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The play has two major acts and one captivating finale. The first act involves a 20-year-old woman, Sophie, deeply in love with a man named Sky and happily engaged. However, she does not have the ability to go down the aisle with her father alongside because she does not know her. This leads to her endeavor of finding out her father. The second act involves Sophie in a dilemma as to who her father is after three possible candidates show up all willing to accompany her down the aisle (Craymer 127).
The performance was enchanting from the manner in which the actors brought out the plot in a sophisticated yet simple manner to understand. The way in which facial expressions of the actor playing Sophie’s role appeared was rather interesting. This is from the diverse moods that the plot offers with regard to Sophie. There were those times according to the plot when Sophie was happy and exhilarated like spending time with her fiancé and there are those confused and sad moments where she has no idea what to do having in mind that the wedding is nearing and that she is yet to identify her real father. All these different situations were offered a rather exclusive and comprehensive approach through facial expressions and stage maintenance not only by the main cast but also by the support characters making the play exquisite.
However, the manner in which the vocals of the actors were presented was rather unsatisfactory. This is from the fact that the actors did not fully explore their full potential. This is further revealed from the manner in which the cast did not change their vocal cords in relation to the specific scenes that they were acting. Some of the scenes required intonation such as the point where Sophie was angry with the three probable fathers for not being honest enough to let the real one stand out. At this point, the intonation was supposed to be high with rage but the actor taking Sophie’s role appeared
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