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He left a legacy in his visual arts, and up-to-date his paints are broadly distributed in the U.S., many areas within ISU, and other institutions such as John Herron Art Institute, Indian Art Club, Swope Art Museum, homes, and libraries. He was a son of Perlina Wible Turman and Return Jonathan who offered him outstanding parental support. Today, many people renowned William as the pioneer from, which Turman Township, Turman’s Fort, Turman Prairie, and Turman Creek were named. His value of painting cannot be estimated as it continues to escalate in most institutions. After securing a strong education background in art at the Pennsylvania University, he was known for his extreme modesty and was elected as the leader of Penmanship Department, currently known as Indiana State University. With deep roots in art, the artist inspires many young artists with his paintings that clarify the impact of his work in the local culture. This essay seeks to discuss William T Turman visual arts and in doing, will provide criticism and historical, culture, and biographical information about his work. In their article, Sworp Art Museum provides biographical information about Turman’s art that records how he began his artwork. As stated, Turman instigated training in art at the Art Institute of Chicago and Chicago Academy. From 1941-1957, he served as the president of the Swope Art Museum where his paintings were emulated. Some criticizes the artist’s indistinct landscapes of Brown country with scenic sites within Wabash Valley, which some regard it be plain in content. However, one can affirm that Turman created great insights on his artwork when he painted an oil landscape of a Jewel Pool that made him awarded for his expertise of documenting the region’s people, landscape, and history as outlined in the following exhibition. “William Thomas Turman (Graysville, Indiana 1867 - 1960 Taft, California), Jewel Pool (detail), oil on paperboard, 1945, Bequest of Beatrice W. Sayer, 1997.03” Retrieved from http://www.swope.org/upcoming/the-art-of-william-t-turman/ As indicated, the diagram is landscape of a jewel pool painted by oil on paperboard in 1945, and submitted to Bequest of Beatrice Sayer in 1997. Later, he exhibited most of his works in various institutions such as John Herron Art Institute, Indiana Art Club, Swope Art Museum, and Hoosier Salon among others. Though his works are mostly in private collection, there are those in public buildings such as Columbia City, Turman Township High School, and Jasonville just to name a few. The exhibition was extensively inspired by his travelling that favored his subject in artwork. In honour of his work, Turman’s exhibitions explore more on culture as the artist indicate his deep roots of different areas in painting. Turman acknowledged the importance of majoring in culture as a potential tool to capture many to his painting. In this case, some of his painting majors in culture in the sense that the artist uses different styles such as landscape, rivers, and paintings. As a consequence, it revealed his expertise in art as he identified applicable styles that attracted many to his drawings. Turman relied on these styles for inspiration in his paintings that appealed beautifully printed and designed. His collection elaborated writing and poetry language that revealed on culture and history. His use of a wide range of styles with an absolute absence of description linearity presented him with an honorary acknowledgement as the “The Dean of Wabash Valley Artists” (Sworp Art Museum 1). This created a remarkable reputation in his art to the extent, the art gallery ascertained in 1939 in the building at Indiana State Teachers college, named “Turman Hall”
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