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Film Art/ Critical / Question: In what ways can film be seen as a specific art form - Essay Example

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In cinema, the “work of art has to be more than a mere imitation of the world, or some part of it: it must also be a transformation of the world” (Smith, 2005, 599). The work of art constitutes not only a reproduction of an original - or else, the art form would only be a cheap copy rather than a piece filled with colour, creativity, character, ideas, self-interpretation and the magic of the surreal…
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Film Art/ Critical Essay/ Question: In what ways can film be seen as a specific art form
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Film Art/ Critical / Question: In what ways can film be seen as a specific art form

Download file to see previous pages... The world is transformed first through the eyes of the director since he is the one visualizing, creating and re-creating a world for the public. Art centers on two ideals: beauty and life. Likewise, cinematic art focuses on aesthetics (the depiction of a portrait to appeal to the senses) and incorporates life images and themes. Through cinema, the author of the film production has the liberty to be unconventional and he can still adhere to the real by embracing a realist approach. improvisation, individual interpretation, reality, illusion and entertainment of the senses. According to (Gazetas, 2008, 18), “the art of the cinema is the art of the mind insofar as movies are capable of transforming reality into an object of imagination that completely isolates the viewer from the real world.” Cinema has the ability to transform real objects into imaginative ones and to manipulate lighting, space, and colour to explore different themes in-depth. Artists are bestowed with enviable liberties which renders them and their work very flexible. In other words, although the artist aims to give a true-to-life translation of an art piece (an episode in a character’s life), he is free to twist, distort and imagine facts in the real to simulate his own world and orchestrate the course of events. Chris Columbus, through J.K Rowling’s Harry Potter and the Philosopher’s Stone represents a transformed world which evokes a wonderland of childhood bliss and even utopia. Set in a child’s paradise Hogwarts School of Witchcraft and Wizardry, one sees through the lens of fantasy, an idealized childhood, illusion and nostalgia. The possibilities are unlimited, unrestricted from the boundaries of reality. On this stage, the artist makes modifications to the real. Fantasy is the art of infusing the supernatural within the mundane. Columbus as film director fully exploits the power of fantasy in the film, recreating a world in which the wizards and witches have constant encounters with the spiritual world. As a result, one sees the intermingling of both imagination and reality in film and in the real world. They do not inhabit separate spheres anymore. The unreal became the surreal which has become real. Characters, such as Harry Potter, Hermione Granger, Ron Weasley, Voldemort, Professor Dumbledore…are endowed with uncanny, spiritual abilities such as clairvoyance, enchantment, prophesy, self-levitation and telekinesis (moving objects with the mind). In the film, doing magic tricks is not a mere activity. It becomes a spiritual affair in which the student has to harness and control the special power given to him or her. The paranormal constantly takes place in the novel, forming an inextricable part of life and human experience.  The world of Harry Potter and the Philosopher’s Stone is transformed not only by reason of the supernatural but also by the symbolic use of colour, light and dark. (Cooper, 1997, 123) proposes that in cinematic productions “beauty is a symbol of morality, no account is developed as to how art and beauty may be conducive to life.” Artists manipulate colour to emphasize or de-emphasize certain details in their work, in the same way, film directors are artists themselves since they employ colour to make their moralizing points, creating a rich, dynamic combination. Darkness rightly ...Download file to see next pagesRead More
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