This paper declares that the Indian history dates way back to 3300 B.C to 1300 B.C with the birth of the Indus Valley civilization such as Mohenjo-Daro, Harappa and the invasion by the Aryans. The Indo-Aryans and the late Harappa culture gave rise to the Vedic Period…
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From the discussion it is clear that the society again involved in making contributions towards art, literature, culture and religion. All along with the development of the society, art and architecture played an equally important role. They were also influenced by the religions practiced by the society in those periods like Buddhism, Hinduism, Jainism and Indo-Islamism. Indian art is not to be studied from the time-based evolution perspective but rather from the region and period of its evolution perspective. This study highlights that Indian art has continuously evolved through time and is still evolving. It begun with rock painting, moving onto rock cut caves and temple architecture and then paintings and sculptures. Alongside these forms, India also showed progress in the tribal form of art as there were various cultural and social groups in India. However, it is worth mentioning that almost all art forms were inspired by the innumerous Gods and Goddesses that people believed in, who were transformed into contemporary forms and familiar images. Indian society has been very secular ever since ancient times and has encouraged different practices all along. This rich philosophy, both spiritual and rational, made its impact on Indian art and architecture. Temples and stupas were seen to incorporate symbolic languages based on important philosophical concepts. These included the Chakra or wheel of time, Padma or lotus, the symbol of creation, Swastika representing aspects of creation and motion, Mriga or deer the symbol of erotic desire and beauty and many such symbols.
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The author states that South Eastern art and architecture was heavily influenced by India as well as China. Cambodia was home to the Khmer art which based the temples on Indian architecture but gave them its unique style of sculptures with voluptuous figures and serene faces. Most of SEA art forms were influenced by Indian Hinduism earlier.
The street art is not entirely an act of vandalism because it is different from the traditional graffiti because the latter relies strongly on the premise of hurting the cause of the society while street art aims to inculcate a sense of belief and hope within the people at large that all is not lost and there is still some ray of light left within their domains.
Indians make offerings to these sculptures and treat them with utmost respect. Every sculpture has a distinct style and these styles differ from region to region and have changed over the years. Every posture, expression, ornamentation and gesture of the Indian sculptures is symbolic and represents either a quality or depicts a scene from the ancient tales.
The research essay "Islamic Art" gives a profound analysis of islamic architecture. This paper undertakes a profound analysis of the processes by which the Selimiye Mosque was built, the driving forces that underpinned its construction, the technological advancements that were required for its implementation.
It may be a technique of decorative art, an aspect of interior decoration, or of cultural and spiritual significance as in a cathedral. Small pieces, normally roughly cubic, of stone or glass of different colors are used to create a pattern or picture.
This paper explores abstract art. Abstract art came to existence because of the demands of new styles or mediums knowing that a work of art had to mimic or signify outer reality. Abstract art deviated from the laid down principle that an art should provide a recognizable scene or object. Deviation from the academic art was about artistic freedom.
aboration of the two artists were developed through the help of the Spanish architect Antoni Gaudi’s, who used strings to create three-dimensional plans of his architectural designs. Combining all these three significant individuals’ contribution to art, Shin and Ripel were
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Most of the Bronze forms of the lidded ding originated during the Shang and Zhou dynasties in china around