This paper discusses several creative designs of the influential Vivienne Westwood, associated with punk looks and fashion, and Jean Paul Gaultier, known to challenge cultural and gender boundaries when it came to fashion. …
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Jewelry, makeup and body arts as decoration also used artistic and cultural concepts to elaborate on the person's appearance. This paper discusses several creative designs of the influential Vivienne Westwood, associated with punk looks and fashion, and Jean Paul Gaultier, known to challenge cultural and gender boundaries when it came to fashion. Keywords: Culture, Designs, Art, Fashion, Music, Decorative, Jewelry, Metallic Chains, Hip Hop, Punk, Rock, Fabrics, Collection Introduction Art has evolved over the years to influence and spur old and new developments in the different industries. In the last half of the 20th century, the diverse works of art tremendously progressed to change the lifestyle of societies, not to mention the massive contribution of both art and fashion in the political, economic, and social spheres. There has always seemed to be a convergence in fashion and artistic works, which effectively influenced the performance in both industries. In the century’s last decades, it emerged to be difficult for one to distinguish art from fashion works because they had moved forth to intertwine. ...
Although the boom of the fashion industry came between the 60s and 90s, expounding more on the incorporation of each works across the industries, the chronology of using fashion designs in theatre costumes for appealing performances, and acceptance of employing the arts to design garments of different fabrics and texture patterns across the trading lands as of early 90s, demonstrate how early the relational trend began developing. Taking an example of the early 20s chemise dresses, the garments were designed to resemble a plain tubular shape like the painter’s canvas, which beside the underlying textile cotton was well decorated with ornamentation and beading aesthetics (“Fashion and art” n.d.). It was evident with the growth of the arts and the market expansion in the fashion industry that one could hardly mention or produce one of the products or works without including the other. Performing Arts in the Fashion Industry Performing arts, especially music influence was the greatest factor that contributed to clothing designs in the late 20th century. After the 50s, the music industry artists in rock, hip hop and punk music took the center stage of influence to the different genders and young people’s dressing. As a result, what people wore would tell more about their lifestyle, preference in music just by the clothes they wore at the time. Music became part of design in fashion and textile industries as the increasing support for the musical genre and influential artists came up. According to McNeil, tracing back from the former 19th century, “art and aesthetic theory played a major role in the transformation of western European dress and North American colonial dress in the Enlightenment” (2011, p. 22). With the desire
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Art has been a medium through which fashion has been expressed, the Renaissance providing the first examples of fashion having great importance in portraiture and extending to the twentieth century where photography took over the communicative media space in which fashion was used as an expression to the masses.
The paper will discuss the features that were significant in works of Schiaparelli and the implications they had on her work. It is also necessary to look into other Surrealists that collaborated with Schiaparelli and the designs they discovered. The paper will also highlight one of Schiaparelli’s fashion design and its relevance in the fashion industry.
This paper explores the connection between art and fashion. Couture houses and salons in Paris controlled the global art and fashion scene. This however changed when the Second World War broke in Europe seriously damaging the art and fashion businesses. Many couture houses and salons in Paris closed.
Surrealism included pure representation of the real functioning of the mind (Stark 2010). Surrealists decided to come up with artwork that showed the increasing strength of simulated bodies as marketing tools because they could stimulate consumer’s desire in different ways such as the clothes that she wore (Spiteri 2003).
This essay analyzes art, fashion and surrealism. Those who wore her collections and accessories became surreal apparitions, heralding to life a core principle of Surrealist manifesto. The paper explores how elements of Surrealism and aspects on femininity played a critical role in fashion design creations by Elsa Schiaparelli.
The paper discusses the blurring of boundaries between fashion and art in the last decades of the twentieth century. The aim of the paper is to comment on the designs of Vivienne Westwood and Jean‐Paul Gaultier to support analysis. Fashion is the name that is given to the prevalent styles of living. Every person has an inborn desire to look good.
Essay 3 (Name) (Institution) (Course) (Tutor) (Date) How did Paris regain its position as the world center for haute couture fashion after World War II? Discuss this in relation to the rising profile of art and fashion in America in the 1950s. Introduction The history of Paris as the world capital in the production of fashionable cloths started in the 17th century.
This essay focuses on fashion and media that both have always existed in close proximity. The relationship between fashion and media has been pronounced, particularly in the modern age, with the rise of innovative information and communication tools such as the internet and the pervasiveness of media in mainstream society.
Every individual in the fashion business has to have the ability of recognizing and predicting different movements both cultural and social. This helps individuals in understanding fully the fashion environment and to be in a position of being able to conduct all the operations in the direction in which the fashion industry is moving towards.
aturing the painting of a talented artist or the creation of a skilled sculptor, the cover of the magazine presented a reproduced outfit by Japanese fashion designer Issey Miyake. From the point of view of Artforum’s editor, the magazine justified its selection of featuring
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