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To Understand Art as a Practice Do You Need Theory - Term Paper Example

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The author of the "To Understand Art as a Practice Do You Need Theory" paper states that art may lose its intended meaning if left on its own without theory, and theory is as good as useless if it cannot be used to understand and help in criticizing art.  …
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To Understand Art as a Practice Do You Need Theory
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Download file to see previous pages Other than the exhibition, the ICA provided a timely educative forum dubbed the fox reading room. This venture provided relevant resources, tools and the much-needed convenience that motivated people from diverse backgrounds to engage in an open and creatively imaginative program hence revolutionizing art.

Owing to the fact that the ICA idea was initially conceived by critics who included poets, anarchists, historians and artists, the theoretical bit of art and its value in enhancing the practicality, cannot by any means be overlooked. In other words, the ICA literary presented a form of “laboratory” or “playground” for contemporary artists to explore their minds, emotions, and ideas. In trying to explore issues affecting humankind in the present world, all the art forms existent under the ICA umbrella use the written references of art forms to counter the emergent uncertainties (Kuspit 1979).

Vito Acconci here demonstrates a significant shift to reading from just looking at text-based artworks between the 1960s and 1970s. Robert Smithson, Joseph Kosuth, Lawrence Weiner among others are in favor of the same. Vito Acconci focuses on the topographical operations and the way this design elements aid in moving the artworks in contention from a situation of self-preferentiality to an activated engagement with the audience.

Here, those texts that were typeset or reproduced through printing are given priority, as opposed to artworks that were painted or handwritten. This is meant to trigger an immense discussion about the engagement of these works in relation to their active editing and publishing processes.

In the picture theory, Mitchell explores and seeks to distinguish the meta picture of three different kinds. To begin with, he looks at the picture which explicitly reflects on replicates itself as expressed by Saul stein bagin his vast drawings. In this case, the picture one sees appears to be within itself; it is a double picture in a single protrusion.  ...Download file to see next pagesRead More
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