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You can decide the topic whatever you want by those requirements I posted - Essay Example

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It is so because motion can only exist in the framework of time (Serafini 25). The presentation of time and motion in both two- and three-dimensional types of arts require mastery in the skills of art. Artists can realize…
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Visual Elements in Two-Dimensional Art Time and Motion Time and motion are considered to be one entity in art. It is so because motion can only exist in the framework of time (Serafini 25). The presentation of time and motion in both two- and three-dimensional types of arts require mastery in the skills of art. Artists can realize this idea in a variety of ways. For instance, artist can portray a particular time of day by using light colors. Depiction of motion is by the use of blurred images.

The fusion of the two in the work of art results in a moving sculpture called kinetic sculpture (Serafini 45). In most art galleries, displayed paintings present time and motion uniquely. Christo and Jeanne-Claude paintings are an excellent example of works of art that successfully exhibited this concept of time and motion. While most painting requires careful handling of the brush, Jackson Pollock approach was unique because he did not use a brush directly on canvas. It is interesting to look at how Pollock was able to bring out time and motion in his unique approach to painting.

Diversion from the conventional way of painting helped Jackson Pollock tap into a new world of art. He fixed the canvas on the floor or wall, accessing it from four sides, he poured and dripped paint from a can manipulating it with sticks and knives (Serafini 63). As Pollock put it, having the canvas on the floor made it easy for him as he felt nearer and a part of the painting (Serafini 20). He was able to express his unconscious moods. It resulted in abstract expression through action painting often related to the surrealist theories (Serafini 63).

Jackson Pollock ingeniously incorporated the property of time and motion in his works. Through pouring, dripping, flicking and spilling, Pollock was able to put the effects he intended on his paintings (Serafini 28). Considering his painting of 1952 named the Blue Poles, the element of motion and time is very pronounced. One sees how Pollock used his paintbrush to drop and flick paint on the canvas (Serafini 28). The movement of the brush and the flicking action is quite evident in the way the paint is splattered on the canvas.

The concept of time and motion is capture in this movement seen on Pollock’s work. The Blue Poles is, therefore, a two-dimensional painting that has the aspect of motion and time presented.TextureIn visual arts, texture is a valuable element required for a successful work of art. Texture is the surface quality that is apparent on a piece of art work (Serafini 42). Identifiable through visual and physical qualities, texture is an element incorporated in two-dimensional artwork. Texture is described using the following adjectives; rough, sharp, prickly, billowy, bumpy, soft, smooth and fuzzy (Serafini 98).

PatternThe other essential element of art works is a pattern. Pattern is the structural organization that is consistent and regular that brings out flatness (Serafini 56). Pattern can is in nature and created objects. Some of the patterns in two-dimensional arts used in textiles include the argyle, check, gingham, harlequin, Persian motifs, tartan, tattersall and paisley (Serafini 98).Work CitedSerafini, Frank. Reading the Visual: An Introduction to Teaching Multimodal Literacy. New York, NY: Teachers College Press, 2014.

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