Third Movement in Song Forms - Essay Example

Third Movement The third movement, marked largo is in B major and is brought out in three part song forms. It has a theme of two outer sections thatdisplay an Italian flavor that is beautiful and has a long drawn melody. The middle section clearly brings out the form of music whose tempo is slow and has an outer space character. The largo has been compared to a nocturne complete with the most fine harmonies and rich instrumental timbres. It is characterized by quaver figuration in the setting of a strongly harmonic line, which takes apart the more cantabile outer section of B major. Its striking beginning, arising harmonic sequence left hanging on a high dominant seventh, aside the end in B minor, is encompassed by a "galloping" rhythm, emphasizing on the melodic line on the first and third beats of each half-measure outlines of the fifth through eighth level of a harmonic minor scale. The overall melody entrenched in the minor tonic have the contribution of the mood in this primary section being dark. More successful second theme in B major, returning twice in the movement's A B A B A form, appears moderately suddenly at the conclusion of the first eventually rising during fleet fingered runs over a left hand melody. It tumbles back to a dramatic interpretation of the main theme in both of its appearance. The third movement was written around a funeral march two years before it was finished and resulted in being the third of the four-movement cycle. Chopin was more interested in the funeral march more than any other composer and inserted the fundamentals of the funeral march into his other work of art. Both the C-minor prologue from OP.28 and the slow introduction to the F minor fantasy, op 49 are frank funeral marches. The nocturnal OP 48 no1 and OP55NO1are clearly marked by the trait of the funeral marches. The slow movement follows the scherzo in the B flat minor sonata. The sonata with a Marcia's funebre as one of its movement of funeral march was Chopin's favorite. He played it, taught it and scrutinized its configuration for his apprentice more than he did any other of Beethoven sonata. In this third movement funeral March is complete with the lento interlude in D flat major. When the Chopin's funeral march is actually played in a funeral march, only the part in B flat minor is used. This funeral march made use of in brass as described has become a popular background such as in the video games. It was also used at the state funeral of President Kennedy, funeral of soviet leaders and Chopin's funeral. Fourth movement this is the fourth movement of the four cycle movements by Chopin also referred to the finale. It is the most magnificent piece of work that Chopin ever came up with. In this movement, it involves the use of both hands, which come in parallel octaves. This can be attested by his OP28 preface in E flat minor. But the prelude monophonic line actually forms a melody with a broken chord accompaniment base, while the sonata finale consists of a zigzag flamboyant single line. The texture is not idiomatic for keyboard .It sounds more like a piece for an unaccompanied cello. Chopin was well versed with the cello repertoire. In Warsaw he was captivated by the playing of Joseph mark whom he devoted his introduction and pnonaise brilliante for cello and piano OP3. The resemblance of its nature to that of unaccompanied cello and the elaborate structure of the melodic line point to Bachs suite for solo cello as one possible source of inspiration. More particularly the preludes from bachs suites in D major for solo cello is similar pertnum mobile of four quaver triplet per bar and one of its most frequency repeated object bears s striking resemblance to the primary theme from the first movement of the Chopin's sonata. A descending hexachord between the third and fifth scale is also a very important figure in the basch preface. Hexachord in either quavers extension is one of the principal motives of the fourth movement. It also involves the improvisory monadic lines where by these parallels raise doubt about the sense of playing this movement too fast as one indefinite unstructured sound stream .Not much remains of the connection in such a performance and the listener does not stand a chance of grasping the finale form. In a very fast form the movement appears a thematic whereas in reality, it has a system of having tone and repeat in melody that creates a substantial trace of sonata form. Chopin innovative features Although Chopin constrained his work to the piano, his importance and impact went beyond the limits of piano music. He has a legend of being one of the most original and groundbreaking composers in history. The distinct mode represented by Chopin shows his ownership of inner richness and diversity. It developed from the brilliant style that was represented by K M WEBER, J FIELD, J N HUMMEL who came up with an original idea to classical forms brought in greater wealth in rhythm, the modification of tempi and humor in the movement of cycles and a significant level of new effective pianist and ornamental figure. The brilliant style is clearly brought out in his piano concert which appeared in F minor and E minor and possess a striking polonaise in E flat major for piano and orchestra. The piano part was billed the leading task and the orchestra was reduced to a supplement that was unassuming. This brought out the Chopin's subtle lyricism and his different cantabile melody. Chopin advanced work was produced after in the year 1831 when the ETUDES OP were written and are exemplified by strong dramatic appearance, great magnitude of imagination and the construction of romantic forms which were new. His brilliance evolved into a new, creative piano techniques, created with great accuracy and serving both modern instrumental color and the purpose of expressionism. He used the piano as an instrument whose multiplicity of sound and expressiveness was unforeseen and vividly brought out its new technical and colorist possibility. Both in its smooth form and in the more complex, attractive and figurative melodic lines show that Chopin was a great master of art. He significantly modified classical tonal principal and came up with new ways of joining chords, applied bold intonation and rapid and unexpected key changes, introduced new scales, some folk origin and made high level use of dissonances these changes brought a great influence in the further progression of music. The originality of Chopin puts into concern the emotional statement. His art expand the horizon of musical appearance by demonstrating broad experience and calamity, great amount of new energy state of heroic excitement and romantic flight of the imagination. They also brought about humorous feature and also disclosed subtle tone of moods, going beyond the expressive convections of his lifetime. An important component in the uniqueness of his music is in its national trait, revealed principally in the mazurkas and polonaises. The B flat minor and the B minor bring a far reaching modification of the classic model which represents the two great sonatas. The changes of the tempi,rhythm and character within individual movement show that his work are made of the four movement with a scherzo as the second and the slow section third movement .The movement on review differs from each other more distinctly than is the case with successive movement in classical sonata. The movement of each sonata provides a progressive drama to the listener whereby its emotional winding up becomes the fourth movement referred to as finale. The sonata in the B flat minor has a heartrending tinge emphasized by a significantly dramatic peak at the beginning and reinforced by the adored marched funebrein the third movement as well as the brief. Strange finale with lack of melody and clear key. The most accepted composition and much loved by the member of the public are the waltzes by Chopin whish was based on simple melodies and forms The eighteen waltzes by Chopin can be broken down into two major groups, the vigorous and the virtuoso type such as the grand valse and the lyrical melancholy composed of a slower tempo. In the group number two, one of the last waltzes by Chopin in the C Sharp minor op 64 is more specially interesting due to the sophistication of its melody and harmony which also involve their highly personal expression. Chamber music and songs have remained on the periphery of Chopin piano work. At most, two of his chamber composition is known to be exceptional. These include the trio in G minor for piano, violin and cello in which during his studies they were written and the sonata presented as G minor for piano and cello from the last phase. The two pieces of work show his originality and intense concept. Conclusion Chopin sonata stand for a renovation of the form of sonata that had a wide use in classical era whereby the changes make it suitable for Chopin's own style and it is in Chopin's sonata number two that he adopted ways reflecting the significant changes in his composition thinking. It was the new composition al options and objectives that led to the transformation of the form. Due to his personal style and methods of playing and the composition, Chopin was able to distinguish himself from other pianist composers Chopin regarded most of his up to date styles with some coldness, although he had many links associated with romanticism in music, literature and the arts. Chopin's music is however considered to be a peak of romantic style. The first movement represents the sonata allegro which has an opening four bar which are not part of the show though these four bars are used meaningfully in arrangement with the first subject in the development section. In real sense the basis of the first movement are contained within two thematic kernels. The second movement that presents the major group in the B flat and the trio as a subordinate grouping of G flat major. The scherzo takes its rhythmic energy from Beethoven. In the mid section it is not a tradition Beethoven trio but instead it's a gentle lullaby in the relative major that is enclosed within an aggressive dance. The repetition of the octaves and chords in the scherzo is an explosive rhythmic and dynamic power place so that it creates a furious insistence . The third movement, marked largo is in B major and is brought out in three part song forms. It has a theme of two outer sections that display an Italian flavor that is beautiful and has a long drawn melody. The middle section presents music whose tempo is slow and has an outer space character. The largo has been likened to a nocturne complete with the most fine harmonies and rich instrumental timbres. It is characterized by quaver figuration in the setting of a strongly harmonic line, which separates the more cantabile outer section of B major. Its striking beginning, arising harmonic sequence left hanging on a high dominant seventh, aside the end in B minor, is encompassed by a "galloping" rhythm, stressing on the melodic line on the first and third beats of each half-measure outlines the fifth through eighth level of a harmonic minor scale .It is in this movement that is characterized by the third movement which comes in form of complete lento interlude in d flat major but when played in the funeral march its only the B flat minor that is used. The fourth movement is the finale. It represents the most magnificent piece of work written by Chopin. Here, both hands are used and they come in parallel octaves. This can be attested by his OP28 Preface in E flat minor. The similitude of its nature to that of unaccompanied cello and the elaborate structure of the melodic line point to Bachs suite for solo cello as one possible source of inspiration. More particularly the preludes from bachs suites in D major for solo cello is similar pertnum mobile of four quaver triplet per bar and one of its most frequency repeated object bears s striking resemblance to the primary theme from the first movement of the Chopin sonata. A descending hexachord between the third and fifth scale is also a very important figure in the basch preface In Chopin's work, we can see the innovation which he put into use to come up with a superb piece of work.Chopins work show great maturity in expressivity and was exemplified by strong dramatic appearance, high level imagination and the building up of new romantic forms. This brilliance in turn evolved into new, creative piano techniques created with great accuracy and expressional feature The Chopin's sonata expressed in B flat minor comprised of a tragic overtone which was emphasized by the significant climaxes that were dramatic at first and they were reinforced by the celebrated funeral march as well as the brief strange finale with lack of melody and clear key. The most accepted composition and much loved by a large number of the members of the public are the waltzes by Chopin's that were based on simple melodies and forms. Sonata represents the substantial genre of classical composer. Romantic composers are always criticized for the lack of ability of writing sets of composition showing the structural continuity and they do not have a solid experience in handling large forms. Sonata has been decreased in its popularity because of the genre that has been used in the measurement of the composer's craftsmanship and creativity. As we can see, Chopin's sonatas urge for a overhaul of structure of sonata that had been used for in Classical era; the modification make it more suitable for Chopin own style, and it is also in Chopin's Sonata No. 2 that he adopted approaches reflecting significant changes in his compositional thinking. It was the new compositional choices and approach that led to the alteration of the form. Due to his personal style and method of his playing and of his composition, Chopin sets himself apart from most of the other pianist-composers of his time. My personal view on Chopin work in real sense Chopin was one of the greatest artists who should be accorded all the respect and his work can be emulated so as to improve the work of piano. Chopin put a lot of emphasis on the piano music since he was the first ever composer. He developed piano into an unfathomed range of possibility hence leading to the rise of the present world's dazzling of sounds which no one could ever imagine. He produced the element of music which became useful in the future and it is adored in the current century. From Chopin's time and the period there after ,music has been more dependent on the magnificent way in which the sound has been put out, the color that has been perceived, the nature of the sense of sound and the mode of which the sound has been produced. Chopin's been not only innate with the sound specificity in the treatment of the instrument and in the radiant pianist practice, but was also conversant with the sound language itself. Once one hears of the Etudes E major OP10 No 3 in the first few bars, then he or she can appreciate the changes that occur with the perception of harmony. We come across dissonance that are pleasant to the ears while others are shrill and sharp.Chopins development of music seem to take a second circumstance in comparison with the contest in which he presents his work, and his unique distinct style of harmonizing his ideas. The starting point of his poetic work makes his music to be one of the best and he lacks an analogy even in the current times. Due to this Chopin becomes one of the greatest legends in European cultural heritage. His individuality is one of the most the most important factors that show his greatness in art which is always accompanied with a mastery of composition skills. He was a very good improviser with a high sense of imaginative power. Therefore, the magnificence of his titles involves the perfect structuring of his music and this is clearly seen in his style of invention and the pianist brightness to his piece of work. Reference Wayne C Petty (1999): Chopin and the ghost of Beethoven pg 281-299: Oxford University press Read More