Ron Teachworths Color Field Painting - Essay Example

Comments (0) Cite this document
The researcher of this essay aims to explore Ron Teachworth’s paintings. Experience, space and light summarize Ron Teachworth’s large acrylic color field paintings. The image Square Fields Shifting and the Science of Space is representative of his many current works…
Download full paperFile format: .doc, available for editing
GRAB THE BEST PAPER94.7% of users find it useful
Ron Teachworths Color Field Painting
Read TextPreview

Extract of sample "Ron Teachworths Color Field Painting"

Ron Teachworth’s Color Field Painting _____________________ ____________________ Ron Teachworth’s Color Field Painting Square Fields Shifting and the Science of Space · 2010 · 56” x 62" Experience, space and light summarize Ron Teachworth’s large acrylic color field paintings. The image Square Fields Shifting and the Science of Space is representative of his many current works: large (56” x 62”), painted in acrylic on canvas with impasto “characters” patterning within the color fields, displaying a patch of light, and the result of personal experience or personal reaction to landscape. Teachworth began his visual arts career in a more representational way, when figures and landscape appeared more realistically as a result of his expertise in drawing. He also has worked throughout his career as a photographer, finding images of primarily cityscapes, in which linear elements and patterns play major roles. Teachworth continues to call himself a Detroit native and Detroit artist – many of his images began as bit of the urban landscape there. By the year 2000, however, these drawn or photographed subjects became abstractions. As an undergraduate student at Central Michigan University and during graduate work at Wayne State University, Teachworth favored the work of Kandinsky and the Abstract Expressionists (especially DeKooning and Diebenkorn). His work is, by his own description, a “mystery [of] space, light, color, and composition (Teachworth, 2010).” Any of these influences can be seen in his work, from Kandinsky’s play with form to DeKooning’s use of brushstroke to evoke movement to Diebenkorn’s structural fields of color. Earlier paintings had a surreal quality in which landscape elements were more realistic, but skies took on a major role. They dominated the landscape in terms of size and color. A critic labeled them “sky fields,” a term which stuck with Teachworth as he continued to paint. From that point on the sky field was the most important space within the painting and took on brighter color and, finally, pattern. From there, the artist gradually removed any recognizable subject matter in favor of color and pattern, so that by the year 2000 his canvases became solely that. While developing this style, Teachworth had begun to add an impasto element to the patterning: small “sticks” of intensely colored paint laid down in seemingly disorderly fashion across the color field. They seem to vibrate within the more static color regions. The paintings have become only loosely tied to an observed landscape, but contain a patch of light (seen centrally in the example above), as though the sun was illuminating this field or space on the ground. Teachworth’s also continues to paint rather magical watercolors, usually containing representational elements and often a patch of light. Some contain patterns observed through photography and some contain forms the artist has repeated often: striped buoys, a bouncing ball, the vertical linear pattern of window blinds or stairs. As a long time student of Carl Jung, he has also explored the mandala, a symbolic circular form used cross culturally either as a symbol for the universe or as a personal image, as another realm for his own experience. His work begins as sketchbook drawings or photographs – both contain color field, strong spatial and linear elements, and pattern. He may paint new work over an old one. A colleague, Dennis Guastella adds, “I'm intrigued by the way Ron will paint over old paintings, creating a mystery, a sense of activity below it all (White, Sue2011).” Teachworth does not claim to interpret his work for viewers; rather he states, “My position is the meaning of a piece of art is very different for each viewer and is largely based on his or her experience. My goal is to bring the viewer back to the experience, again and again. As simply as possible, I want to create a sense of mystery using space, light, color, and composition.” Works Cited Teachworth, Ron. Visual Art Literary Art. Web. 13 Nov. 2011. White, Sue. ‘Resonating Patterns’ brings abstract into focus at Saginaw Valley State University. 28 September 2011. Web. 13 Nov. 2011. Read More
Cite this document
  • APA
  • MLA
(“Ron Teachworths Color Field Painting Essay Example | Topics and Well Written Essays - 500 words”, n.d.)
Retrieved de
(Ron Teachworths Color Field Painting Essay Example | Topics and Well Written Essays - 500 Words)
“Ron Teachworths Color Field Painting Essay Example | Topics and Well Written Essays - 500 Words”, n.d.
  • Cited: 0 times
Comments (0)
Click to create a comment or rate a document

CHECK THESE SAMPLES OF Ron Teachworths Color Field Painting

Ink Painting - Lingnan School of Painting

...the original colors of the objects 12. Western ideas about the Law of Proportionality are not shared by Traditional Chinese ink painters. Westerners relate two unequal parts of a whole, to create a balanced image. The Chinese creates balance differently than that. Instead of the Western "focus perspective", Chinese paintings have "spread-point perspective", which givers a more sensitive proportion 13. Traditional Chinese painting does not bother about the change of light and colors on objects. It more freely describes objects, with more attention paid to emotion and total arrangement. In Traditional Chinese ink painting, the blank field...
14 Pages(3500 words)Essay

Art Mediums Collage Making, Charcoal Drawing, Acrylic Painting and Water Color Painting

...Research Four Art Mediums Collage Making, Charcoal Drawing, Acrylic Painting and Water Color Painting Collage MakingCollage making is generally a combination of hand-made papers, photographs, and parts of other artwork put/stuck or glued together to a canvas or a base. Collage making has a history of more than a hundred years, however, many artist used it more only after the 20th century in which it dramatically reappeared. The word collage is derived from the French term “coller,” which means to stick or glue together. Collage is considered as an art. News paper pieces, canvas, pieces of color paper, photographs, magazines, or any material that can glue on a canvas or...
5 Pages(1250 words)Research Paper


...? Color Color Color is a visual perception that corresponds in human to the categories referred to as blue, red, green, yellow and others. Color derives from the distribution of wavelength versus light power (spectrum of light) that interacts in the eye with light receptors’ spectral sensitivities (Farndon, 2003). Physical specifications and categories of color are associated with materials, objects, and light sources based on physical properties of color such as reflection of light, light absorption, or emission spectra. This paper seeks to discuss our perception of color. Color may be quantified and...
5 Pages(1250 words)Research Paper

Ronald William Artest

... R.Preeti 16/10/2007 RON ARTEST Ronald William Artest is a professional basketball player for the Sacramento Kings, of the NBA. He was born in the year 1979 and has become one fo the most reputed players of the game, and was also named the NBA Defensive Player of the year in 2004. He was born in New York and played for his school and college teams, before he was selected to be a part of the Chicago Bulls. He later played for the Indiana Pacers and is currently playing for the Sacramento Kings. In spite of these tremendous victories and the immense talent that Ron possesses, he has been destiny's favourite child, in terms of getting... was a ...
1 Pages(250 words)Essay

Ron Kirshner vs.Flash

...______ 23 October Memo: Ron Kirshner vs.Flash I. Introduction There are two legal issues in this case. The first issue isthe matter of whether or not Flash is contractually obligated to perform at the Bozapalooza. The second is whether a change of location from Bozeman to a different place would change the ruling in the first issue. This memo is an analysis of the legal issues involved and renders a conclusion to the concerns articulated by Flash. II. Facts of the Case Former Satin n’ Swords (SnS) front man Flash agreed to perform at Ron Kirshner’s Bozapalooza event in Bozeman. Flash was interested in performing as the main event of the Bozapalooza but he told Kirshner that an SnS reunion concert was out...
4 Pages(1000 words)Essay

Color Blindness

.... Researchers had trained two monkeys to communicate with colors. The vision test was conducted to two monkeys that the scientists had added red sensitivity to cone cells. This helped the animals to distinguish between the color blue and red. Adeno associated virus was used to deliver particular genes into the retina producing a protein called long-wavelength opsin, which synthesizes pigments susceptible to red and green. Studies are on going to determine if the method is safe to use on man (Ware, 2004). Conclusion Advances in the field of technology will assist in the formulation of a cure for the condition in the future. Living with the condition can be made easier for the patient with...
3 Pages(750 words)Research Paper


... October Assignment The given painting seems to be full of a number of strokes made beautifully across canvas; it is difficult to understand whether the painting can be classified as being conceptual or perceptual. This is because of the sole reason that the various strokes may interpret a meaning which the artist had intended to convey with the help of an idea that he had before creating what he has been able to create. Coming to a conclusion however, in my opinion, this piece can be classified as being perceptual because it can have many interpretative meanings and is not confined to a single space. It may thus also be termed as performance art or art that is not quite finished and requires an insight from the general audience... in their...
1 Pages(250 words)Essay


... individually or as a group. The group will understand that people can build a career on colors (Chapman). 2. An understanding of color theory will prevent color disasters. For instance, painting a magazine yellow is not usually a hit. Many people are not a fan of yellow. Statistics indicate that yellow remains the least likely favorite color for most people (Chapman). It is necessary for a producer to understand the different ways of producing color. This improves the quality of the publication. A designer will be able to develop the best color harmony. The magazine he designed will engage the viewer and creates an inner sense of understanding and balance in the visual experience. The designer will not be boring or chaotic. He... ...
1 Pages(250 words)Assignment

Ron Howard

...Ron Howard Ron Howard Howard in a quote said that there was something inherently tough about Americans, explaining that they would not accept any defeat. I agree to this quote because it addresses the importance of protagonists and their motivations in their quest to fulfill their dreams. Howard, the protagonist in his quest to be a film director, had to take control of his destiny at an early age of 15 years using a Super-8 camera to learn how to direct a film (Cameron, 2015). He was motivated by several events in his life. When he was growing up on an Oklahoma farm, he remembers the local farmers talking about forming a homegrown militia to protect their crops from unemployed people in town (Howard,...
1 Pages(250 words)Essay
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.

Let us find you another Essay on topic Ron Teachworths Color Field Painting for FREE!

Contact Us