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"The Four Hundred Blows (1958, Francois Truffaut): How is Mise en Scene being used in this film to express Point Of View Whose POV is predominant Explain"
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In the next sequence, a classroom with an authoritarian teacher and boisterous boys are shown that symbolize all the school-based issues in the Western countries. The audiences locate Antoine in the classroom following a traveling photo of a scantily clad woman. Antoine is shown being rebuked for having that picture which establishes the concept in the audiences’ mind that despite having no guiltier than his peers, Antoine is the only student who is being punished in the class. This pattern creates all through the exposition till the story’s end. The camera pans to follow a picture of a scantily clad woman and we follow the traveling photo around the classroom. Immediately, we see Antoine reprimand for having the picture. This sets up the idea that Antoine is no guiltier than any of his peers, but is the only one punished. This is a pattern that forms throughout the exposition, setup and well into the rest of the story.
The film The Four Hundred Blows captures the rift between the children and the adults in a brilliant way. Actions of the children confuse the adults, so the adults are not able to converse with the new generation. In the film, Truffaut has attempted to expose the adults’ hypocrisy in the world which causes the men and women in the middle age to be even more immature as compared to their children. Truffault has used the mise en scene in the film to project the point of view that wisdom does not necessarily come with age, as many of the audiences like to believe. A very good manipulation of the film’s mise en scene to project this point of view is when Truffault immediately cuts from Antoine to his mother; in one scene, Antoine has been forced to sleep in a paper mill and the boy is trying to prepare his bed within that and immediately the audiences are shown the silly argument between Antoine’s mother and his
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It takes a combined creative effort to create a film that manages to both convincingly sell the action and do so in a way that continues belief in improbable characters such as mutants. In the film X-Men: The Last Stand, the most powerful mutant yet born turns out to be Jean Grey, a telepath who has more power than anyone other than Charles Xavier or Magneto suspect.
Music, although non-visual, is also considered as a mise-en-scene. It largely contributes to the mood of the film; in its turn, it will help the audience appreciate the story and characters in a more in-depth manner. Many directors have a specific style, or “flavor”, when it comes to directing movies.
When it was released in 1941, the film revolutionized and revitalized the art of filmmaking in Hollywood, which was languishing at the time in its own aura of complacency. The precocious genius of Orson Welles is stamped in all aspects of filmmaking – the direction, screenplay, storyline, camerawork, editing, casting, and even in the political messages contained therein.
Cinematographically the film is quite brilliant and a rich source for studying the art of mise-en-scene. But as far as the plot is concerned, it is quite ordinary and offers nothing new or interesting. The plot is based on the time-worn and tired theme of conflict between passion for art and romantic love.
Released in 1974, this neo-noir mystery thriller follows private eye Jack Gittes as he interacts with mysterious Evelyn Mulwray and navigates complex and turbulent 1930s Los Angeles, unraveling a number of startling
Mise-en-scene is a French word that literally translates as “placing on stage”, it has been used by film makers to denote the design of a film (Prokow, p 64). In cinema, it refers to all the happenings on the camera i.e. settings, actors/actresses, costume used, composition and the lights. It`s this aspect that brings out the true picture.
It is based on the ingenuity of the director to apply all these details in each and every scene to portray the meaning.
It is not only through the dialogue delivery which makes the movie worthwhile but the compilation of
The writer states that every aspect is crucial in bringing out the meaning of a scene in a film. Analyzing the various elements of a particular scene the writer gives the viewer the meaning of some of the recorded events, how they are recorded. The use of real workers of that time instead of professional actors shows the limitation of the movie’s budget.
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