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Practically, issues concerning films began back in 1896 when the natives started producing motion pictures in a place called Shanghai. This led to the production of the first film in 1905 name the Beijing Opera: The Battle of Dingjunshan. They were several films produced following the release of the first film but foreigners owned them. This was until 1916 when a Chinese native in Shanghai set up the first production company. As the industries grew, American film producers visited the Shanghai, which was the center for film production. Americans were much ahead in the industry and thus acted a clear guide to the growing industry. This led to the setup of a training center at Shanghai in 1920s (Curtin 45). Under the American patronage, China was able to produce its first true film in 1930s. There were a series of films produced during this period following the increases level of experience and human resource to boost the industry. In late 1940s and early 1950s, the industry grew following the establishment of a substantial Chinese production house named Lianhau Company. There was also an increase the number of movie viewers as they increased from 140 million to 4.5 billion (Nakajima 23).
Chinese is currently one of the leading nations in the world in producing films. Practically, Chinese are diligent, and they have taken the industry to international levels despite current hardened censorship placed by the centralized government. Key players in the film industry are using illegal means to sell their products globally especially in USA and Europe. This has popularized their expertise in the field, thus out doing American who was previously thought to have the largest film industry in the world. To enhance globalization of the industry, they have also adopted a trend where they produce films in foreign nations, as this will bar the government from interfering with the proceeding in the industry.
China’s film and movie industry is
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As recent reports from various sources declare, China has undeniably toppled over the worldwide market not just in dry goods but also in the movie industry. China’s culture has been a worldwide interest in various parts of the world. Stories and plots for movies intertwined with Chinese culture is a common line that is featured in Hollywood movies.
In the end, the entry of China into the WTO was considered a positive thing by most, although there are certainly those with contradictory opinions. The efficacious qualities that China gained by entry into the WTO; an aid to the economy, and the opening up of China's markets for more international trade and investment (to name a few).
Economic and political instability in Mexico has an impact for its neighbor too. Migration by Mexicans into the U.S. has taken place since the 19th century. Contrary to popular belief this migration is not always a negative prospect. Such migration has a greater positive for the economies of both the two countries.
Chinese media has been actively participating in combining democracy with nationalism but still it remains unable to bridge the gap between the two, the best examples of its failure in bringing democracy is the incident of Tiananmen Square Protest, which we would discuss later.
The conclusion from this study states that Chinese films have changed over the years to reflect the changing of both society and power in China. The changes in the cinema have not all been bad, though. In particular, the emphasis on women’s liberation is refreshing, as the earlier films portrayed the submissive woman as being the ideal.
Films have been identified by the society and setting that they depict and each region with the technological capability they possess, these regions have defined their style of production. The book Chinese national
der to enhance their criticism of the societies “These unusual products from the burgeoning film industry of the 1930s have given a dimension of stylistic variety to the legacy of Chinese cinema as they enrich its subject matter and content” Zhang 96. Developed in 1949,
The society began appreciating film as a commodity and a form of political expression. Later, changing policies meant that filmmakers lacked the freedom to achieve their storyline, and had to focus on choices that favored the country's image. Structural changes of the film industry sought to make filmmakers autonomous of state decisions.
Competition with blockbusters that had been imported for the local market share has inspired some of the filmmakers in China to turn to Hollywood as a source of inspiration. This has led to an imitation of the big-budget and high
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