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you agree with Berger that women, unlike men, are continually watching themselves being watched by others and making adjustments based on how they perceive that others see them?
I think that Berger is right that many women watch themselves being watched by others and make adjustments in what can be seen because of the perceptions of others about them. Women do this because, as Berger correctly said, women are raised to become “women” according to how the public sees them, specifically, how men want to see them. As a result, many women want to be beautiful because this is what society says should be their primary goal in life- to be attractive so that they can be seen and be rewarded by men’s ownership of women.
Third, what do you think Berger means when he says that "Nudity is a form of dress?" Here are some paintings of nudes, some of which he discusses in the book and some others that he does not discuss. As you look at these paintings, do you find yourself agreeing or disagreeing with him about the culture of nudity in Western civilization? ( the pictures that was mentioned in above will be uploaded) again provide a short paragraph please.
Nudity is a form of a dress because it is a dress that men want to put on women, the dress of passivity and submission to male sexual desire. I agree with Berger that the culture of nudity in Western civilization is a process of telling women how they should act when they are seen by men. Nudity is not about women’s expression of their identities, including her sexuality. Nudity, as Berger shows, is a submission to men and their desires. Nude paintings are then in “languid” poses that are not about women actively showing their identity and sexuality, but women who are “available” to pleasure men. Nudity is about the culture of men who want to control women, not only sexually, but socially.
Berger believes that art is valuable when it is original or unique. I believe that what gives art value is that is
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In A View from a Bridge the author attempts to describe the world through words to a boy with no sight. McDonald makes use of detailed descriptions of this account and realizes that beauty is too often overlooked in everyday life. While Mark Twain describes his idea of the Mississippi river from two angles or two perspectives to illustrate his philosophical interpretation of difference between aesthetic beauty and the mechanical or the scientific analysis of life and its various phenomena.
From an array of tools of art, Berger has mainly used photographs; paints; canvas etc to help the readers understand how these objects mainly only supplement what the eyes see. These materials are made use of in order to reflect the status of thoughts of the artist to the audience so that they may understand the motives behind the particular piece of art.
The painting operates on many levels. Berger describes how the texture of the painting enables it to leave a very strong impression upon the onlooker. To a modern eye, the two men in the painting look very formally dressed. The one on the left is clearly an important man, since white fur and huge shoulders are indicators of wealth and status.
Berger is intent to challenge ways of looking at art and other images that ignore the status of works of art as commodities. He completely re-shifts the readers understanding of art. It is about art philosophy, but much more than that, how we understand the nature of art, and how it relates to our cultures and societies.
In fact, in "seeing stars", Janet Staiger attempts to question the traditional way of perceiving the role of a star.
Staiger's analysis of the origins of the American "star system" reveals the variety of angles through which the word "star" can be defined.
Many of the things they can think about, however, they cannot see” (10). Numbers, for instance, are only represented by numerals or through other physical countable representations. However, like other invisible entities, these things pre-occupy the thoughts of human
failed to temper the discussion regarding the renowned artist who seemed equally at ease photographing flowers and celebrities as he did men in various and highly controversial stages of erotic display. In 1986, he published The Black Book, a selection of his many idealized and
It can be produced for a mass audience and has art de-mystification as the central or core aim. Mass audience is possible since it is also present in film form. The paper will lucidly describe and analyze chapter three of
As the study, Ways of Seeing, stresses this book talks about old master’s painting reproduction outdo the work of art in the Age of Mechanical reproduction. In addition, the book also talks about nude female whose desire not only depicts a woman as herself but also as a subject of male idealization or desire.
The standard of value set in a society enable people to evaluate objects, relations, and diverse phenomena only due to their prior knowledge and preset belief (Berger, 8). For instance, according to his first stance seeing an object does not solely develop
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