Nobody downloaded yet

The Chinese Influence on Western Art: Flattery, or Something Much More Sinister - Essay Example

Comments (0) Cite this document
Your Name Prof’s Name Date The Chinese Influence on Western Art: Flattery, or Something Much More Sinister? There is an English saying that “imitation is the most sincere form of flattery” which essentially means that if one imitates something it must meant that they value that quality or that object very highly, otherwise they would not be likely to copy it…
Download full paperFile format: .doc, available for editing
GRAB THE BEST PAPER93.7% of users find it useful
The Chinese Influence on Western Art: Flattery, or Something Much More Sinister
Read TextPreview

Extract of sample "The Chinese Influence on Western Art: Flattery, or Something Much More Sinister"

Download file to see previous pages Chinese influence on Western art is not just that Westerners enjoyed the forms of Chinese art and wanted to produce things that looked similar because they were beautiful: this would be a relatively sincere form of flattery to Chinese art. Instead, what they seemed to enjoy most about Chinese art was the fact that it was exotic, which is no different than current people collecting tribal art from Africa with no knowledge of the culture or anything like that. This thus does not represent a sincere form of flattery, but something more sinister. I would argue that China’s main appeal was that it was exotic, which meant that Westerners formed a distorted and over-simplified view of Chinese people and culture, which could have played a part in the West’s frequent aggression towards China during 18th and 19th centuries. In composing this essay I visited the Chinese National Museum to view elements of both Chinese and Western art based on Chinese art. I then selected three images that I believe would be able to construct a prototypical image of Chinese art: an Octoginal Jar with Iranian Brass Mounts, a Pair of Decorative Candle Sticks, and Candlesticks and Altar Vase with Biscuit Applied Overglaze enamels. Each of these was an indigenously produced piece of Chinese art, and in putting them together one can begin to construct fundamental aspects of Chinese art. These are things like repetitive blue decoration, often featuring a flower motif, which often repeats but is not entirely formulaic, as seen with the decorations on the alter pieces. These pieces seem to be expressions of similar aesthetic principles, which simultaneously value cohesion and repetitiveness as well as uniqueness. On the surface, an English piece, the Blue-and-White serving platter, mirrors many of these ideas. It has the prototypical Chinese blue decoration on a white background, and so forth. However, a closer examination shows that it is somewhat more sinister. Firstly, it simply shows a greater attention to symmetry than Chinese pieces, with things like the direction of scrolls being mirrored across a central axis. This shows that English were already using elements of Chinese culture, but adapting them to their own sensibilities. More problematic, however, is the fact that content of the decoration is not Chinese at all. Chinese art has things like flower or art motifs, occasionally with symbolically important animals such as dragons. This piece, however, seems to trade entirely on the exoticism of China: it includes elements that are solely there to show how “Chinese” the piece is, such as scrolls and vases, which would never actually be put on Chinese art. This work thus seems to render exotic the Chinese, and play on how strange Chinese culture is, rather than paying it any respect. This seems to mirror the ways many westerners thought about the Chinese people: they were certainly remarkable, but mostly just strange. For instance, in 1753, “The wife of the king of Sweden” was given an elaborate display that was supposed to be attached to her love of China. What occurred, however, was a “ridiculous” display, in which a group of people imitating Chinese cultural practices such as dance performing Chinese solutes and so forth (Jacobson, 94). This shows that the West did not value Chinese ...Download file to see next pagesRead More
Cite this document
  • APA
  • MLA
(“The Chinese Influence on Western Art: Flattery, or Something Much More Essay”, n.d.)
Retrieved from
(The Chinese Influence on Western Art: Flattery, or Something Much More Essay)
“The Chinese Influence on Western Art: Flattery, or Something Much More Essay”, n.d.
  • Cited: 0 times
Comments (0)
Click to create a comment or rate a document

CHECK THESE SAMPLES OF The Chinese Influence on Western Art: Flattery, or Something Much More Sinister

Western Versus Non-western art

...that affect human beings. Fangs reliquary ensembles and polykleitos’ canon and Diadoumenos are sculptures that exemplify human form (Dillon 55). These characteristics tell more of the origins and the shaping of art in traditional western civilization and traditional African cultures. Western art was influenced by traditional art to a certain extent. The modern approach in art came into existence with an influence of traditional African artworks. Many western modern artists copied styles from traditional African art and developed their own. This explains...
5 Pages(1250 words)Essay

Chinese Art Influence on Western Culture

...?Chinese Art Influence on Western Culture The National Museum of China, currently holding an exhibition called Passion for Porcelain: Masterpieces ofCeramics from the British Musuem and the Victoria and Albert Museum, showcases numerous pieces of Chinese art that have helped to shape largely British art, and western art as a whole, to what it is today. Much of modern western art is based around designs that the Chinese developed centuries ago. Up until the eighteenth century, Europeans regarded Chinese...
3 Pages(750 words)Essay

The Combination of Chinese and Western Art

...The Combination of Chinese and Western Art The combination of Eastern and Western art began after 1843. This was as the Western civilization and culture made its first appearance to the East (Michael 105). The joining of the two cultures brought forth a different form of art altogether. It is the combination of these cultures that paved the way for modern, Chinese art that has a deep sense of Western culture in it. Through time, it has become an acceptable practice to join these forms of cultures together. This is usually done to come up with what is so often seen today...
3 Pages(750 words)Essay

Japanese art influence on Western culture the second-half of the nineteenth century. The River of the Heavenly Dragon (1833-1834) The Japanese art is a woodblock print that greatly influenced the widespread use of small water vessels in Europe and America. Whistler’s The Punt (1861) is a replica of the small boat that was made in the likeness of the Japanese art’s impression of the vessel. The Hiroshige art influenced the growth of canoeing activities at the coast of most Western countries during the second-half of the 1800. The Punt substantially enhanced paddling activities on the West’s coastal waters in as much the same way as the Chinese...
3 Pages(750 words)Essay

Japanese influence on Western Art

...?Japanese Influence on Western Art Undeniably, a look at a piece of art depicts creativity or the mind of the artist. Pieces of arts from the east depict observation, realism with one dominant idea presented graphically with a strong motif. Edouard Mamet formed the foundation of western art that portrayed elegance with different bold patches of colour. While the westerners are skilled in geometry and can precisely render light and shade on their arts, they fail in the painting skills. Most of westerners art too incorporate contrasting feature like...
2 Pages(500 words)Essay

Western Art

...Western art is actually the art of Europe, and those parts of the world that have come to follow mainly European culture and traditions like America.Written histories of Western art begun with the art of the Ancient Middle East, Egypt and the Aegean civilizations, which started its dating from the 3rd millennium BC. Similar to these significant cultures, many forms or art existed all over Europe, wherever people have lived, left signs such as carvings, object dart and huge standing stones. However a regular pattern of artistic development in Europe has became clearly the only art of Ancient Greece, which...
3 Pages(750 words)Essay

Western Art

...Western Art The beginning of architecture is part of prehistory as this form of art figured in megalithic monuments. The Bronze Age dawned in Mesopotamia and Egypt, and came to an end in the Italian peninsula around 1000 B.C. At that time the people emigrating from central Europe to the Italian peninsula established a new Iron Age civilization that was succeeded by the Etruscans’ in the 8th century BC. According to Herodotus, Etruscans originally came from Minor Asia and settled in a region in central Europe called Rasenna by the Etruscans, Etruria by the Romans and known now as Tuscany. The Etruscan civilization, on its peak, In the sixth and the seventh centuries, produced great works...
6 Pages(1500 words)Essay

Western Art and Contemporary Chinese Painting

...for their paintings rather than a merge of Chinese and western. Though it is accepted widely, this trend can ruin the aesthetic culture of China completely. 2.0.0 Traditional painting styles: Here Western as well as Chinese traditional art styles are investigated to explore their entire traits and approaches. 2.1.0 Western Style: It is essential now to identify Western Art in depth before starting with comparing and analysing mutual influences of Chinese and Western Art. “Western Art has an...
28 Pages(7000 words)Essay

Today's malware is much more sinister

...Todays malware is much more sinister Introduction In the current age of computer and digital technology, one of the most notorious issues affecting consumers is the infiltration and proliferation of malware. Malware, otherwise known as malevolent or malicious software is software created as a means of targeting computer use and operations, as well as a tool of gathering sensitive data and securing access to private computers (Crapanzano, 2003). Such malware is used for various purposes and mostly as a means of illegally accessing private or corporate computer systems. Since the creation of such malevolent software, the impact on the normal operations of private and corporate citizens...
8 Pages(2000 words)Essay

Eastern influence in western design/art

...consolidating their influence. Western countries continue to utilize Japanese robotics and nanotechnology in medicine. Japanese technology has helped Western industries accrue industrial growth. The constant technological innovations from Japan have enabled the Western world to push its limits on technology leading to more quality inventions. Based on these facts, Japan has exerted significant influence on Western technology (Befu, 2009). Japanese Influence in Western Music and Visual Arts Various aspects of Japanese culture have exercised significant...
9 Pages(2250 words)Essay
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.

Let us find you another Essay on topic The Chinese Influence on Western Art: Flattery, or Something Much More Sinister for FREE!

Contact Us