The researcher of this essay aims to discover "The art of Graffiti". many people dislike it. Many people view private property as one of the foundations of human civilization and vandalism to be a violation of the trust between people…
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One day when I went to this mosque to investigate further, I met an old man who sometimes cleans to floors and walls indoors. I took him around to the back of the mosque to show him the graffiti and to ask him what he thought. He looked very surprised when he saw the drawings. He told me that what the people had done who had drawn the graffiti was unacceptable. He had been brought up not to damage or deface other peoples’ property and to show respect for others. These scribblings, he said, were like a slap in the face—they were like someone had drawn physically on his own body, or taken something that belonged to him away from him. “The people in this community worked hard save up to build this mosque,” he told me. “They paid to make this walls clean and white. There is no merit in what was done here. Instead it was an act of defacement and sacrilege. It is unacceptable!” My opinion of the situation closely mirrored that of this gentleman. It’s just a shame that the risk is not commensurate with the meaning of what they are saying. They really seem only to have drawn gibberish on the side of the mosque—not anything that can constitute the risk. Even if they had written something against to government that would be political expression which would at least give the viewer something to think about. Through out the Middle East there is a fair amount of graffiti on mosques. Because of the political turn in the world in recent years, there is sometimes a strong feeling about Muslims.
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Graffiti is experiencing a new high because of the coming of age of one infamous, anonymous graffiti artist under the pseudo name Banksy, whose works have been fetching astounding prices, and are being sought by art patrons and celebrities alike. Banksy has made it possible to lead graffiti into mainstream art.
A report on the topic “scrutiny of “Envirocrime” was set out on April 2003, by the committee made under the British Parliament following the London Act 1999. The committee was prepare to scrutinize the issues that are being the cause of environment hazards and needed to be legally dealt under the ‘envirocimes’.
Graffiti is also defined as a composition of pictures or words sprayed on a wall. The word graffiti is derived from an Italian word “groffitia” meaning “scribbling” or “inscriptions made on wax tablets using a stylus”.
The attitude towards graffiti varies widely. During the early days of graffiti emergence, some scholars compared art to graffiti, perceiving graffiti as a new composite phenomenon, with characteristics of childishness and adult assault. Yet others perceived graffiti as a psychological phenomenon, as a form of free and personal communication unbound by the daily social restraints that hinder individuals to express their thoughts (Almquist, 2009).
When one thinks about various art forms it turns about to be quite astonishing how art has transformed itself during the ages. One of the major transformations in the field of art is how it has spread beyond the boundaries of galleries to streets and urban areas. Graffiti is an art form which was not primarily accepted in the past.
. . . Graffiti art is free for all to come and view-no one can own it, it belongs to all of us"1. The opposite view in presented in the words of Gary Doyle from Public Works Officer, Nuisance Crime Abatement Unit, Oakland, California, who said, "I think graffiti is vandalism, pure and simple.
Graffiti, largely identified as an illegal art, has been used by artists as a means of expressing resistance to the hegemonic definition of formal art in numerous countries around the world. The definition of graffiti changes depending upon who is providing the definition. Other than the illegal act of painting on an unsanctioned public or private property space.
Street art and graffiti are often tied with each other and are just the few of arts’ popular forms. The popularity of the two may have influenced a lot for the growth of arts in visual culture. With such, this paper is made to present and analyze the growth of the two and how both directed the concept of occupying visual space.
Waking up to a previously clean public wall now filled with various scribbles expressing a whole gamut of themes is usually considered vandalism. Michael DeNotto explained how this activity has come to be known as street art, viewed in different perspectives, depending on the style and content of the writings and graphics inscribed on the wall.
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