Retrieved from https://studentshare.org/visual-arts-film-studies/1639096-movie-deadman-johnny-depp
https://studentshare.org/visual-arts-film-studies/1639096-movie-deadman-johnny-depp.
Dead Man, Johnny Depp Dead Man (1995) refers to an American Western film, which was directed and written by Jim Jarmusch (Pelzer 48). It stars Johnny Depp, Billy Bob Thornton, Gary Farmer, Crispin Glover, Iggy Pop, John Hurt, Lance Henriksen, Michael Wincott, Gabriel Byrne, as well as Robert Mitchum (Pelzer 48). The film won the Screen International Awards, First Americans in the Arts Awards and also the New York Film Critics Circle Awards. The film features a dark and bitter commentary on contemporary American living, which is masked in the form of a surrealist western.
Johnny Depp acts as William Blake, an accountant, who has just left as a newly-orphaned person. After his arrival in Machine town, Blake is told by the manager Dickinson that the position he was called for has already been filled (Pelzer 49). This leads him to a nearby bar, where he ends up with a former prostitute. A violent argument with the prostitute’s lover (Gabriel Byrne) leaves Blake a killer and fatally wounded, a bullet embedded hazardously near to his heart (Pelzer 49). He then exiles into the wilds, where a Gary Farmer confuses Blake for William Blake, the English poet, and decides that he will be Blakes guide in his prolonged course into the spirit world.
It portrays the cultural allusions of modern America. The guitar leaked soundtrack with portions was composed by Neil Young as he improvised (Pelzer 50). The movie was released on 26th May, 1995, at the Cannes Film Festival. The social and political context that the film maintained was the Native American culture. Dead Man is also distinguished as one of the fairly few films concerning Native Americans that offer toned and thoughtful information of the personal distinctions among Native American tribes.
In modern culture, the Johnny Depp has appeared in several movies still as William Blake, for instance, in L.A. Without a Map, and also other films have incorporated the same theme from the film (Pelzer 56).Work CitedPelzer, Peter. "Dead Man — An Encounter With The Unknown Past," Journal of Organizational Change 15.6 (2006): 48-62. Print.
Read More