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Formalist Critism - Essay Example

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Summary
This type of criticism involves analysis of literary for their form rather than interpretation of the meaning of a text, instead a formalist criticism involves understanding the manner in which the meaning is communicated. Simply, it is a critical method of analyzing,…
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Formalist Critism

Download file to see previous pages... Tension refers to the fundamental cohesiveness of the work, and frequently involves irony and paradox. Intentional fallacy refers to the perception that the meaning of a work may be determined by the intent of the writer. Affective fallacy is the belief that the meaning or value of a work may be deduced from the manner in which it affects the reader. External form is the overlaying trappings of a work, such as rhyme, scheme, and meter, amongst others. Objective correlative refers to the collection of circumstances, objects and /or activities that evoke certain emotion immediately.
This thesis does not limit and focus what the writer had intended to say regarding the object. This thesis is very unclear as it as the words fail to produce any cohesive meaning. The three key words are so unrelated within the context of the thesis to the extent that they fail provide any focus on object and subject of the short sentence.
Secondly, the sentence does not seem to mirror the theme of the story. Perhaps the main theme is the story is love; however, while adjoining the journey to the key character obviously builds the theme, though it is unclear.
The story is a narrative told as flashback by Jacob, and it begins to describe his life in the nursing home and the dilemma he runs into when someone claims that they gave water to the elephants, and so the book converts into a total flash back where Jacob narrates his life in the circus. In the book, the author applies varying language techniques such as broken English and everyday slang. For instance, the author paints a scene where Camel pleads with Blackie to free Jacob, “… I’m tellin ya! …need no trouble, let I’m go! (Gruen, 193)
This category of syntax provides a deep insight into the setting of the novel, although the storyline is set in first person, and the writer converses in a different ...Download file to see next pagesRead More
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