Nobody downloaded yet

Film theory - Essay Example

Comments (0) Cite this document
Summary
This reserach has examined film theorists Andre Bazin and Siegfriend Kracauer in terms of their perspectives on realist and formalist tendencies in film. Further consideration has been given to the articulation of these tendencies in Francis Ford Coppola’s Tetro…
Download full paperFile format: .doc, available for editing
GRAB THE BEST PAPER98.5% of users find it useful
Film theory
Read TextPreview

Extract of sample
"Film theory"

Download file to see previous pages According to the research findings one of seminal theorist Andre Bazin’s arguments was that the film strategies of montage versus mise-en-scene were more than mere formal strategies, but choices that were connected to the viewer’s agency to interpret the images presented. In understanding Bazin’s argument one must understand his perspective on the meaning of art. In these regards, Bazin notes that with the advent of advanced representational painting societies no longer felt the need to preserve aspects of their existence in a way similar to the Egyptian tombs. This insight leads him to consider that art functions primarily as a representation of reality. He even notes that, “the cinema is objectivity in time”. This means that the cinema itself not an artificial form, but the objective capture of reality in real-time. For Bazin, film is further divided between montage and more static mise-en-scene tendencies. Bazin recognizes that with the development of film, increasing formal language elements have emerged in the form of montage. One filmmaker that Bazin celebrates is Sondheim. Bazin states that Sondheim, “rejects photographic expressionism and the tricks of montage” and that, “In his films reality lays itself bare”. Essentially Bazin recognizes that while montage constitutes a more formal film language, such an evolution is ill-suited to the true meaning of film. For Bazin, deep-focus then becomes the highest form of filmic explication as it eschews formalist interference for what he believes is the unencumbered expression of reality. While exploring many of the same foundational elements regarding the objective of filmmaking as Bazin, Kracauer discussed realistic versus formative filmic tendencies and theorized their most effective uses. Kracauer traces the roots of the realist and formalist divide in the very earliest silent film productions. He argues that the Lumiere films, with their direct depictions of daily life, represent the realistic tendency in film. While Kracauer doesn’t openly deride the Lumiere films, he attributes their eminence not to artistic legitimacy, but instead to the newness of the medium. Conversely, for Kracauer Melies represents the formative tendency of the film medium. While Bazin and Kracauer agree regarding the division between realist and formalist tendencies, they disagree as to their aesthetic merit. While Bazin idealizes realism, Kracauer embraces formalism as the next step in the evolution of film. Kracauer notes, “Imagine a film which…records interesting aspects of physical reality but does so in a technically imperfect manner…such a film is more specifically a film than one which utilizes brilliantly all the cinematic devices…to produce a statement disregarding camera reality” (Kracauer, p. 145). In these regards, Kracauer agrees with Bazin that film should remain true to camera reality, but indicates that the formal elements of film editing can contribute to this reality when unnoticed. This is contrasted with Bazin who foregrounded deep focus as the highest form of film technique. A notable insight regarding Kracauer is that he is not simply in favor of technical wizardry, but believes film technique must conform to camera reality. ...Download file to see next pagesRead More
Cite this document
  • APA
  • MLA
  • CHICAGO
(“Film theory Essay Example | Topics and Well Written Essays - 1250 words”, n.d.)
Retrieved from https://studentshare.org/visual-arts-film-studies/1395301-film-theory
(Film Theory Essay Example | Topics and Well Written Essays - 1250 Words)
https://studentshare.org/visual-arts-film-studies/1395301-film-theory.
“Film Theory Essay Example | Topics and Well Written Essays - 1250 Words”, n.d. https://studentshare.org/visual-arts-film-studies/1395301-film-theory.
  • Cited: 0 times
Comments (0)
Click to create a comment or rate a document
CHECK THESE SAMPLES - THEY ALSO FIT YOUR TOPIC
Film Theory
...?Sir Alfred Hitchcock Strangers on a Train Auteur Theory and the Evolution of the Language of Cinema Strangers on a Train The film plot involves a seemingly chance meeting of two strangers on a train. The protagonist, Guy, plays professional tennis and enjoys some fame. His home life consists of a messy public divorce and an affair with a US Senator’s daughter. The antagonist, Bruno, offers a deal in which the two men trade murders. Bruno will kill Guy’s wife if Guy will murder Bruno’s father, allowing Bruno to inherit a fortune. Guy does not accept the deal, but Bruno kills the wife anyway; and he stalks Guy for payback. Auteur Theory The auteur theory of...
6 Pages(1500 words)Essay
Psychoanalytic Film Theory
...9 September Psychoanalytic Film Theory: Rear Window (1959) Psychoanalysis and semiotics have been used as working methodologies in understanding cinematic representations of women and these methods both gained momentum during the 1970s. The classic essay “Visual Pleasure and Narrative Cinema” by Laura Mulvey (1975/1985) has been considered as a primary material for feminist film theory, because it deepened film theorization through psychoanalytic spectatorship concepts and arguments. Using Lacanian and Freudian psychoanalytic terms, Mulvey examined how women are portrayed in cinema, as she analyzes the “male gaze” and its aspects of pleasure and...
9 Pages(2250 words)Essay
The 'Other' and Race in Film and in Discussing Film Theory
...? The ‘Other’ and Race in Film and in Discussing Film Theory Contents Introduction 3 2. Stereotypes 4 3. Colonialism and the 'Other' 5 4. Interpretation and Representation through 'Otherness' 6 5. Race, Otherness and Film 7 6. Theory 9 7. Conclusion 10 Bibliography 12 The ‘Other’ and Race in Film and in Discussing Film Theory 1. Introduction The representation of 'other' in art and literature is an intention to engage the exotic, taking that which is human and rendering it unique and alien so that the mystery of other cultures takes on the aspect of something foreign to the human experience. The concept...
11 Pages(2750 words)Essay
A New Developments in Screen and Film Theory: The Magic and the Real
...?A New Development in Screen and Film Theory: The Magic and the Real Perhaps the most appropriate film that would best encapsulate new developments in screen and film theory, particularly in rendering “magic” to the big screen that makes it so real is Transformers 3: Dark of the Moon. Both the plot and the cinematography of the film are very far-fetched by today’s technological state; it can still be considered as “technological magic”, yet the film “obscured” the line of technological implausibility and removed the technological barriers that made the film seem unreal. Aliens in the characters of...
4 Pages(1000 words)Essay
Film theory, Third Cinema, First Cinema
...Representation and the construction of stereotypes typify the imperial cinema, underscoring its racial and gender bias. This was depicted in the films, Sanders of the River (1935) and Indochine (1992). Essentially the cinematic devices were employed to express the imperialist ideologies particularly the dynamics of superiority and inferiority in races and genders. Sanders of the River was made in 1935 based on a novel of similar title written by Edgar Wallace in 1911. Wallace is a staunch imperialist and the content of his opus reflected this sentiment. Fundamentally, the aesthetics, visual language and narrative all worked together to imagine Africa as barbarous that needed to be tamed and guided with strong hands. The...
3 Pages(750 words)Essay
Film Theory of Bazin and Eisenstein
...and the perspectives are very different. Eisenstein had the added distinction of being an extremely well-known director of many successful movies. Basin, in his short life, did not have any such practical involvement with the cinema, but his theories of the cinematic world stand apart above others even to this day. Andre Bazin, known as the best film authority the world has ever produced, was a film theorist, critic, and a humanist philosopher and has written many articles on film philosophy. His articles are translated into many languages, especially English. Basin is considered to be the sage of film philosophy and he has never been dethroned ever...
20 Pages(5000 words)Essay
Film Theory
...regards cinema as an idealistic phenomenon with technical features resting only in the background. As a humanist, he thrives on the view that the idea is precedent to the invention and is therefore superior to the technical means used in achieving it. In his book The Evolution of the language of Cinema,2 he asserts that the necessity for an idea towards technical means is one that requires new form or style. Bazin states that the cinema is much elevated as compared to photography because of its ability to record the event in time and posits that filmmakers must refrain from false subjective manipulation owing to the complexity of reality which the cinema characteristically pursues. There has been confusion in the domain of...
6 Pages(1500 words)Research Proposal
Contemporary film theory
...Since the art of filmmaking is very big business in the United s, most movies are driven by either the star power that they possess or the idealized story that they tell. It is very rare when a film attempts to portray a situation as it actually is because, in most cases, the writers and directors have some sort of investment in the material. Third cinema is a type of filmmaking that explores the reality of the situation that is being presented, rather than an idealized version of the truth that people may find more acceptable to for viewing. The film Black Girl, which was directed by Senegalese director Ousmane Sembene is different from the typical Hollywood motion picture because the people in the movie are not stars, the story... is not...
2 Pages(500 words)Essay
Feminist Film Theory
... Constance. 1988. Feminism and FilmTheory, Routledge. Stevenson, David . Freud’s Psychosexual stages of Development . Brown University. http://www.victorianweb.org/science/freud/develop.html The Piano . Dir. Campion Jane. Pfrms. Hunter, Holly., Keitel, Harvey and Neil,Sam . Vertigo. Dir. Hitchcock, Alfred. Pfrrns. Stewart, James., Novak, Kim and Geddes, Barbara.... , obviously giving an indication of what is going on inside. Looking at the description of the scene it seems to be a part of some porn film. But it is actually is a scene from an award winning film ‘ The Piano’ directed by a female director named Jane Campion . The ...
12 Pages(3000 words)Essay
Psychoanalytic Film Theory
...Psychoanalytic Film Theory: Rear Window (1959) Psychoanalysis and semiotics have been used as working methodologies in understanding cinematic representations of women and these methods both gained momentum during the 1970s. The classic essay “Visual Pleasure and Narrative Cinema” by Laura Mulvey (1975/1985) has been considered as a primary material for feminist film theory, because it deepened film theorization through psychoanalytic spectatorship concepts and arguments. Using Lacanian and Freudian psychoanalytic terms, Mulvey examined how women are portrayed in cinema, as she analyzes the “male gaze” and its aspects of pleasure and nonpleasure (309)....
12 Pages(3000 words)Essay
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Let us find you another Essay on topic Film theory for FREE!
Contact Us