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Through this conflict between good and evil, and civilization and savagery the novel moves on from one step to other till it reaches the end.
Lord of the Flies, being an allegorical novel, puts forward his main ideas and themes through symbols. Throughout the novel Golding uses his characters and objects symbolically. The conflict between civilization and savagery is handled by showing the conflict between his two main characters Ralph and Jack. In the novel, Ralph is a protagonist and is the symbol of governance and order. On the other hand, Jack is the Antagonist representing violence, savagery and has thirst of exercising power.
In the novel, the writer shows the way people are influenced by these instincts of civilization and savagery to different levels. As for example Piggy is extremely peaceful and does not possess any instinct of savagery but on the other hand, Roger is unable to understand civilization and its rules. For Golding the instinct of savagery is more primitive and central in humans as compared to the instinct of civilization. Golding infers that if humans are left to make their own decisions, the behaviours of cruelty, savagery and violence is mostly shown by them. In the whole novel, the only character who shows natural and innate goodness is only Simon.
In Ring of Gyges, Plato by narrating the story of Ring of Gyges raises the question that if one has no fear to be caught then why should one be moral? His character Glaucon through arguments shows that the person who is unfair is better-off as compared to the person who is fair. Apparently there does not appear any disproof of Gyge’s arguments. But on the other hand there are also strong reasons to believe that a person who is truly moral will behave morally in most of the circumstances and even if he is gifted the power of the ring.
Philosophers since ages have been debating on the origin of human
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Each boy has a particular quality, like leadership, intelligence, or spirituality, but lacks in other qualities. Among these children, all below their teen age, it is Jack who represents the real human nature, with his greed for power. Finally the novelist shows in Lord of the Flies that neither the intelligence of Piggy nor the intuition of Simon along with the leadership qualities of Ralph, the savage instinct of Jack cannot be kept under check to save the island from total ruin, a miniature space standing for the entire planet.
Lord of The Flies, the work by William Golding, was published in the year 1954. This work deals with the subject matter of human nature and survival instinct. To be specific, the author makes use of the characters to portray human nature and its characteristics.
We eat different foods, speak different languages, and have different ways of life. Culture adds variety, and it is this variety that keeps life so interesting, fresh, and alive. At the same time, it is our ability to communicate across cultures, or our lack thereof, that often defines our ability to interact effectively with one another.
William Golding’s Lord of the Flies presents human society and human nature in highly negative and pessimistic terms. Human nature, within the context of this particular story, is incontrovertibly savage. When social and legal controls are removed and humans are left to their own devices, they revert to their animalistic, bestial nature.
According to to the author of the text, power is a major theme in many aspects of social life. Notably, power can be divided in many different ways that will determine the extent to which individuals have a say in how their lives are governed. Besides, who has the power often dictates the type of lifestyles that can be enjoyed by the rest of society.
The major themes of the novel are the opposition of civilization and brutality, reason and impulse, order and chaos, loss of innocence and desire for aggression and power. Golding himself believed that man is inherently evil, and the beast inside him cannot be permanently
Ego is the part of the personality that “checks the id until conditions allow for satisfaction of its impulses. Superego is seeks to control the satisfaction of id impulses—only when it is correct to do so as required by the
ion and society, a type of microcosm to the actual world. Simultaneously, the island lacks a community, in addition to the societal rules and regulations, thus, letting the boys go wild and portray their exact, ugly inner selves. Golding employs this setting as a
In this case, the shell is a symbol of civilization and a source of order. It is a crucial source of power and it is the boy who is in possession that has the right to command and speak to the others (Golding, 45). Over time, the shell loses its authority and when
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