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Film Analysis: Cinematic and Literary Influences - Essay Example

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An essay "Film Analysis: Cinematic and Literary Influences" outlines that referring to the literary genre, the theme of Double Indemnity is largely based on crime thriller (Chandler, 2002). But as a film, the cinematic sphere of this movie is much wider and complicated at certain sequences…
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Film Analysis: Cinematic and Literary Influences
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"Film Analysis: Cinematic and Literary Influences"

Download file to see previous pages Film experts like Naremore (2007), Schatz (1999), etc. have marked this movie as one that was considerably influenced by European cinema. According to Naremore (2007, p. 88), Double Indemnity is highly influenced by the culture and cinematic approach of the Weimar Germany – “not so much in its photographic style (which reviewers of the time compared with the prewar French cinema), but in its imagery of Fordist Amerika.” However, it should be mentioned here that the film is based on an American novella written in American backdrop. Experts like Schatz (1999) acknowledge the effect of a passive German influence from a wider perspective with more American input. Schatz (1999, pp. 236-238) holds that Double Indemnity can be analyzed as a movie of the “War Era” When Nazi Germany emerged as a prime enemy of the nation. Primarily, the film is still remembered as a trendsetter in the genre of mid-twentieth-century film noir (Palmer, 1994) developed in the format of a stylized crime drama combining sexual motivations, alienations of urban life, and psychological twists. Experts like Naremore (2007) have emphasized on the mechanistic treatment of the plot as seen in the film we are analyzing. On the other hand, experts like Johnston (1998) have stressed the complications of interpersonal relationships and contemporary gender stereotypes. However, Manon (2005, p. 18) has employed “psychoanalytic theory to identify a fetishistic imperative in the perfect crime that Walter Neff endeavors to commit to Billy Wilder’s Double Indemnity.” By supporting the continual manipulation of ambition-attainment and pleasure, Walter Neff connects to a “virtuoso cover-up” (Manon, 2005, p. 18), which represents classic noir trickery. Finally, the film-spectator is compelled to fantasize beyond what is being shown. ...Download file to see next pagesRead More
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