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Critical Response - Research Paper Example

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Carne Tremula: Critical Response The Spanish film-maker Pedro Almodovar recreates Ruth Rendell’s novel Live Flesh in his movie Carne tremula, effecting changes in the original story with intent to ‘redefine the course of its plot’ (Willem, 118) …
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Critical Response Paper
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"Critical Response"

Download file to see previous pages The film clearly indicates how classical modernism, ‘the thing of the past’ has been replaced by post modernism (Jameson 114). Cultural and social transition The film shows a positive transition in every respect. The opening scene depicts the deserted Madrid side street and the darkest night of Franco’s regime. At the end, the dark empty streets are replaced with bright light and traffic jams. It shows a positive change from dictatorship to democracy. Besides, at the end of the film, David becomes more accommodative after going through the ups and downs in his life. Same is the case with Victor, who feels that life has com full circle for him. His relationship with Elena and his incipient fatherhood transform him into a better person socially more acceptable. The fears of the 70’s no longer exist in their minds- a welcome change that represents the new cultural ethos that has given rise to democracy and freedom. Victor’s birth is contrasted with that of the unborn baby caught in the traffic jam. This well depicts the cultural change that Spain has undergone over a period of more than 25 years. Fatalistic entrapment The film tells the story of several characters involved in each other's fates in ways that are beyond their control. According to Morgan-Tamosunas of Anglia Polytechnic University, all the five central characters are bound together by ‘a circular relationship of interdependency’ (188). ...
Things happen to him. Therefore, like the other characters, he too can be seen as a victim of chance and circumstance. The raw feelings of the characters act as catalysts that speed up the actions and reactions. They are cyclic in mature and so there is no escape for them from the ‘entrapment. The camera always focuses on circular objects which are symbolically suggestive of the circular entrapment. The main characters are stuck in this circular entrapment of fatalism. Characterisation and Masculinity Carne tremula has three well-developed male protagonists in Victor, David and, to a lesser extent, Sancho. Their masculinity is articulated through certain physical, emotional and behavioural codes. The pursuit of physical power by both Victor and David shows this point well. The bathroom sequence and David’s performance on the basket ball court focuses on masculinity. In the case of Victor, masculinity has been challenged by Elena and therefore he is obsessed with masculine prowess and physical strength. The rivalry between David and Victor and the consequent muscle-flexing are considered as a test of masculinity highlighted by camera-angle and framing. Sancho is aggressive and masculine in a perverted and destructive way, resorting to physical violence and emotional manipulation. Clara and Elena are both self-sacrificing characters. Elena suffers repression and guilt complex where as Clara is a victim of self negation. Performance, use of colours and music In Carne Tremula, the ensemble is well-chosen. Liverto Rabal’s (Victor) boyish charm and wit is electrifying. Magnified by the star persona, Javier Bardem’s performance as paraplegic David asserting himself both physically and ...Download file to see next pagesRead More
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Critical Response Paper 2
Further, the fact that this activity was more of an entertainment one makes the subject even less critical, as Frederick has been given the benefit of the doubt and is told to be free as of today (Burns & Peyrot, 2010). He cannot be ruled upon until and unless the school authorities tell him clearly the division between the right and the wrong, which in this scenario was not to be.
2 Pages(500 words)Research Paper
Critical Response Paper 1
In addition, it shows the manner in which they are represented in the cinemas that were prepared under their influence. This paper focuses on Frantz Fanon: Black Skin, White Mask as a contemporary variation of Third Cinema, and The Battle of Algiers as a film from Third Cinema’s first wave.
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Critical Response Paper
The ingredients that made the movie a major eye candy are the awesome camera angle, natural emotions, attractive costumes and the way color intensity picked and dropped along with the fluctuations in the story and the emotions (Vernon 145). The most important and enthralling element was the sound and the music that played.
3 Pages(750 words)Research Paper
Critical Response Paper
Certainly, in Almodovar's film, feminine personality is inexorably associated with maternity, a tendency, which culminates in the 1999 comedy film, All About My Mother. Even though this movie showcases the masochistic agony signifying traditionally-dictated practices of maternal compassion, it also activates the motif of rebirth to conceive caring as an action through which altruism might cycle back to serve selfishness (Martin-Marquez 498).
3 Pages(750 words)Research Paper
Critical Response Paper I
The story itself passes itself off as a study in the way that society views 4 types of women: a self-sacrificing Negro woman (during a time when it was still socially acceptable to call the African American such a name) and her half-breed child, and a White woman who did not have too much time to care for her own child because of the demands of her own career.
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Critical Response Paper
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Critical Response: Paper 3
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Critical Response Paper I
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3 Pages(750 words)Research Paper
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