The Virgin Mary painting - Essay Example

The Virgin Mary painting and the importance of religion in Mexican art Religion has over the centuries come to have a significant effect on the development of Mexican art and this trend has continued to be the case to the present. The fact that a large number of Mexican artists are influenced by religion in their work is mainly because majority of Mexicans are highly religious individuals, and very devoted to the Roman Catholic Church (Taylor 145). It has been found that a large number of artists in Mexico consider it their duty to create religious images because in the devotional sense, they consider it to be an act of worship. The Virgin Mary also has a very prominent position in the religious art of Mexico and this is mainly because of the fact that she is highly venerated in the country with many Mexicans considering her to be the mother of the entire nation. In addition, many Mexicans during their prayers seek the help of the Virgin Mary as they ask her to intercede to God and Jesus on their behalf and this has ensured that she has come to be revered by all the people in the nation. The prominence of the Virgin Mary in the national psyche has ensured that she is also given a prominent position in art, because Mexican artists, like all Mexican people, are very devoted to her. This has led to a situation where most of the art in the country has some religious aspect in one way or the other and this has ensured that the religious spirit of Mexican artwork has remained prevalent with little sign of its diminishing in the coming years. Religion has been a source of inspiration for Mexican art for many years and it is for this reason that a large number of art that it produced in this country, even that in the secular realm, has some aspect of religion within it. As has been mentioned above, Roman Catholicism is the most dominant religion within Mexico and this has been the case since the founding of the state after the Spanish conquest. However, it has been found that the Catholicism that is practiced in this country is highly syncretic, and this is mainly because of the fact that a large number of the indigenous people readily accepted it after the Spanish conquest (Carruthers 358). While this may have been the case, most of them accepted the new religion by making an association between it and their own traditional religions so that the Virgin of Guadalupe came to be associated with their goddess Tonantzin, and it is in the latter manner that she has been depicted in Mexican art to this day. It is a fact that Catholic beliefs have an influence on the daily lives of many Mexicans and this is because the Church has been a powerful institution within this nation since its founding, at times being in good terms with the state and in others being openly hostile. The Catholic Church has always been a champion for the rights of all the common people in Mexico as they have fought against tyrannical or elitist rule since their independence (Purnell 222). These actions on behalf of the people have given it massive influence over their lives and this has been based on the respect that many Mexicans feel towards it. It is for this reason that many Mexican artists include aspects of their Catholic beliefs in their artwork and many of them feel that in doing so, they are fulfilling their religious and devotional duty towards the individuals that they depict in their work. In the latter case, most of the images which are depicted in Mexican art involve the Virgin Mary, shown in her incarnation as the Virgin of Guadalupe, and the most respected religious figure in the country. Most of Mexican art tends to depict the daily lives of the people within this nation and this cannot be done without some form of religious attribute because of the fact that most Mexicans are highly devout individuals. It is therefore common for Mexican artists to include some form of religious symbol in their art, the most common being the image of the crucified Jesus or the image of the Virgin Mary in one of her incarnations, especially as the Virgin of Guadalupe (Pardo 312). This influence of religion in Mexican art is normally further enforced through the involvement of priests in the daily lives of most Mexicans. This involvement tends to be marked by various important events such as during births, weddings, and death; all of these events being normally officiated by priests. In addition, it has been found that priests also get involved in other activities in the lives of many Mexicans such as when the latter need to have their property, such as newly acquired homes, vehicles and businesses, blessed by a priest. Thus, priests are not only involved in the daily religious lives of many Mexicans, but parish priests tend to be also involved in their social lives as well and this is normally because the priests more often than not know a majority of the members of the communities whom they serve. The priests, being representatives of the church, usually end up emphasizing, albeit unconsciously, the role of the Church in the daily lives of many Mexicans and all of this, one would suggest, has a profound influence on the work of artists. In this manner, the influence of religious practitioners in Mexico cannot be underestimated when one considers the fact that most of the art of this country is very religious in character and this attests to the highly devotional nature of the artists to their religious beliefs as well. Religious rituals and holy places have been found to play a significant role in the art of Mexico and this is because of the fact that these are very important aspects of life in this country. In most art, it is normal for artists to make depictions of the events leading up to Easter, which is the most important event in the Mexican calendar (Conover 441). These events, from the Last Supper, Transfiguration, and Crucifixion are among the most revered aspects of Mexican religious belief and because artists want to connect with their audience, they normally include these events in their art. The ability of religion to influence the artists of Mexico can also be attributed to the numerous religious observances that Mexicans often participate in throughout the year in veneration of the large number of Catholic saints according to the religious calendar. These events often attract a large number of people and pilgrims not only from Mexico but also from the rest of the world who come to visit the holy places in this country. It is mainly because of the high religious observance by people from Mexico that artists add aspects of religion in their work and they do this to ensure that they not only connect with their audience, but that they are able to sell their art, because it is through the latter that they make a living. Thus, artists often tap into the emotional attachment that many Mexicans have to religion in order to develop the form of art which is full of religious aspects which are often sold faster than those with secular aspects. For a nation, which is highly devoted to Catholic beliefs, it is normal for many individuals, especially those who go on pilgrimage to religious shrines, to want to take religious art back to their homes (Bailey 191). This is where artists have an advantage because they are able to develop art forms which appeal to the majority of the pilgrims and in this manner; they are able to make a more comfortable living from their work than those who concentrate on nonreligious art. Furthermore, it is a fact that all communities in Mexico, both urban and rural, tend to have their own patron saints and artists have taken advantage of this aspect of Mexican life to make art which is representative of all of these communities. Because of the religious nature of many Mexicans, it has become common for the artists to make depictions of death and the afterlife in their art. This obsession with death and the afterlife can be attributed to the massive integration of indigenous religious beliefs into the Mexican Catholic culture and this has ensured that many of the artists within this culture are very interested in the subject (Nesvig 225). For most Mexicans, the need to live a good life so that when they die and reach judgment, they can be promoted to paradise is very essential for them and this leads them to devote at least some of their time to religious observances. Their entreaties to the Virgin of Guadalupe to intercede to God on their behalf have created a situation where artists work very hard to ensure that they present this situation as it is. Death in Mexican culture is not something to be feared but is accepted as a basic part of life and is at times celebrated and it is mainly because of this perception that it has become part of their basic religious beliefs. It is for this reason that many Mexican artists, in their depictions of death, instead of making it gloomy and a sad event, depict it a celebration, as it is believed that those individuals who are dying have moved on to be with their creator (De León 493). This is in contrast with other cultures, especially those to the north of Mexico, where artists often depict death as something scary which many human beings fear and try to escape it at all costs. Mexican art, on the other hand, is quite open concerning the various aspects of death and this is because of their staunch religious beliefs concerning the matter, since there is the constant belief that there is an afterlife and that the best means to deal with it is not to fear it, but to celebrate it. The best examples of Mexican art concerning death are those inspired by the Days of the Dead, which act as days when the dead within the society are not only remembered but also celebrated. Artists in Mexico come from very religious backgrounds and their works shows how much it has a massive influence on them. One will find that even in their depictions of the most regular things in life, such as love, hate, nature, and other forms of art subjects, most of these artists often make religious depictions or they create images which more or less have religious connotations (Wolford 1049). This not only enables them to show their artistic prowess, but it also allows them to ensure that they do so in a manner which is both attractive and devotional. Catholic beliefs are predominant within Mexico and it is very difficult to go anywhere within the settled part of the country where there are no religious depictions in one form or the other (Schroeder 56). These often serve as inspirations for many artists who base their works on them while at the same time working towards depicting the everyday lives of Mexicans. Because of the highly religious nature of some of the Mexican artworks, there is a lot of demand for it from the extremely devoted members of the local society, many of whom put these artworks in their homes or places of work in the belief that they bring them closer to God. The art of Mexico which has religious aspects has come to also have a high demand internationally, especially from those individuals and states which are devoutly Catholic and this has ensured that there are massive purchases of the same. This demand has also encouraged more artists to concentrate on the creation of works which are religious in nature as this has more demand than secular art. However, in recent years, with the younger generation of Mexicans not being as devout as their parents and previous generations, there has developed a high demand for secular artwork. There has developed a trend where the influence of religion on Mexican art has begun to wane as the population becomes more secularized as a result of the various aspects of globalization. While this has been the case, one will also find that the influence of religion is still strong and while its influence may be waning, it will likely remain a strong part of Mexican art in the coming generations. In conclusion, it has been found that religion has over the centuries come to have a significant effect on the development of Mexican art and this trend has continued to be the case to the present. It has also been found that Roman Catholicism is the most dominant religion within Mexico and this has been the case since the founding of the state after the Spanish conquest. In addition, it is a fact that Catholic beliefs have an influence on the daily lives of many Mexicans and this is because the Church has been a powerful institution within this nation since its founding, at times being in good terms with the state and in others being openly hostile. Moreover, it is important to note that most of Mexican art tends to depict the daily lives of the people within this nation and this cannot be done without some form of religious attribute because of the fact that most Mexicans are highly devout individuals. Furthermore, in most art, it is normal for artists to make depictions of the events leading up to Easter, which is the most important event in the Mexican calendar. Finally, because of the religious nature of many Mexicans, it has become common for the artists to make depictions of death and the afterlife in their art. Thus, one would say that the artists in Mexico come from very religious backgrounds and their works shows how much it has a massive influence on them. Works Cited Bailey, Gauvin Alexander. "Ambivalent Identities: Catholicism, the Arts, and Religious Foundations in Spanish America." Latin American Research Review 48.1 (2013): 191,204,239. Carruthers, David V. "The Politics and Ecology of Indigenous Folk Art in Mexico." Human organization 60.4 (2001): 356-66. Conover, Cornelius. "Saintly Biography and The Cult Of San Felipe De Jesús In Mexico City, 1597-1697." The Americas 67.4 (2011): 441. De León, Ann. "Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico." MLN 125.2 (2010): 493-5. Nesvig, Martin. "Popular And Organized Religion In Modern And Contemporary Mexico." Latin American Research Review 44.2 (2009): 225,234,249. Pardo, Osvaldo. "Local Religion in Colonial Mexico." The Americas 64.2 (2007): 312-4. Purnell, Jennie. "People, Religion, And Nation In Mexico From Independence Through The Revolution." Latin American Research Review 41.1 (2006): 222,233,267. Schroeder, Susan. "Jesuits, Nahuas, and the Good Death Society in Mexico City, 1710-1767." The Hispanic American Historical Review 80.1 (2000): 43-76. Taylor, William B. "Placing The Cross In Colonial Mexico." The Americas 69.2 (2012): 145. Wolford, J. B. "Women in Mexican Folk Art: On Promises, Betrayals, Monsters and Celebrities." Choice 49.6 (2012): 1049. Read More