Analyzing Chicano Film - Essay Example

Comments (0) Cite this document
Analyzing Chicano film Name: Institution: ANALYZING CHICANO FILM Soviet film director Eisenstein lived, in the country of Mexico, to work on the film. This epic film dramatizes more than four centuries of Mexico’s history. This paper answers some questions that revolve on the setting of the film and the message that the film tries to pass across to the viewers…
Download full paperFile format: .doc, available for editing
GRAB THE BEST PAPER97.8% of users find it useful
Analyzing Chicano Film
Read TextPreview

Extract of sample "Analyzing Chicano Film"

Analyzing Chicano film ANALYZING CHICANO FILM Soviet film director Eisenstein lived, in the country of Mexico, to work on the film. This epic film dramatizes more than four centuries of Mexico’s history. This paper answers some questions that revolve on the setting of the film and the message that the film tries to pass across to the viewers. Question # 1 The most arresting images of the film are those of the monks and the priests. They are the leaders of the procession, and they are seen in their black robes and hoods like images. This is in contraction to the colorful costumes that people have worn. Their presence is imposing with the skulls, which they hold in their hands like talismans. Eisenstein uses a triangle, a figure of three and the cross in the film; this is in an abstract sense and deliberate balance within the frame. The triangle relates to the pyramid, the sombrero and the serape, and the three women who as per tradition guard the cross during the Easter period. Question # 2 He does not try to retell the Marxist history; however, he dramatizes the history that combines, the history of the class struggle and the development of the modes of production of the economy and the evolution from the peoples own contradictions. He displays the synchronic class struggle to be subjective. The film also represents the history of the Mexican people to be objective in such a manner that it represents the class struggle and represents the successive modes of production are all valid and reinforce each other (Dashiell, 1998). In the introduction of the film, there is the dramatization of the Mexican history both synchronically and diachronically. These two levels of the film are glued together by what he calls intellectual montage. It is a method of narrative construction and editing, which accentuates discontinuity not to be a merely expressive tool, but as an equivalent of the ideological breaks, which have revolution themselves. He was not in any way interested in the emotion and the expression as ends in themselves, but he showed his interest in the means of directing the social awareness of the spectator and commitment to revolution and brotherhood. In addition, what he had defined as poetical as the social principle of life, which is affirmation (Dashiell, 1998). Question # 3 There are many heroes in the film; including the priests who the people have too, much faith in. the film utilizes the masses of people to contrast the different views that arise among the great multitude of the people. The priests wore gowns that were dark, when this is compared to the colorful clothes that were worn, but the people, one can see the difference that the scriptwriter is trying to bring to light. I think that he was able to escape the dialectic of the Marxist and the binaries of the Manichean of good and of bad. Question # 4 Eisenstein portrays the Mexican people to be a strong people, people who faces their oppression with all they had and finally they were able to defeat it. These persons formed a revolution against their oppressors and managed to get rid of them. This people were also God trusting individuals who did not lose their faith in God even when they were in bad situations. They kept of observing the holy days and maintained the faith that they had on their priests. Question # 5 It was an old idea of an alliance between the Bolsheviks and the Jews in undermining the American way of life. This idea had once been used to flog Hollywood once before, and this could happen again. The episode of the prefigures, Eisenstein’s had difficulty in the understanding of the Hollywood methods due to his radical views both artistic and political, some similar clashes of attitude and sensibility concerning the money and the motivations for the film making were to plague the Mexican adventure. Question # 6 The tone that Eisenstein uses in the fiesta is one that is melodramatic. This part was meant to center on the triangular plot of a woman who belonged to the upper class, her husband being a young picador. The climatic sequence of this part was to have the husband surprising the wife in a moment of supreme ecstasy as they shared a kiss in front of a huge crucifix on the top of an isolated mountain (Dashiell, 1998). In this final version, no constitution of the evidence points to the lack of political awareness; on the contrary, the husband belonged to an army of the Pancho villa. This was second to the force of Zapata, and, in fact, in the reversals of the Mexican revolution, there was a moment where the soldiers who guarded the villa and the Zapata fought each other, and at the same time, both were fighting against the central government of the Carranza. The development pancha represents the development of Mexico, which as it passed from hand to hand; it gradually realized the strength that resided not (Dashiell, 1998). Conclusion This film is unique to the scriptwriter because it has gone beyond the synchronic treatment of the class struggle; it is a dramatization of the struggle over a span of more than four centuries and has at least three distinct modes of production. Reference Dashiell, C. (1998). EISENSTEIN'S MEXICAN DREAM. Retrieved from; Read More
Cite this document
  • APA
  • MLA
(“Analyzing Chicano Film Essay Example | Topics and Well Written Essays - 750 words”, n.d.)
Analyzing Chicano Film Essay Example | Topics and Well Written Essays - 750 words. Retrieved from
(Analyzing Chicano Film Essay Example | Topics and Well Written Essays - 750 Words)
Analyzing Chicano Film Essay Example | Topics and Well Written Essays - 750 Words.
“Analyzing Chicano Film Essay Example | Topics and Well Written Essays - 750 Words”, n.d.
  • Cited: 0 times
Comments (0)
Click to create a comment or rate a document

CHECK THESE SAMPLES OF Analyzing Chicano Film


...? Chicano The world is a heterogeneous collection of cultures, races, and societies. Out of which, one is Chicano, a word, that is derived from Spanish language. It refers to the people who are permanent residents in U.S. having Mexican origin (Arturo, pp. 20-28). This term was unfamiliar until the last few decades, which came into prominence after 1960s. People of Chicano culture were trade into America as low-priced labors with the agreement of the American and Mexican governments. These people belonged to the poorest families in rural areas of Mexico, and did not had any identity in the society, used the term Chicano during the Civil rights Movement in order to...
3 Pages(750 words)Essay

Chicano Film Study: Los Olvidados

...? Chicano Film Study Chicano Film Study One of the strangest cases in the cinematic field is that of Luis Bunuel. In the cinema by Bunuel, animals are a representation of living things that can easily turn bizarre when devoured. Bunuel portrays a donkey devoured by bees as attaining nobility, turning barbaric, and a Mediterranean myth as well. His major criticism of a society is that, the community exists in advent poverty. For instance, in order for him to earn a living, he engaged in second rate and obscure jobs in Mexico. Bunuel criticizes the vices of adults as having played a major role in destroying the innocence of children and creating an order of fraternity with...
3 Pages(750 words)Essay

Chicano Film Study: Zoot Suit

...Chicano Film Study: Zoot Suit This film by Luis Valdez explores cultural identity and exposes injustices perpetuated against Chicanos. Main characters of the film comprise of Hank Reyna and Pachuco. The two are central characters who reverse the negative position of Chicano gang member in dominant discourse. Pachuco appears inform of imaginary character and only the audience and Hank can access this actor. This actor is present in the film from the start to the end1. Valdez uses this style to bring out the struggle of Chicanos to establish cultural identity within dominant culture in United States. In...
3 Pages(750 words)Essay

Chicano film American Me, Mi vida Loca

...identification with a single cinematic position [] Thus in contrast to the single narration, point of view, and/or character identification typical of most mainstream films, Mi Vida Loca constructs multiple positions from which viewers can identify with its narrative reality, positing a collective subjectivity that destabilizes and challenges the individualism usually seen in Chicano gang films. (Fregoso, p. 99) Dale Bauer has observed that the carnivalesque narrative's deliberate incomprehension of dominant ideologies may be linked to Umberto Eco's idea that when a character plays the role of a fool, it may not be the character that is "at fault. May be the frame is wrong" (Bauer 678)....
6 Pages(1500 words)Movie Review

Chicano film

...Latin American film scenario: A comparative study The American continent is the birth place of cinematography and it claims the rich tradition of origin and development of the same. The film scenario of the US deeply influences the whole world and its influence is rapidly increasing day by day. At the same time, the Latin American film industry is trying hard to preserve its rich and diverse identity, which is different from the U S film industry. The Argentinean film The Official Story by Luis Adalberto Puezo, deals with the influence of despotic military rule over civilians. The Mexican film Like Water for Chocolate by Alfonso Arau,...
10 Pages(2500 words)Essay

Chicano Study

...Chicano Study The film “Official Story” represents one element of a trend towards the emergence of Chicano filmmaking into mainstream cinema. The story occurs during Argentina’s military regime of the 1970s and early 1980s, before the Falklands war was instituted in order to distract the people from the atrocities that were taking place within its borders and to unite them to face an external threat – the British, as the Argentinean government moved to exert territorial rights over the Falkland islands which was under British rule. The film story of “Camila” occurs after the Falklands war had ended in favour of the British and the military, dictatorial regime in Argentina had been replaced by a so-called civilian Government... that Camila...
9 Pages(2250 words)Essay

Chicano Culture

...The Eastside Sound and Conjuncto Music The Americans of Mexican descent are referred to as the Chicanos. During the 1960s, the kind of music that was popular among the Chicanos of East Los Angeles was the eastside sound which was a mixture of other musical styles. Conjuncto music is a specific kind of music performed by small groups of musicians. It was popular among the Texan-Mexicans from 1935-1955. For conjuncto style of music, the most important instrument is the accordion which the Chicanos adopted from the Europeans who settled in America. The other theory was that the accordion was adopted from the German immigrants in Mexico. It was the only instrument that was popular among the Chicanos in Texas in the last decade... of the...
6 Pages(1500 words)Essay

Mexican Music: La Huasanga, El Toro Abajeo, and El Toro Viejo

...CHICANO CD Track La Huasanga (Los Rogacianos) Its presentation is interesting. The style portrayed in the music is almost like a lament, with a distinctive use of virtuoso improvisations on violin and high lines that most of the occasions break into a short falsetto for one or two syllables. This is also boosted with huapanguera (a deep-sounding 8string guitar) and jarana huesteca (high sounding, small 8 string guitar), to help accomplish the rhythmic. There is also wonderful rhythmic influence of the chilena style and the vocalists and their falsettos are just amazing that get standing ovations from the audience. La Huasanga (Los Rogacianos) is a must for followers of music who appreciates diversity in culture. CD 1,...
1 Pages(250 words)Assignment

The representation of Chicanos in films

.... The Pachuca culture orients towards radicalization and thus it is easier to use it to effect some change. With the advancement in technology, social aspects of life such as fashion can work well in portraying resistance. The culture of Chola and Pachuca’s are agreeable. It is an easier and ready way to effect change. Works Cited Fregoso, Rosa Linda. "Homegirls, cholas, and pachucas in cinema: Taking over the public sphere." California History (1995): 316-327. Noriega, Chon A. Chicanos and film: Representation and resistance. University of Minnesota Press, 1992. Print. Cortés, Carlos E. "Who is Maria? What is Juan? Dilemmas of analyzing the Chicano image...
2 Pages(500 words)Essay
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.

Let us find you another Essay on topic Analyzing Chicano Film for FREE!

Contact Us