Cubism period - Essay Example

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The essay "Cubism period" explains how the Artist's Work Reflects and Defines the Period of Cubism. Cubists showed their art of work by expressing diverse perspectives of an object placed collectively in a manner that one can perceive as real life. …
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Cubism Task Cubism Introduction Cubism is an art period where by, forms are vague and have non life forms by the use of a logical approach to a painting and the prime geometry of a subject. Cubism is a review of the period of impressionism that emphasized light and color. The cubism artists were trying to show their content of subject substance in the perception of the mind rather than that of the eye. It adheres to a statement by Paul Cezanne that all the things in nature assume the form of a cone, globe and a cylinder. The three geometries are used to show the object of art. Cubists showed their art of work by expressing diverse perspectives of an object placed collectively in a manner that one can perceive as real life. Explanation of how the artist’s work reflects or defines the time period Representative artists during this period of art were mainly Pablo Picasso and Georges Braque who worked hand in hand from 1909. They used colors that were neutral and employed complicated geometrical motifs. This art is presently called Analytical cubism. In 1910 to 1912, Georges Braque started using collage as a form of art in his works. Collage is the art of which a person takes items from day to day activities and uses them as material s to promote his work of art. Materials such as newspaper, ropes and old clothes are used to add aesthetical values. He enrolled in the French armed forces and got hurt. When the war ended, he began using more vibrant colors and surfaces that had rough textures in his paintings. In addition to this, he painted lifeless objects to denote the effects of the war. Unfortunately, he died in August 1963. The two painters used protocubism as a change of style when they started using figures of geometry in their works. In this time, Pablo Picasso painted a picture that looked like broken glasses. This idea at that time was seen to be an idea of change. Description of some of the artist’s pieces The ‘three musicians’ by Picasso was made of intensely colored, flat and abstract geometry in a superficial boxlike enclosure. A clarinet player can be seen on the left, a guitar player in the middle and on the right hand side there is a singer with sheets of music in his hands. They are all dressed similarly. Pierrot with a white suit and blue suit, Harlequin in a costume that has diamond patterns, and on the right there is a friar wearing a black robe. At the facade of the Pierrot, there is a table on it a pipe and a number of things too, while under him is a dog whose tail is peeping out at the back of the musician’s legs. All aspects of this painting comprise of flat shapes and geometry. The painting is characterized by the use diverse textures, planes, collage rudiments, papier Mache. It was a pioneer of collage elements to be implemented as key components of a work of art. After World War I, Pablo Picasso painted one of his renowned and popular paintings of all time called “Bombing of Guernica”. This was a painting to interpret what the war was really like, because it was about how an innocent family was brutally caught in the heart of the war. One could look at this painting and perceive different meanings each time. It was a painting of accepted size on canvas of about eleven feet (Kelley, 2002). Description of the reasons as to why the time period appeals This movement appeals because it was a rebellion of the contemporary artistic methods of painting. These contemporary methods followed stiff rules and regulations tying the imaginative nature of an artist. Artists were required to paint with no room for mistakes depicting color, texture, lighting play and the basic elements and principles of art and design. To get detached from these rules and regulations, artists broke the subject into planes of geometry and then remade them in an interlocking manner and pattern (Kelley, 2002). Evidence is found in the renowned and pioneering works of Pablo Picasso whereby, there is interlocking of the facade and outline of the face usually along the nose ridge. This movement, in an imaginative artistic view, encouraged debates and substitute ways of thinking in the entire artistic expression in poetry, acting and figurine. Reference Kelley, T. (2002) Pablo Picasso: ‘Breaking All the Rules’. New York: Penguin Group. Read More
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