Gender and Physiology of the Grande Pas de Deux in Marius Petipas 'Sleeping Beauty' - Dissertation Example

In most cases, Pas de Deux is crucial to the theme of Sleeping Beauty as the story of the Sleeping Beauty itself crucially pivots on the involvement of the two opposite genders. Indeed Sleeping Beauty is a significant landmark in achieving excellence in term of its aesthetic development. Various tactical roles and athletic installments that are suitably assigned to different genders participating in the ballet carry it out to be the aesthetic excellence. Indeed the origin of the Sleeping Beauty Ballet has ensured and at the same time determined the mainstream of the gender-based role in the dance.

Necessarily its theme has also greatly contributed to the anatomical determination of the choreography of the dance. The whole dissertation has revolved around the following outline: Gender and anatomical structures of the Grande Pas de Deux in Marius Petipa’s Sleeping Beauty are intertwined with each other in such a way that they interact on various levels to carry out manifold purposes. Even then, the concept of gender-based division of the physiology of the Ballet prevails throughout the whole episode of Grande Pas de Deux, as the concept of gender plays a crucial role in engraving the theme valorous nationalism within the theme of the fairy tale of Princess Aurora.

In the first place, masculinity has been put into contrast with femininity with a view to highlighting the visual effects of the superiority of a prince (the male partner of the ballerina) who rather inspires his audience to view Aurora and her nation from the standpoint of a liberator. As the original story of the ballet permits, the Grande Pas de Deux is the indispensable part of the dance-choreography of Ballet of Sleeping Beauty. In most cases, Pas de Deux is crucial to the theme of Sleeping Beauty as the story of the Sleeping Beauty itself crucially pivots on the involvement of the two opposite genders.

As a result, the Pas de Deux is a dance carried out by two performers: the ballerina and her male partner. Both the beginning and the end of the Pas de deux of the ballet of Sleeping Beauty are carried out by the two partners.