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(College) The Game of Love and Chance The Game of Love and Chance November 16, (Venue) Pierre de Marivaux, playwright (Name), director (Name of the group or company who put on the performance) The scene of the play is at the Orgon household. Dorante and Silvia are betrothed yet they have never met and so each one of them wants to be absolutely certain if the other is worth of marriage. The two parties including their servants decide to swap their roles so that the royal Silvia and Dorante lower themselves to servants while their servants rise to royalty as depicted by dressing and roles.
Ironically neither of the two parties have no idea of what the other has done except for Silvias father and the brother. In the end all their disguises are relinquished and they dawns to them that they have in fact fallen for their intended match. The plot of this play speaks for itself. Through Silvias father and brother a stiff sigh of comic relief is realized in the play making it absolutely lively. As much as a few people show reveal the aspect of predictability within the play, they show no aspects of complete displeasure thus proving the story interesting to a larger audience.
The subject matter of the play is almost entirely love. It is an outstanding complete picture of the complications involved in love and how people take chances in the name of love. Preference and choice are other things that keep the the play going. The dramatic work portrayed in the play is credible because any realistic performance captures attention and the play did that. This statement of attention capturing in attempt to achieve realism is approved of by Isherwood (2014) in his theatre review, Mysteries of Heaven and Earth, where he says "Suspending our disbelief for a while is among the primal pleasures of theatergoing".
The pleasures of theatergoing can only be realized after the attention of the audience has been captured. Most of the actors in the play made it appear as though it were real through display of emotions. However, Dorantes valet made the play look like a typical drama in the way he acted. The exciting part about Orgon and Mario, who are father and brother to Silvia respectively, is their exceptional ability to trigger laughter. The scene of the play seemed so plainly furnished and therefore failing to bring out the intended theme of love which is normally colored with beauty.
As much as the scene seemed so plain, the beauty in dressing by the actors was the condiment that gave the entire play its flavor of romance. Furthermore the evident affection revealed emotional beauty of the entire play. The spacious stage enabled music to be enjoyed in dancing since it could accommodate all actors involved. This in fact made the audience see more pleasure in the play as their laughter breaded content. Generally, this is a simply entertaining play that excludes brain strain in attempts to conceive it.
Regarding its unique simplicity and unpredictability, anyone can take pleasure in it. The play is also preferably suitable for upcoming artists as they can easily learn from it. Works Cited Isherwood. "Mysteries of Heaven and Earth". Rev. of Mysteries of Heaven and Earth, Sara Krulwich. The New York Times 16 November 2014 late ed. Internet Source.
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