Review of Katrin Sigurdardottir's Boiseries It appears that today, aesthetics is more of a holistic experience involving more of the senses instead of exclusively the visual. Technology is crucial in this regard. In the movies, one, for instance, is treated to the wonders of 3D and this particular development is not entirely undesirable…
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The exhibition, called Boiseries, are actually installations that are real-life interpretations of French rooms that were en vogue in 18th century France. Particularly, the artist tried to recreate two rooms: the first, a room from the Hotel de Crillon; and the other, from the Hotel de Cabris. As in any installation exhibit, the visitor here would have to enter into the experience, than merely assuming an spectator's perspective. The Hotel de Crillon room interpretation is found in the Lila Acheson Wallace Wing's south mezzanine gallery. This is an enclosed affair wherein one has to make use of several mirrors in order to see what is inside. The experience is quite surreal and evokes a kind of voyeuristic taint as the effect of the presentation places the visitor in a real and fantastic setting at the same time. It is like there is a high degree of intimacy involved brought about by the proximity to the installation, but the mirrors provided enough distance for detachment. It is difficult to describe the room in its entirety but it is like a piece of precious porcelain, which can be pretty to look at but one needs to be really careful because it breaks easy. The stark white interior of the room adorned with the liquid hue of glasses offered several scenes of artistic composition that are effectively framed by the mirrors.
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“Leadership demands the expression of an authentic self” (Goffee and Jones 2005 87) but it should be done adequately because it is noted that people with the latter method tend to make the work for “efficient, powerful and punctual” (Nohria et al 2008 84).
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