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The trendy online sharing of music without legal authorisation is one of the issues that have generated various arguments and debates; whether it is right or wrong. Most people, in the recent past have resorted to the free music downloading sites as their primary sources of music products including video ad songs. Pirates have also, with the use of technology, found it easy to reproduce music without the permission of the original producers. This has seen the development of various agreements that either support or refute what has been termed as ‘digital piracy’. The perspectives argue that digital piracy helps in distribution and promotion of music. It is also convenient and at the same time cheap to access. However, those who go against this act believe it is both a criminal and unethical act that needs to be reproved very seriously. This report seeks to comprehensively discuss these arguments based on literature information constituted in various sources. A conclusion generated from the evidence presented will be drawn.
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The pirates have always been capable of gaining advantage from others’ imaginations. Nowadays, the internet and other innovative communication technologies have made digital piracy a serious international issue. According to U.S. copyright agency, digital piracy can result in loss of billions of Dollars along with loss of significant amount of employment.
The Constitution gives Congress the power “to promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries” (Ratner). Since then, copyright rules and regulation have evolved to catch up with technological changes (Picker).
Some of the entertainment fields affected by the digital technology are the film and games industry. All facets of entertainment are currently using the digital technology including postproduction, distribution, and projection. Even though, most individuals in the entertainment fields are embracing the digital technology, it has ruined the forms of entertainment the approaches that people use to entertain themselves.
With this, the rise of piracy came into play and since then the industry has been struggling. Currently, piracy is done through the internet where anyone with an internet connection can illegally download music from content providers.
China registers the highest counterfeiting of entertainment products in a wide range. Cinematic piracy involves mechanical production or synchronization of movies and any cinema works without legal licenses. In china, the expertise at which piracy occurs presents a challenge in determining the counterfeit and the genuine intellectual property.
Copyright in digital media seems to be the best path in ending digital piracy with its punitive approach to violators, but it is not truly the best when other alternatives are easily dismissed. This article is prepared for the opinion pages of The New York Times, specifically fitting the debate on copyright in digital media.
In the boundless ocean of the digital culture, everything should appear as a blessing. In the music industry, however, the digital age has been seen as a mixed blessing. Because of piracy or MP3's, whichever name we give to the mixed blessing of the digital economy as it concerns the music industry, the digital economy is presently not in a state to flourish as much as possible even if the steadily rising numerical figures related to the growth of electronic commerce tell us another tale.
The Internet introduced a novel digital threat to legitimate copyright holders; and the illegal duplication of DVDs and CDs has proliferated, with Russia and a large number of Asian countries, emerging as the principal infringers (Mcclintock).
Digital revolution has allowed characterization of information into binary bits. With binary bits, it is easy to distribute information without any physical medium. Therefore, copyrighted products can be transferred through phone lines or in the form of radio waves without
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