triumphs of the Golden Age of the 1920s and 1930s, the Second World War and the attack on Hollywood during the McCarthy era.
This kind of cinema is marked by a clear and narrative structure, characters whose motivation is psychological, and most importantly continuity in editing. The cinema follows a conventional pattern, and the narrative is taken forward by motivated events or what may be
Genres are classifications of films which are based on content, theme, design, narratives, styles, mood, era and situations. These classifications are what we see today on local DVD stores and in film ads. They are categories of
Citizen Kane (1941) investigates the life of newspaper tycoon Charles Foster Kane, while Shane (1953) depicts the struggles of homesteaders and a former hired gunman, Shane (Alan Ladd). The analysis focuses on these films
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