Each and every city has a history. Human nature is characterized by dynamism and this is reflected on all what surrounds man. Berlin is a no such exception city as it can be read from two dimensions, i.e. visible and invisible…
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Each and every city has a history. Human nature is characterized by dynamism and this is reflected on all what surrounds man. Berlin is a no such exception city as it can be read from two dimensions, i.e. visible and invisible. In the film, “Wings of Desire”, a number of features, which will be discussed later in this paper, prove to be imminent. Art being a reflection of the society, “Wings of Desire” is a reflection of the life style and depiction of the Berlin city. This city is interesting and has had a capability of combining all the factors that mould a modern city having elements of the past that shape its future. Whether this city is purely real, hyperreal or surreal or may be purely an invisible depends on the spatial history it presents and the different landmarks which show themselves. The wings of desire present two dimensions of the Berlin. Visible Dimension Berlin City can be viewed from the visible dimension. When you visit this city as the film shows you are in a position to see the wall that separates the East and the West of Germany. For many years, this wall has been a real depiction of where this city has come from. It harbors a rich history and this film presents the wall as a site for memory. The wall goes round the City. When people saw the wall, because it was brought down after the shooting of “wings of desire”, they would have a recap of what happened to their country leading to the separation of East and West Germany. The essence of reality is more felt when the meditation of the history with which this wall carries is effected by first sight this historic feature. For this reason, this wall acting like a landmark feature that was passed on from generation to generation then the sets Berlin city to have the characteristics of realism. A real city has its history attached to the available landmarks that might be manmade or natural and this is something which Berlin clearly presents through the wall. Berlin City has features that tend to embrace idealism. This is a visible dimension whereby subliminal regime is created. Berlin City has special functions for the bridges whereby symbolism and rich history is embedded on them. The bridges link and act as frontiers. It is this feature that makes them very ideal for writing history on them that when people pass by, they can have a look at it. Often the streets, as depicted in this film, have few people with stereotypes of metropolis taking a lead. In addition, the houses together with the streets happen to be anonymous and this presents a rather hard to puzzle situation. The canals clearly confirm that this city is a real metropolitan centre giving life to the surreal ideologies. The ideologies of hyperreal cities bring in the power of imaginations and through the imaginations decisions can be made. A perspective is drawn and Berlin has created search a setting for the world to see. Though luftschutzbunker is a standing remnant of the effects of World War II, it offers a moment of reflection. A thought of today are imaginatively shifted to try to figure out how yesterday would have been if it were today. This can be described as fiction, something that can only happen in movies and films and this is what basically entails hyperreal cities. The library preserves information. As a visual phenomenon of the Berlin City, it has been distinguished for memory purposes. Not that the Homer does not have the information he really ought to know but rather chooses to opt for memory so as to exploit the excellence which comes along. As depicted, in the film, the library is the place believed to offer angels’ gathering point and excellence is much emphasized. Memory refreshment is the key goal. Invisible Dimension For Berlin, features of invisible dimension are eminent. History has proven that, whatever is seen can communicate more if a little of thoughts are engaged. This is the situation which confronts anybody whole
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Close feature becomes used in the film to show the mouth and the eyes of the general as he talked in a loud voice. Furthermore, the close up more so brought the aspect of ratio and configurations in a film setting. The soldiers in the film were in a line, of which the front soldier was bigger than the one in the farthest.
Beyond this, however, fixable issues were repeated again and again in various aspects of the film making, especially in dialogue, but also in special effects and in other areas. This shows that even amongst the worst films of all time, there are some truly horrendous choices that will make any movie unremarkable.
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The story of Mildred Pierce deals with a woman who divorces her husband, takes up a business and is savvy at it. But the outcome is tragic and she finally returns to her husband, with the film subtly portraying the message that the end result of women’s emancipation and
usual situation which soon becomes tragic when they find another soldier Cera (or Tsera as in many articles) played by Filip ˆSovagovi´c, lying over a deadly mine which would explode if Cera gets up and pressure is released from it. Ciki being a fellow Bosnian also has duty to
Sylvia Howard Fowler and Mary Boland as Countess Flora Delavea in leading roles. The film is set against the glamorous apartments at Manhattan milieu and is intended to explore and evoke the high-society lifestyle and culture prevalent in
understood to social networking to educational awareness to political corruption to cultural stereotypes, Apted intellectually touches every important sensitive planning issue in Thunderheart. The movie is actually based on exploring Native Americans and their cultural values.
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