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Metropolitan Museum - Essay Example

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Name Institution Course Instructor Date Ia Orana Maria Ia Orana Maria (hail Mary) is a piece of art originally done by Paul Gauguin in the year 1891. In this painting, Paul Gauguin uses the south pacific custom to depict a Christian theme. The title is the south pacific native reference to the greeting of angel Gabriel to Virgin Mary during the annunciation…
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It also has a dark violet footpath and a green foreground, with bananas on the left (Tinterow and Galitz 164) This paper aims at analyzing Ia Orana Maria (hail Mary) by Paul Gauguin and comparing it to Madonna and Child Enthroned with Saints by Raphael Santi. This piece of artwork is an abstract art given the nature of its theme. This can be explained by the fact that it has its subject from reality but with presentation is different from the perspective in reality. The artist has widely made use of Post-Impressionism, which is the implication of colors and definitive forms with the aim of expressing emotions.

This is highly evident in the choice of intensity of color on the faces of Jesus and Mary. This piece of art can be categorized as religious. This is because of the involvement of Jesus and His mother, Mary. Jesus and Mary are known to be associated with Christianity thus the reason for categorizing this piece of art as religious. The piece of art depicts an angel revealing the identity of Jesus and Mary to two Haitian women (Sayre 87). This picture might not have a narrative as we are informed that the artist based much of the content of this piece of art on a photograph of a bas-relief in the temple of the Javanese, situated in Borobudur.

This piece of art is an oil on canvas painting with a height of 113.7 cm and width of 87.6 cm. it is located at The Metropolitan Museum of Art, New York USA. The art piece can be found on the credit line: Bequest of Sam A. Lewisohn, 1951(Sayre 63). Its identification number is 51.112.2. This piece of art was originally meant for some religious or cultural temple because of the religious nature of the subject. Have it had been in a temple the dimensions would have greatly changed. Both the height and the length would have decreased since it will probably not be used for public display.

This would also be because the purpose would not have been commercial. This piece of art has Mary with baby Jesus on her shoulder as the focal point. The piece of art has its focal point to the right of the image (Sayre 183). This is to avoid making the focal point dull to look at. The artist also chose brighter colors, for the focal point just to make sure that it remained visible. The printing is also asymmetric because the artist restricts his decisions to the sense of balance. This is evident in the choice of color, texture, value, shape, and size.

The artist has used implied line in the development of this painting. This has mainly been applied to emphasize on curves, for instance, on the faces of the people on the art piece the artist uses implied lines to show the nose and the eyelids. The artist has also used contour lines in drawing the angel. This significantly shows that the angel is in motion. This is because of the unclear nature of the angel’s image. The contour lines also help conveying an imaginary three-dimension nature of the angel’s image.

The images in this piece of art are highly illusive. The artist has applied simple overlapping in the case of baby Jesus and His mother, Mary. This enables the artist to achieve an illusionary two-dimension image. The artist has also used the relative size of the images to create an illusion on space. The two women relatively smaller than Mary in this piece of art depict them being further. This is done intestinally to illusionary create the

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