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Cultural Imperialism in the Film Indiana Jones and the Temple of Doom - Essay Example

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In the paper “Cultural Imperialism in the Film Indiana Jones and the Temple of Doom” the author analyzes Steven Spielberg’s film Indiana Jones and the Temple of Doom (1984), which depicts the adventure of whip-hyping, bonnet-wearing archeologist Indiana Jones…
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Cultural Imperialism in the Film Indiana Jones and the Temple of Doom
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Cultural Imperialism in the Film Indiana Jones and the Temple of Doom

Download file to see previous pages... The history of immigration to the United States and their contribution to succeeding generations of American-born racial groups are indispensable in United States' social, economic, political, and cultural history.By 1870, a huge flood of Chinese immigrants (8.6 % of the total populace of California forming 25% of the labor force) arrived in the U.S., mainly on the West coast between the beginning of the California gold rush in 1849 and 1882, until the U.S. Congress ratified federal law in 1882 to avert Chinese immigrants from coming in or staying in the U.S. ...
 government policy that excluded or limited by quota immigration by Japanese, Filipinos and the whole range of peoples from Asian nations by an agreement called the Gentlemen's agreement (The Chinese Exclusion Act, lehigh.edu). It was an accord between the United States and Japan in 1907 making Japan to end the migration of its workers to the United States and t United States stopping to victimize the Japanese living in the United States. This accord ended in 1924 by the act of Congress ruling out immigration from Japan, as immigration from China had been earlier prohibited (Gentleman's Agreement, multied.com).
 Academics like Carol Gigliotti consider that all artistic decisions and expressions essentially have a moral implication. Therefore, Spielberg's action-adventure movie(To critics, like Daniel Griffin, it is more like a pasty Tarzan film rather than an action movie of old westerns genre, or, superhero serials, and war pictures), Indiana Jones and the Temple of Doom is not just an escapist fiction movie but a post-colonial distortion of Indian culture and traditions. So, modern India is demonstrated here as immature, sub-human and crude "reality" forcefully, credibly, and intentionally built by Spielberg (Kotwal, The Film Journal).
 Edward Said's definition of the Orient and its relation to the West, mainly Europe, consist s of matters concerning the Settler and the settled. Said studies the upshots of the colonized when the colonizer goes away. He examines the mind of the colonized already looted of its economic, social, cultural, religious, political, historical bases and future potential, in absence of the colonizer. ...Download file to see next pagesRead More
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