In 1999, the American Film Institute declared that Marlene Dietrich is the 9th greatest actress in American cinema of all time. The paper "Marlene Dietrich" discusses the images that Marlene Dietrich created in the cinema and its influence on the mass culture…
Download file to see previous pages...
She was able to cultivate an image that people easily identify as her persona and, most importantly, an image that created a need based on the desires of the audience. Through the manner by which her image was carefully defined, scripted and invented, Dietrich was able to hold onto the material and spiritual power which allowed her image to exemplify “society producing the impasse into which it casts its members on the level of the libido as much as on the level of economics: the desire for what cannot be avoided without a radical rupture with the world that has formed us.” Consider how some critics point out that the success of The Blue Angel was not because of an excellent storyline or the genius of neither its director, Josef von Sternberg nor its sexual context. If one says that the film succeeded because of Lola’s legs, then those that featured the same theme with different actresses exploiting equally excellent thighs could have been as effective. But that is not the case. With the film, men were given an object of desire that is mostly according to what Dietrich had to give. Lola’s legs and her character did not merely become the foundation of the Dietrich image that movie audience carried in their heads. It was Dietrich’s acumen and sense of what she wanted and how she wanted to be seen and perceived that made the difference. As she made her films, Dietrich learned how to best represent herself, highlight her assets or make an aspect of persona prominent....
Lola’s legs and her character did not merely become the foundation of the Dietrich image that movie audience carried in their heads. It was Dietrich’s acumen and sense of what she wanted and how she wanted to be seen and perceived that made the difference. As she made her films, Dietrich learned how to best represent herself, highlight her assets or make an aspect of persona prominent. This is demonstrated, for instance, in the invention of the so-called “Dietrich face.” In the earlier photographs of Dietrich, her upturned nose is quite obvious. As a matter of fact, this minor flaw has earned her the moniker "Ducknose" because it is stuck up like those of the duck’s.3 Critics were particularly focused in this aspect during Dietrich early career that is why she learned how to work around it. Later photographs would no longer show this weakness prompting some sectors to say she underwent facial surgery. This, of course, was not true because it was Dietrich herself who discovered how she could address the problem. Bach explained this in detail: She found it in an automatic photo booth in Berlin, the kind that prints out cheap photograph on strips. She stepped into one to pose, actively searching for a look, and discovered that with a single overhead lamp, her hair went light, she had cheekbones, her pale blue eyes went dark, the upturned nose became straight. There would be sophisticated refinements of makeup and technique, but now the difficulty was getting cameramen to light her her way.4 One can say that Dietrich became a technician in this way. She would go against directions if the lighting is against her wishes. This “stubbornness” actually paid off. Besides appearing more pleasing, the
...Download file to see next pagesRead More
Cite this document
(“Marlene Dietrich Essay Example | Topics and Well Written Essays - 2500 words”, n.d.)
Retrieved de https://studentshare.org/visual-arts-film-studies/1391623-the-star-image-of-marlene-dietrich
(Marlene Dietrich Essay Example | Topics and Well Written Essays - 2500 Words)
“Marlene Dietrich Essay Example | Topics and Well Written Essays - 2500 Words”, n.d. https://studentshare.org/visual-arts-film-studies/1391623-the-star-image-of-marlene-dietrich.
The preceding version had been shown on a television event of Playhouse 90 and Klemperer and Schell starred in the same roles in this version as well. It was amongst the first films to be made about the World War II Holocaust (Bradley, pg 76). The film depicts the trial of some panel of judges who worked in the courts during the Nazi administration in Germany.
The term New Queer Cinema was first used by Ruby Rich in a popular magazine in 1992 to define and describe a queer theme movement of film making in early 1990s. The United States’ Hollywood industry, which dealt more openly with parameters of sexuality than the former classical Hollywood cinema, explored largely the rise of New Queer Cinema according to Ehrenstein (1998, 19).
The manner in which women are presented in films shows how these films are used to reflect and reinforce the dominant ideology, although, at first, women seemed underrepresented, many later emerged as directors, writers, actors and audience members. Arguably, women in the film industry have often been celebrated more because of their appearance than their ability to act.
I will explore how women were portrayed in 1930s Hollywood, using Gold diggers of 1933 as a framework for exploring this topic. The project will comprise five sections and an introduction. The first section will explore the representation of women in 1930s film, concentrating on how women were objectified.
The producer shot the film in English and German simultaneously in nineteen thirty three. The film starts with squeaks of chicken and geese loitering in a street at a shopping center. A female cleaning a window pane in a shop that contains a photo of Marlene Dietrich referred to as Lola in the movie comes next.
Early films embrace the spectacle of clothing and dress which was shown between the period of the vaudeville and cinema. Cinema is a form of mass media in which certain values, attitudes, and fashion trends are promoted. It likewise accentuates a concept of beauty which pervades among the protagonists and lead actors, in which a certain distinct standard of beauty is emphasized with the audiences' acceptance, a fact in which dressing and fashion are a part.
According to the paper fashion as a tool of identity construction is tightly connected with the media and its power to influence public. It is true that clothes perform not only utilitarian function of protection from weather, but plays a significant role in self esteem identification and serves as a sign of respectability. Fashion is a kind of mask disguising the true nature of a person.
Bonhoeffer surprised his family when at the age of 14 years, he suddenly announced that he wanted to join a seminary and train to become a priest (Gruchy, 1999).
Bonhoeffer joined seminary school and in 1927 he eventually graduated
This has been made possible by the presence of media channels such as print, broadcast and even the websites. Modernization theory is largely based on the view that to develop means to become ‘modern’ by adopting Western cultural values and
The exploration resulted from an implanted bomb. The passengers lost their life and this was a result of police failure to search the car or prevent the perpetrator from planting the bomb. The movie consist many
12 Pages(3000 words)Essay
GOT A TRICKY QUESTION? RECEIVE AN ANSWER FROM STUDENTS LIKE YOU!
Let us find you another Essay on topic Marlene Dietrich for FREE!