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The essay will be about Michael Haneke’s Representation of Violence in his films, who is a former literary and film critic. According to Aaron (2007), in most of his life work, he undermines the development of the contemporary society. He has produced the most disturbing films, which contain much violence in the contemporary cinema, and has caused many viewers to feel sick in their stomach after watching them.
The essay will be examining the stylistic and technical methods that Haneke uses that are not only his directive characteristics as an auteur, but also examine the typical difference between how he represents violence and how it has an effect on society those movies and that of conventional society. In the films Benny’s Video (Haneke, 1992), Funny Games (1997) and Cache (Haneke, 2005) there is clear evidence of how Haneke represents violence and it is not only self-reflective, but it empowers role of the viewer’s by attracting their imagination. We will also look at how Haneke criticizes the ubiquity of violent in superficial moving images. With Haneke’s production of films that address themes that are considered difficult measured by the commercial cinema standards, which include violence trauma effects, alienation, sexism and racism as made him be labeled as a modernist.
In today’s films, it is almost impossible to view the whole film without witnessing violence at least as a side spectacle. The film may be either a horror movie that its focus is violence or just a comedy that needs to add some more laughs in the content; one can argue that all these films do not depict the pain and horrifying reality of violence in the real world. Apparently, the images of bombing in countries such as Libya, Southern Sudan and Iraq or a murder committed in a nearby city that one lives look to be not much of the meaning that one still want to watch a violent movie. In fact, because of the ubiquity of the images that contains violence rarely
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