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Critical Response Papers - Research Paper Example

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Critical Response Papers Law of Desire: Movie Review The film Law of Desire by Pedro Almodovar revolves around the problematic aspect of gender and sexuality, which affects the lives of the main characters. The film features the relationship between Pablo Quintero and Antonio particularly with regard to the kind of the homosexual attachment that informs their relationship…
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Critical Response Papers
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Critical Response Papers

Download file to see previous pages... In the meantime, the three candidates have to confront the disapproving society that considers their relationship as somewhat unconventional. The homosexual relationships illustrate some form of deviation from normative practices, which disallow sexual relationships that fall outside the accepted forms of behavior in the society. In essence, the three men have to build a private world that exists within the larger external world and attempt by different means to redefine the conventions that determine the rules of sexuality. It becomes important to consider the fact that some of the issues that connect to the reality around the world have to be considered from the point of view of masculinity and sexuality. In normal practice, it is important to consider the fact that some issues that relate to matters of general interest have to be determined from the point of view of desire as it affects the male characters. The kind of relationship that defines the character of the different people has to be considered within the context of a range of issues that influence perceptions and conventions. Desire, according to the conventions of the society, relates to the differences in perceptions involving sexual orientations, which appear to challenge and disrupt normative practices. The confusion that characterizes the lives of the characters in the movie is most telling when considered from the point of view of Tina’s life. The film explores the question of gender in a way that opens up the possibility of individuals converting into another gender. Tina switches from being a boy to a girl in order to engage in a love relationship with her father. The film illustrates the aspect of transcending normative practices and increasing the possibility of transformation across the lines of gender. In essence, it becomes important to consider the fact that some of the issues that connect within the structure have to relate to various issues that affect and are, in turn, affected by the practices of the main characters. Lesbianism and gay relationships are explored in ways that demonstrate the variations from norms and dominant perspectives of the society. Male attraction to fellow men features prominently in the film in ways that illustrate the unconventional nature of inner feelings and unstable conditions that define the kind of relationship between the male subjects. The male characters are portrayed as generally capable of engaging the major differences between the main actors and the different issues that affect perceptions on matters of sexuality and sexual relationships of one gender. In this manner, it becomes appropriate to consider the fact that some of the issues that concern the differences in character are considered as a sum of various influences that determine the worldview of the characters as perceived from the relationship of the major characters. Tina’s relationship with her father shows the extreme form of sexual disorientation that redefines the relationship between the male subjects. Generally, the movie explores the various angles of gender and sexuality with specific attention to the male characters. The definition of gender acquires multiple understandings because it is separated from the dominant perceptions ...Download file to see next pagesRead More
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Critical Response Paper 2
Further, the fact that this activity was more of an entertainment one makes the subject even less critical, as Frederick has been given the benefit of the doubt and is told to be free as of today (Burns & Peyrot, 2010). He cannot be ruled upon until and unless the school authorities tell him clearly the division between the right and the wrong, which in this scenario was not to be.
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State legislatures have been deeply involved in the public debates about how to define marriage and whether the official recognition of “marriage” should be limited to relationships involving one man and one woman or that same-sex couples should also be entitled to “marriage.” State legislatures have gone both ways in this debate: either enacting “defense of marriage” laws and constitutional provisions or, going the opposite direction, adopting laws allowing same sex marriage (NCSL, November, 2012).
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At its core, La Ley del Deseo tells of a gay love triangle but veers off from conventional representations of gay people in the film. La Ley del Deseo is presented in a manner that embraces culturally touchy issues with a hint of humor and comedy. One of the primary issues tackled in the movie is homosexuality, which is a sensitive topic even among the most enlightened people in the society.
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The ingredients that made the movie a major eye candy are the awesome camera angle, natural emotions, attractive costumes and the way color intensity picked and dropped along with the fluctuations in the story and the emotions (Vernon 145). The most important and enthralling element was the sound and the music that played.
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Intense desire, love, betrayal and revenge are central to the movie which powerfully presents the raw emotions of the characters. Almodovar fuses intense erotic excitement and the violence of a cliff-hanger into an explosive drama of feverish emotionality.
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Certainly, in Almodovar's film, feminine personality is inexorably associated with maternity, a tendency, which culminates in the 1999 comedy film, All About My Mother. Even though this movie showcases the masochistic agony signifying traditionally-dictated practices of maternal compassion, it also activates the motif of rebirth to conceive caring as an action through which altruism might cycle back to serve selfishness (Martin-Marquez 498).
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