Museum Visit Art Study - Essay Example

His last beneficiary (his daughter) died in 1926 at the age of 42 prompting formation of trust for the purchase of art. By the side about the same time a different benefactor, Mary Atkins McAfee left her vast estate to the city to erect a building to be used and maintained as a fine arts museum. Trustees, three presidents of state university from Oklahoma, Kansas and Missouri were initially in charge. It's particularly noted for Asian art, counting Ming dynasty furniture and Tang dynasty bowls; a 22-acre outdoor statuette garden with the leading United States collection of Henry Moore bronzes; the biggest public collection of Missouri native Thomas Benton Hart works; and one of the nation’s largest collections of America photography (Poore, 2010).

It also has paintings of European origin, from baroque and Romanesque to Impressionist, together with more modern works from pop to expressionism art. The museum includes also works by Caravaggio (his St. John the Baptist at the Wilderness is a treasure in the museum), Rembrandt, Rubens, Renoir, Andy Warhol Monet, van Gogh, Willem de Kooning, Kandinsky, Jackson Pollock, and Picasso. The Rozelle Court Restaurant, put in the 15th-century courtyard style, has comprehensive dinner hours on Friday (Poore, 2010).

This museum accommodates art treasures from all periods of time and art styles. At the outset, it was decided that few limits, quality excluded, would not bound the extent of the museum.  Their much familiar and popular art includes Vincent Van Gogh’s ‘Olive Orchard’ which seemed to me very much interesting. Vincent Van Gogh’s ‘Olive Orchard’ During the latest six 1889 months, Vincent Van Gogh did a minimum of fifteen olive trees paintings, a subject he saw both compelling and demanding.

He wrote a letter to Theo, his brother, saying that he was besieged to the olive trees painting. In the letter he claimed that they were “old silver, occasionally with a more blue, sometimes bronzed, greenish, a fading white above the soil which is pink, yellow, violet tinted orange….very complicated”, (Sparknotes, 2013) in his attempt to present form, in the painting van Gogh knew that color and unity in his work had intrinsic expressive powers besides its descriptive use. In one of the Olive Orchard oil painting reproduction, “Olive Trees with a Yellow Sky and Sun”, I discovered that the crunch of the olive grove had somewhat very furtive in it, and incalculably old.

It is too beautiful for to be talented to imagine it or us to dare paint it. In the ‘olive orchard’, in the animated power of their gnarled and ancient forms, Van Gogh found a portrayal of the devout force he believed exist in all nature, bring about symbolism in his work (Leahy, 2013). His brushstrokes made the soil and the sky seem lively with the same rustling activity as the leaves, enthused to a shimmer of the Mediterranean wind. The use of opposing, and diversifying elements add interest and variety in the painting.

These sturdy individual dashes do not appear painted as much as drawn on the canvas with a deeply loaded brush. The